A Doll's House/Act III

by Henrik Ibsen

Act III

[The Same Scene.—The table has been placed in the middle of the stage, with chairs around it. A lamp is burning on the table. The door into the hall stands open. Dance music is heard in the room above. Mrs Linde is sitting at the table idly turning over the leaves of a book; she tries to read, but does not seem able to collect her thoughts. Every now and then she listens intently for a sound at the outer door.]

Mrs Linde

[looking at her watch] ;Not: yet—and the time is nearly up ;If: only he does not— [Listens again.] Ah, there he is. [Goes into the hall and opens the outer door carefully. Light footsteps are heard on the stairs. She whispers.] Come in. There is no one here.

Krogstad

[in the doorway] ;I: found a note from you at home What does this mean?

Mrs Linde

It is absolutely necessary that I should have a talk with you.

Krogstad

Really? And is it absolutely necessary that it should be here?

Mrs Linde

It. is impossible where I live; there is no private entrance to my rooms ;Come: in; we are quite alone The maid is asleep, and the Helmers are at the dance upstairs.

Krogstad

[coming into the room] Are the Helmers really at a dance tonight?

Mrs Linde

Yes, why not?

Krogstad

Certainly—why not?

Mrs Linde

Now, Nils, let us have a talk.

Krogstad

Can we two have anything to talk about?

Mrs Linde

We have a great deal to talk about.

Krogstad

I shouldn't have thought so.

Mrs Linde

No, you have never properly understood me.

Krogstad

Was there anything else to understand except what was obvious to all the world—a heartless woman jilts a man when a more lucrative chance turns up?

Mrs Linde

Do you believe I am as absolutely heartless as all that? And do you believe that I did it with a light heart?

Krogstad

Didn't you?

Mrs Linde

Nils, did you really think that?

Krogstad

If it were as you say, why did you write to me as you did at the time?

Mrs Linde

I. could do nothing else As I had to break with you, it was my duty also to put an end to all that you felt for me.

Krogstad

[wringing his hands] ;So: that was it And all this—only for the sake of money!

Mrs Linde

You. must not forget that I had a helpless mother and two little brothers We couldn't wait for you, Nils; your prospects seemed hopeless then.

Krogstad

That may be so, but you had no right to throw me over for anyone else's sake.

Mrs Linde

Indeed. I don't know Many a time did I ask myself if I had the right to do it.

Krogstad

[more gently] ;When: I lost you, it was as if all the solid ground went from under my feet Look at me now—I am a shipwrecked man clinging to a bit of wreckage.

Mrs Linde

But help may be near.

Krogstad

It was near; but then you came and stood in my way.

Mrs Linde

Unintentionally, Nils. It was only today that I learned it was your place I was going to take in the Bank.

Krogstad

I believe you, if you say so. But now that you know it, are you not going to give it up to me?

Mrs Linde

No, because that would not benefit you in the least.

Krogstad

Oh, benefit, benefit—I would have done it whether or no.

Mrs Linde

I. have learned to act prudently Life, and hard, bitter necessity have taught me that.

Krogstad

And life has taught me not to believe in fine speeches.

Mrs Linde

Then. life has taught you something very reasonable But deeds you must believe in?

Krogstad

What do you mean by that?

Mrs Linde

You said you were like a shipwrecked man clinging to some wreckage.

Krogstad

I had good reason to say so.

Mrs Linde

Well, I am like a shipwrecked woman clinging to some wreckage—no one to mourn for, no one to care for.

Krogstad

It was your own choice.

Mrs Linde

There was no other choice—then.

Krogstad

Well, what now?

Mrs Linde

Nils, how would it be if we two shipwrecked people could join forces?

Krogstad

What are you saying?

Mrs Linde

Two on the same piece of wreckage would stand a better chance than each on their own.

Krogstad

Christine I...

Mrs Linde

What do you suppose brought me to town?

Krogstad

Do you mean that you gave me a thought?

Mrs Linde

I. could not endure life without work ;All: my life, as long as I can remember, I have worked, and it has been my greatest and only pleasure ;But: now I am quite alone in the world—my life is so dreadfully empty and I feel so forsaken ;There: is not the least pleasure in working for one's self Nils, give me someone and something to work for.

