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Page:Algie Martin Simons - The Economic Foundations of Art.djvu/12

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12
THE ECONOMIC

any pleasure for the great producing masses in their work? To ask the question is to answer it. On every hand, performance of the essential labor of society is looked upon as an evil to be avoided, and few indeed who are actually concerned with it, ever think of looking there for something pleasurable, artistic, enjoyable. The production of "goods" has become an evil. Here we find the fundamental cause of the whole "inartistic," and hence painful, character of our present society. This is one more witness to the truth of the philosophy of economic determinism. Unless the production of the necessities of life can be made beautiful, pleasurable and instructive, our whole society must remain disorganized, disintegrated, productive of pain, and inartistic. A school, a factory, a studio, or a gymnasium, as a thing by itself, is an anomaly and must fail of its purpose. What is needed at the present time is a process of synthesis and correlation. Tolstoi has seen a portion of this truth, but he becomes ridiculous in proposing his rem-