Radamisto,74, 78
Rameau's Acanthe, 164 n.
Ranelagh, 187
Raphael, 10
Recitative, 20 Recitative-arioso,126
Recitatives and airs, 128
Relationship with vocal, 145
Resurrection, 44, 159, 161
Rhythms, 134 Riccardo I, 81, 186 n.
Rich's theatre, 90
Rigid and stolid manner of rendering Handel's works, 119 Rinaldo, 63, 64 Roderigo, 40, 42, 182 Rodelinda80
Rôles, Singers', 123
Romances, 91
Rome, 39 Rosamunde, 62
Roseingrave, 114 n.
Rosenmüller, 4
Roubiliac, 107
Ruspoli, Cardinal, 42
S
St. John Chrysostomo's Theatre, 41, 47
St. Paul's Cathedral, 66
Saint-Saens, 140, 141 Samson, 31, 98, 126 San Giovanni Grisostomo, 41, 47 Saul,94, 126, 183
Scarlatti, 38, 41, 43, 76, 122, 127
Schott, 22
Schumann, 109
Schütz, 36, 56 Second Concerto in F major,170 Semele, 127, 135
Semi-romantic colour, 115 Serse, 91 n., 122, 124, 98 n. Servio Tullio, 52
Seven Trios or Sonatas in two parts, 94 Seventh Concerto,169
Shakespeare, 121
Sicilian legend, 72
Sight gone, 105 Singakademien,108, 110 Siroë, 81
Six Fugues or Voluntaries, 149
Six Sonatas in Trio, 154 Sixth Concerto in G minor,176
Smith, C., 107
Smollett, 100
Society for the Maintenance of Poor Musicians, 96, 107
Solo voices, 123 Solomon, 102, 131
Sonata for Viola da Gamba, 154
Sonatas or trios for two violins, flutes, 155
Sonatas or trios for two violins, 155
Sonatas for the flute, violin, and harpsichord, 145
Sonatas for flute and bass, 64, 155
Sophia Charlotte, Princess, 11
Speed of working, Handel's, 116
Steffani, 7, 11, 19, 46, 51, 64, 122
Storms, Musical, 142
Streatfeild, 37, 40
Strungk, 6
Stuart party, 68
Stuart, James I, 66
Strauss, R., 121
Stradella, 118 Sturm und Drang period, 143
Styles, 133, 134, 137
Suites, etc., 146 Suites de pièces pour le clavecin, 143 Susanna, 102
Symphonies, 158
Swift, 67, 82