Krogstad

I don't trust that. It is nothing but a woman's overstrained sense of generosity that prompts you to make such an offer of yourself.

Mrs Linde

Have you ever noticed anything of the sort in me?

Krogstad

Could you really do it? Tell me—do you know all about my past life?

Mrs Linde

Yes.

Krogstad

And do you know what they think of me here?

Mrs Linde

You seemed to me to imply that with me you might have been quite another man.

Krogstad

I am certain of it.

Mrs Linde

Is it too late now?

Krogstad

Christine, are you saying this deliberately? Yes, I am sure you are. I see it in your face. Have you really the courage, then—?

Mrs Linde

I. want to be a mother to someone, and your children need a mother ;We: two need each other Nils, I have faith in your real character—I can dare anything together with you.

Krogstad

[grasps her hands] Thanks, thanks, Christine! Now I shall find a way to clear myself in the eyes of the world. Ah, but I forgot—

Mrs Linde

[listening] Hush! The Tarantella! Go, go!

Krogstad

Why? What is it?

Mrs Linde

Do you hear them up there? When that is over, we may expect them back.

Krogstad

Yes, yes—I will go. But it is all no use. Of course you are not aware what steps I have taken in the matter of the Helmers.

Mrs Linde

Yes, I know all about that.

Krogstad

And in spite of that have you the courage to—?

Mrs Linde

I understand very well to what lengths a man like you might be driven by despair.

Krogstad

If I could only undo what I have done!

Mrs Linde

You cannot. Your letter is lying in the letter-box now.

Krogstad

Are you sure of that?

Mrs Linde

Quite sure, but—

Krogstad

[with a searching look at her] ;Is: that what it all means?—that you want to save your friend at any cost? Tell me frankly Is that it?

Mrs Linde

Nils, a woman who has once sold herself for another's sake, doesn't do it a second time.

Krogstad

I will ask for my letter back.

Mrs Linde

No, no.

Krogstad

Yes, of course I will. I will wait here until Helmer comes; I will tell him he must give me my letter back—that it only concerns my dismissal—that he is not to read it—

Mrs Linde

No, Nils, you must not recall your letter.

Krogstad

But, tell me, wasn't it for that very purpose that you asked me to meet you here?

Mrs Linde

In. my first moment of fright, it was. But twenty-four hours have elapsed since then, and in that time I have witnessed incredible things in this house ;Helmer: must know all about it This unhappy secret must be disclosed; they must have a complete understanding between them, which is impossible with all this concealment and falsehood going on.

Krogstad

Very well, if you will take the responsibility. But there is one thing I can do in any case, and I shall do it at once.

Mrs Linde

[listening] You must be quick and go! The dance is over; we are not safe a moment longer.

Krogstad

I will wait for you below.

Mrs Linde

Yes, do. You must see me back to my door...

Krogstad

I have never had such an amazing piece of good fortune in my life! [Goes out through the outer door. The door between the room and the hall remains open.]

Mrs Linde

[tidying up the room and laying her hat and cloak ready] What a difference! What a difference! Someone to work for and live for—a home to bring comfort into. That I will do, indeed I wish they would be quick and come—[Listens.] Ah, there they are now. I must put on my things. [Takes up her hat and cloak. Helmer's and Nora's voices are heard outside; a key is turned, and Helmer brings Nora almost by force into the hall. She is in an Italian costume with a large black shawl around her; he is in evening dress, and a black domino which is flying open.]

Nora

[hanging back in the doorway, and struggling with him] No, no, no!—don't take me in. I want to go upstairs again; I don't want to leave so early.

Helmer

But, my dearest Nora—

Nora

Please, Torvald dear—please, please—only an hour more.

Helmer

Not a single minute, my sweet Nora. You know that was our agreement. Come along into the room; you are catching cold standing there. [He brings her gently into the room, in spite of her resistance.]

Mrs Linde

Good evening.

Nora

Christine!

Helmer

You here, so late, Mrs Linde?

Mrs Linde

Yes, you must excuse me; I was so anxious to see Nora in her dress.

Nora

Have you been sitting here waiting for me?

Mrs Linde

Yes, unfortunately I came too late, you had already gone upstairs; and I thought I couldn't go away again without having seen you.

Helmer

[taking off Nora's shawl] Yes, take a good look at her. I think she is worth looking at. Isn't she charming, Mrs Linde?

