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1911 Encyclopædia Britannica/Mercié, Marius Jean Antonin

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22035991911 Encyclopædia Britannica, Volume 18 — Mercié, Marius Jean Antonin

MERCIÉ, MARIUS JEAN ANTONIN (1845–), French sculptor and painter, was born in Toulouse on the 30th of October 1845. He entered the École des Beaux Arts, Paris, and studied under Falguiére and Jouffroy, and in 1868 gained the Grand Prix de Rome. His first great popular successes were the “David” and “Gloria Victis,” which was shown and received the medal of honour of the Salon. The bronze was subsequently placed in the Square Montholon. “The Genius of the Arts” (1877), a relief, is in the Tuileries, in substitution for Barye’s “Napoleon III.”; a similar work for the tomb of Michelet (1879) is in the cemetery of Père la Chaise; and in the same year Mercié produced the statue of Arago with accompanying reliefs, now erected at Perpignan. In 1882 he repeated his great patriotic success of 1874 with a group “Quand Même!” replicas of which have been set up at Belfort and in the garden of the Tuileries. “Le Souvenir” (1885), a marble statue for the tomb of Mme Charles Ferry, is one of his most beautiful works. “Regret,” for the tomb of Cabanel, was produced in 1892, along with “William Tell,” now at Lausanne. Mercié also designed the monuments to “Meissonier” (1895), erected in the Jardin de l’Infante in the Louvre, and “Faidherbe” (1896) at Lille, a statue of “Thiers” set up at St Germain-en-Laye, the monument to “Baudry” at Père-la-Chaise, and that of “Louis-Philippe and Queen Amélie” for their tomb at Dreux. His stone group of “Justice” is at the Hôtel de Ville, Paris. Numerous other statues, portrait busts, and medallions came from the sculptor’s hand, which gained him a medal of honour at the Paris Exhibition of 1878 and the grand prix at that of 1889. Among the paintings exhibited by the artist are a “Venus,” to which was awarded a medal in 1883, “Leda” (1884), and “Michaelangelo studying Anatomy” (1885)—his most dramatic work in this medium. Mercié was appointed professor of drawing and sculpture at the École des Beaux Arts, and was elected a member of the Académie Française in 1891, after being awarded the biennial prize of the institute of £800 in 1887.