A Dictionary of Music and Musicians/Triple Time
TRIPLE TIME (Fr. Mésure à trois temps; Ger. Tripeltakt). The rhythm of three beats in a bar, the accent falling on the first beat. In quick tempo this single accent is sufficient, but in slow and expressive movements a second weaker accent is generally required to avoid monotony. This second accent is variously placed by different writers, some assigning it to the second beat (see Hauptmann 'Harmonik und Metrik,' p. 226) while others place it on the third. [Accent, vol. i. p. 12.] The truth appears to be that it may occupy either position according to the requirements of the phrasing. A comparison of the following examples will serve as a proof of this.
Beethoven. Trio, op. 70, no. 2.
Beethoven. Quartet, op. 130 (Alla danza tedesca).
When a bar of triple time consists of two notes only the accent is always on the longer note. Compare the first and last bars of the following example:—
Schumann. Estrella (Carneval, op. 9).
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