Mrs Linde

Yes, indeed she is.

Helmer

Doesn't she look remarkably pretty? Everyone thought so at the dance. But she is terribly self-willed, this sweet little person. What are we to do with her? You will hardly believe that I had almost to bring her away by force.

Nora

Torvald, you will repent not having let me stay, even if it were only for half an hour.

Helmer

Listen to her, Mrs Linde! She had danced her Tarantella, and it had been a tremendous success, as it deserved—although possibly the performance was a trifle too realistic—a little more so, I mean, than was strictly compatible with the limitations of art. But never mind about that! The chief thing is, she had made a success—she had made a tremendous success. Do you think I was going to let her remain there after that, and spoil the effect? No, indeed! I took my charming little Capri maiden—my capricious little Capri maiden, I should say—on my arm; took one quick turn round the room; a curtsey on either side, and, as they say in novels, the beautiful apparition disappeared. An exit ought always to be effective, Mrs Linde; but that is what I cannot make Nora understand. Pooh! this room is hot. [Throws his domino on a chair, and opens the door of his room.] Hullo! it's all dark in here. Oh, of course—excuse me—. [He goes in, and lights some candles.]

Nora

[in a hurried and breathless whisper] Well?

Mrs Linde

[in a low voice] I have had a talk with him.

Nora

Yes, and—

Mrs Linde

Nora, you must tell your husband all about it.

Nora

[in an expressionless voice] I knew it.

Mrs Linde

You have nothing to be afraid of as far as Krogstad is concerned; but you must tell him.

Nora

I won't tell him.

Mrs Linde

Then the letter will.

Nora

Thank you, Christine. Now I know what I must do. Hush—!

Helmer

[coming in again] Well, Mrs Linde, have you admired her?

Mrs Linde

Yes, and now I will say goodnight.

Helmer

What, already? Is this yours, this knitting?

Mrs Linde

[taking it] Yes, thank you, I had very nearly forgotten it.

Helmer

So you knit?

Mrs Linde

Of course.

Helmer

Do you know, you ought to embroider.

Mrs Linde

Really? Why?

Helmer

Yes, it's far more becoming. Let me show you. You hold the embroidery thus in your left hand, and use the needle with the right—like this—with a long, easy sweep. Do you see?

Mrs Linde

Yes, perhaps—

Helmer

But in the case of knitting—that can never be anything but ungraceful; look here—the arms close together, the knitting- needles going up and down—it has a sort of Chinese effect—. That was really excellent champagne they gave us.

Mrs Linde

Well,—goodnight, Nora, and don't be self-willed any more.

Helmer

That's right, Mrs Linde.

Mrs Linde

Goodnight, Mr. Helmer.

Helmer

[accompanying her to the door] Goodnight, goodnight. I hope you will get home all right. I should be very happy to—but you haven't any great distance to go. Goodnight, goodnight. [She goes out; he shuts the door after her, and comes in again.] Ah!—at last we have got rid of her. She is a frightful bore, that woman.

Nora

Aren't you very tired, Torvald?

Helmer

No, not in the least.

Nora

Nor sleepy?

Helmer

Not a bit. On the contrary, I feel extraordinarily lively. And you?—you really look both tired and sleepy.

Nora

Yes, I am very tired. I want to go to sleep at once.

Helmer

There, you see it was quite right of me not to let you stay there any longer.

Nora

Everything you do is quite right, Torvald.

Helmer

[kissing her on the forehead] ;Now: my little skylark is speaking reasonably Did you notice what good spirits Rank was in this evening?

Nora

Really? Was he? I didn't speak to him at all.

Helmer

And I very little, but I have not for a long time seen him in such good form. [Looks for a while at her and then goes nearer to her.] It is delightful to be at home by ourselves again, to be all alone with you—you fascinating, charming little darling!

Nora

Don't look at me like that, Torvald.

Helmer

Why shouldn't I look at my dearest treasure?—at all the beauty that is mine, all my very own?

Nora

[going to the other side of the table] You mustn't say things like that to me tonight.

Helmer

[following her] ;You: have still got the Tarantella in your blood, I see ;And: it makes you more captivating than ever Listen—the guests are beginning to go now. [In a lower voice.] Nora—soon the whole house will be quiet.

