A Dictionary of Music and Musicians/Clay, Frederic
CLAY, Frederic, son of James Clay, M.P. for Hull. Born Aug. 3, 1840, in the Rue Chaillot, Paris; educated in music entirely by Molique, with the exception of a short period of instruction at Leipzig under Hauptmann. Mr. Clay's compositions have been almost wholly for the stage. After two small pieces for amateurs, 'The Pirate's Isle' (1859) and 'Out of sight' (1860), he made his public début in 1862 at Covent Garden with 'Court and Cottage,' libretto by Tom Taylor. This was followed by 'Constance' (1865), by 'Ages ago' (1869), 'The Gentleman in Black' (1870), 'Happy Arcadia' (1872), 'Cattarina' (1874), 'Princess Toto,' and 'Don Quixote' (both 1875). [App. p.593 "the productions of 'The Merry Duchess' (Royalty Theatre, May 23, 1883), and 'The Golden Ring' (Alhambra, Dec. 3. 1883)."] In addition to these Mr. Clay wrote part of the music for 'Babil and Bijou' and the 'Black Crook' (both 1872), and incidental music to 'Twelfth Night' and to Albery's 'Oriana.' He has also composed two cantatas, 'The Knights of the Cross' (1866) and 'Lalla Rookh,' produced with great success at the Brighton Festival in February 1877; and not a few separate songs.
In all his works Mr. Clay shows a natural gift of graceful melody and a feeling for rich harmonic colouring. Although highly successful in the treatment of dramatic music, it is probable that his songs will give him the most lasting fame. 'She wandered down the mountain side,' 'Long ago,' and 'The sands of Dee,' among others, are poems of great tenderness and beauty, and not likely to be soon forgotten.[ S. ]