Nora

Yes, I hope so.

Helmer

Yes, my own darling Nora. Do you know, when I am out at a party with you like this, why I speak so little to you, keep away from you, and only send a stolen glance in your direction now and then?—do you know why I do that? It is because I make believe to myself that we are secretly in love, and you are my secretly promised bride, and that no one suspects there is anything between us.

Nora

Yes, yes—I know very well your thoughts are with me all the time.

Helmer

And when we are leaving, and I am putting the shawl over your beautiful young shoulders—on your lovely neck—then I imagine that you are my young bride and that we have just come from the wedding, and I am bringing you for the first time into our home—to be alone with you for the first time—quite alone with my shy little darling! All this evening I have longed for nothing but you. When I watched the seductive figures of the Tarantella, my blood was on fire; I could endure it no longer, and that was why I brought you down so early—

Nora

Go away, Torvald! You must let me go. I won't—

Helmer

What's that? You're joking, my little Nora! You won't— you won't? Am I not your husband—? [A knock is heard at the outer door.]

Nora

[starting] Did you hear—?

Helmer

[going into the hall] Who is it?

Rank

[outside] ;It: is I May I come in for a moment?

Helmer

[in a fretful whisper] Oh, what does he want now? [Aloud.] Wait a minute! [Unlocks the door.] Come, that's kind of you not to pass by our door.

Rank

I thought I heard your voice, and felt as if I should like to look in. [With a swift glance round.] Ah, yes!—these dear familiar rooms. You are very happy and cosy in here, you two.

Helmer

It seems to me that you looked after yourself pretty well upstairs too.

Rank

Excellently. Why shouldn't I? Why shouldn't one enjoy everything in this world?—at any rate as much as one can, and as long as one can. The wine was capital—

Helmer

Especially the champagne.

Rank

So you noticed that too? It is almost incredible how much I managed to put away!

Nora

Torvald drank a great deal of champagne tonight too.

Rank

Did he?

Nora

Yes, and he is always in such good spirits afterwards.

Rank

Well, why should one not enjoy a merry evening after a well-spent day?

Helmer

Well spent? I am afraid I can't take credit for that.

Rank

[clapping him on the back] But I can, you know!

Nora

Doctor Rank, you must have been occupied with some scientific investigation today.

Rank

Exactly.

Helmer

Just listen!—little Nora talking about scientific investigations!

Nora

And may I congratulate you on the result?

Rank

Indeed you may.

Nora

Was it favourable, then?

Rank

The best possible, for both doctor and patient—certainty.

Nora

[quickly and searchingly] Certainty?

Rank

Absolute certainty. So wasn't I entitled to make a merry evening of it after that?

Nora

Yes, you certainly were, Doctor Rank.

Helmer

I think so too, so long as you don't have to pay for it in the morning.

Rank

Oh well, one can't have anything in this life without paying for it.

Nora

Doctor Rank—are you fond of fancy-dress balls?

Rank

Yes, if there is a fine lot of pretty costumes.

Nora

Tell me—what shall we two wear at the next?

Helmer

Little featherbrain!—are you thinking of the next already?

Rank

We two? Yes, I can tell you. You shall go as a good fairy—

Helmer

Yes, but what do you suggest as an appropriate costume for that?

Rank

Let your wife go dressed just as she is in everyday life.

Helmer

That was really very prettily turned. But can't you tell us what you will be?

Rank

Yes, my dear friend, I have quite made up my mind about that.

Helmer

Well?

Rank

At the next fancy-dress ball I shall be invisible.

Helmer

That's a good joke!

Rank

There is a big black hat—have you never heard of hats that make you invisible? If you put one on, no one can see you.

Helmer

[suppressing a smile] Yes, you are quite right.

Rank

But I am clean forgetting what I came for. Helmer, give me a cigar—one of the dark Havanas.

Helmer

With the greatest pleasure. [Offers him his case.]

Rank

[takes a cigar and cuts off the end] Thanks.

Nora

[striking a match] Let me give you a light.

Rank

Thank you. [She holds the match for him to light his cigar.] And now goodbye!

Helmer

Goodbye, goodbye, dear old man!

Nora

Sleep well, Doctor Rank.

Rank

Thank you for that wish.

Nora

Wish me the same.

Rank

You? Well, if you want me to sleep well! And thanks for the light. [He nods to them both and goes out.]

Helmer

[in a subdued voice] He has drunk more than he ought.

Nora

[absently] Maybe. [Helmer takes a bunch of keys out of his pocket and goes into the hall.] Torvald! what are you going to do there?

Helmer

Emptying the letter-box; it is quite full; there will be no room to put the newspaper in tomorrow morning.

Nora

Are you going to work tonight?

Helmer

You know quite well I'm not. What is this? Someone has been at the lock.

Nora

At the lock—?

Helmer

Yes, someone has. What can it mean? I should never have thought the maid—. Here is a broken hairpin. Nora, it is one of yours.

Nora

[quickly] Then it must have been the children—

Helmer

Then you must get them out of those ways. There, at last I have got it open. [Takes out the contents of the letter-box, and calls to the kitchen.] Helen!—Helen, put out the light over the front door. [Goes back into the room and shuts the door into the hall. He holds out his hand full of letters.] Look at that— look what a heap of them there are. [Turning them over.] What on earth is that?

Nora

[at the window] The letter—No! Torvald, no!

Helmer

Two cards—of Rank's.

Nora

Of Doctor Rank's?

Helmer

[looking at them] ;Doctor: Rank ;They: were on the top He must have put them in when he went out.

Nora

Is there anything written on them?

Helmer

There is a black cross over the name. Look there—what an uncomfortable idea! It looks as if he were announcing his own death.

Nora

It is just what he is doing.

Helmer

What? Do you know anything about it? Has he said anything to you?

Nora

Yes. He told me that when the cards came it would be his leave-taking from us. He means to shut himself up and die.

Helmer

My poor old friend! Certainly I knew we should not have him very long with us. But so soon! And so he hides himself away like a wounded animal.

Nora

If it has to happen, it is best it should be without a word—don't you think so, Torvald?

Helmer

[walking up and down] ;He: had so grown into our lives ;I: can't think of him as having gone out of them He, with his sufferings and his loneliness, was like a cloudy background to our sunlit happiness. Well, perhaps it is best so. For him, anyway. [Standing still.] And perhaps for us too, Nora. We two are thrown quite upon each other now. [Puts his arms round her.] My darling wife, I don't feel as if I could hold you tight enough. Do you know, Nora, I have often wished that you might be threatened by some great danger, so that I might risk my life's blood, and everything, for your sake.

Nora

[disengages herself, and says firmly and decidedly] Now you must read your letters, Torvald.

Helmer

No, no; not tonight. I want to be with you, my darling wife.

Nora

With the thought of your friend's death—

Helmer

You are right, it has affected us both. Something ugly has come between us—the thought of the horrors of death. We must try and rid our minds of that. Until then—we will each go to our own room.

Nora

[hanging on his neck] Goodnight, Torvald—Goodnight!

Helmer

[kissing her on the forehead] Goodnight, my little singing-bird. Sleep sound, Nora. Now I will read my letters through. [He takes his letters and goes into his room, shutting the door after him.]

Nora

[gropes distractedly about, seizes Helmer's domino, throws it round her, while she says in quick, hoarse, spasmodic whispers] ;Never: to see him again Never! Never! [Puts her shawl over her head.] Never to see my children again either—never again. Never! Never!—Ah! the icy, black water—the unfathomable depths—If only it were over! He has got it now—now he is reading it. Goodbye, Torvald and my children! [She is about to rush out through the hall, when Helmer opens his door hurriedly and stands with an open letter in his hand.]

Helmer

Nora!

Nora

Ah!—

Helmer

What is this? Do you know what is in this letter?

Nora

Yes, I know. Let me go! Let me get out!

Helmer

[holding her back] Where are you going?

Nora

[trying to get free] You shan't save me, Torvald!

Helmer

[reeling] True? Is this true, that I read here? Horrible! No, no—it is impossible that it can be true.

Nora

It is true. I have loved you above everything else in the world.

Helmer

Oh, don't let us have any silly excuses.

Nora

[taking a step towards him] Torvald—!

Helmer

Miserable creature—what have you done?

Nora

Let me go. You shall not suffer for my sake. You shall not take it upon yourself.

Helmer

No tragic airs, please. [Locks the hall door.] Here you shall stay and give me an explanation. Do you understand what you have done? Answer me! Do you understand what you have done?

Nora

[looks steadily at him and says with a growing look of coldness in her face] Yes, now I am beginning to understand thoroughly.

Helmer

[walking about the room] ;What: a horrible awakening! All these eight years—she who was my joy and pride—a hypocrite, a liar—worse, worse—a criminal! The unutterable ugliness of it all!—For shame! For shame! [Nora is silent and looks steadily at him He stops in front of her.] I ought to have suspected that something of the sort would happen. I ought to have foreseen it. All your father's want of principle—be silent!—all your father's want of principle has come out in you. No religion, no morality, no sense of duty—. How I am punished for having winked at what he did! I did it for your sake, and this is how you repay me.

Nora

Yes, that's just it.

Helmer

Now you have destroyed all my happiness. You have ruined all my future. It is horrible to think of! I am in the power of an unscrupulous man; he can do what he likes with me, ask anything he likes of me, give me any orders he pleases—I dare not refuse. And I must sink to such miserable depths because of a thoughtless woman!

Nora

When I am out of the way, you will be free.

Helmer

No fine speeches, please. Your father had always plenty of those ready, too. What good would it be to me if you were out of the way, as you say? Not the slightest. He can make the affair known everywhere; and if he does, I may be falsely suspected of having been a party to your criminal action. Very likely people will think I was behind it all—that it was I who prompted you! And I have to thank you for all this—you whom I have cherished during the whole of our married life. Do you understand now what it is you have done for me?

Nora

[coldly and quietly] Yes.

Helmer

It is so incredible that I can't take it in. But we must come to some understanding. Take off that shawl. Take it off, I tell you. I must try and appease him some way or another. The matter must be hushed up at any cost. And as for you and me, it must appear as if everything between us were just as before—but naturally only in the eyes of the world. You will still remain in my house, that is a matter of course. But I shall not allow you to bring up the children; I dare not trust them to you. To think that I should be obliged to say so to one whom I have loved so dearly, and whom I still—. No, that is all over. From this moment happiness is not the question; all that concerns us is to save the remains, the fragments, the appearance—

[A ring is heard at the front-door bell.]

Helmer

[with a start] ;What: is that? So late! Can the worst—? Can he—? Hide yourself, Nora Say you are ill.

[Nora stands motionless. Helmer goes and unlocks the hall door.]

Maid

[half-dressed, comes to the door] A letter for the mistress.

Helmer

Give it to me. [Takes the letter, and shuts the door.] Yes, it is from him. You shall not have it; I will read it myself.

Nora

Yes, read it.

Helmer

[standing by the lamp] ;I: scarcely have the courage to do it ;It: may mean ruin for both of us No, I must know. [Tears open the letter, runs his eye over a few lines, looks at a paper enclosed, and gives a shout of joy.] Nora! [She looks at him questioningly.] Nora!—No, I must read it once again—. Yes, it is true! I am saved! Nora, I am saved!

Nora

And I?

Helmer

You too, of course; we are both saved, both you and I. Look, he sends you your bond back. He says he regrets and repents— that a happy change in his life—never mind what he says! We are saved, Nora! No one can do anything to you. Oh, Nora, Nora!—no, first I must destroy these hateful things. Let me see—. [Takes a look at the bond.] No, no, I won't look at it. The whole thing shall be nothing but a bad dream to me. [Tears up the bond and both letters, throws them all into the stove, and watches them burn.] There—now it doesn't exist any longer. He says that since Christmas Eve you—. These must have been three dreadful days for you, Nora.

Nora

I have fought a hard fight these three days.

Helmer

And suffered agonies, and seen no way out but—. No, we won't call any of the horrors to mind. We will only shout with joy, and keep saying, "It's all over! It's all over!" Listen to me, Nora. You don't seem to realise that it is all over. What is this?—such a cold, set face! My poor little Nora, I quite understand; you don't feel as if you could believe that I have forgiven you. But it is true, Nora, I swear it; I have forgiven you everything. I know that what you did, you did out of love for me.

Nora

That is true.

Helmer

You have loved me as a wife ought to love her husband. Only you had not sufficient knowledge to judge of the means you used. But do you suppose you are any the less dear to me, because you don't understand how to act on your own responsibility? No, no; only lean on me; I will advise you and direct you. I should not be a man if this womanly helplessness did not just give you a double attractiveness in my eyes. You must not think anymore about the hard things I said in my first moment of consternation, when I thought everything was going to overwhelm me. I have forgiven you, Nora; I swear to you I have forgiven you.

Nora

Thank you for your forgiveness. [She goes out through the door to the right.]

Helmer

No, don't go—. [Looks in.] What are you doing in there?

Nora

[from within] Taking off my fancy dress.

Helmer

[standing at the open door] Yes, do. Try and calm yourself, and make your mind easy again, my frightened little singing-bird. Be at rest, and feel secure; I have broad wings to shelter you under. [Walks up and down by the door.] How warm and cosy our home is, Nora. Here is shelter for you; here I will protect you like a hunted dove that I have saved from a hawk's claws; I will bring peace to your poor beating heart. It will come, little by little, Nora, believe me. Tomorrow morning you will look upon it all quite differently; soon everything will be just as it was before. Very soon you won't need me to assure you that I have forgiven you; you will yourself feel the certainty that I have done so. Can you suppose I should ever think of such a thing as repudiating you, or even reproaching you? You have no idea what a true man's heart is like, Nora. There is something so indescribably sweet and satisfying, to a man, in the knowledge that he has forgiven his wife—forgiven her freely, and with all his heart. It seems as if that had made her, as it were, doubly his own; he has given her a new life, so to speak; and she has in a way become both wife and child to him. So you shall be for me after this, my little scared, helpless darling. Have no anxiety about anything, Nora; only be frank and open with me, and I will serve as will and conscience both to you—. What is this? Not gone to bed? Have you changed your things?

Nora

[in everyday dress] Yes, Torvald, I have changed my things now.

Helmer

But what for?—so late as this.

Nora

I shall not sleep tonight.

Helmer

But, my dear Nora—

Nora

[looking at her watch] ;It: is not so very late ;Sit: down here, Torvald ;You: and I have much to say to one another [She sits down at one side of the table.]

Helmer

Nora—what is this?—this cold, set face?

Nora

Sit down. It will take some time; I have a lot to talk over with you.

Helmer

[sits down at the opposite side of the table] You alarm me, Nora!—and I don't understand you.

Nora

No, that is just it. You don't understand me, and I have never understood you either—before tonight. No, you mustn't interrupt me. You must simply listen to what I say. Torvald, this is a settling of accounts.

Helmer

What do you mean by that?

Nora

[after a short silence] Isn't there one thing that strikes you as strange in our sitting here like this?

Helmer

What is that?

Nora

We have been married now eight years. Does it not occur to you that this is the first time we two, you and I, husband and wife, have had a serious conversation?

Helmer

What do you mean by serious?

Nora

In all these eight years—longer than that—from the very beginning of our acquaintance, we have never exchanged a word on any serious subject.

Helmer

Was it likely that I would be continually and forever telling you about worries that you could not help me to bear?

Nora

I am not speaking about business matters. I say that we have never sat down in earnest together to try and get at the bottom of anything.

Helmer

But, dearest Nora, would it have been any good to you?

Nora

That is just it; you have never understood me. I have been greatly wronged, Torvald—first by papa and then by you.

Helmer

What! By us two—by us two, who have loved you better than anyone else in the world?

Nora

[shaking her head] You have never loved me. You have only thought it pleasant to be in love with me.

Helmer

Nora, what do I hear you saying?

Nora

It is perfectly true, Torvald. When I was at home with papa, he told me his opinion about everything, and so I had the same opinions; and if I differed from him I concealed the fact, because he would not have liked it. He called me his doll-child, and he played with me just as I used to play with my dolls. And when I came to live with you—

Helmer

What sort of an expression is that to use about our marriage?

Nora

[undisturbed] I mean that I was simply transferred from papa's hands into yours. You arranged everything according to your own taste, and so I got the same tastes as yours-else I pretended to, I am really not quite sure which—I think sometimes the one and sometimes the other. When I look back on it, it seems to me as if I had been living here like a poor woman—just from hand to mouth. I have existed merely to perform tricks for you, Torvald. But you would have it so. You and papa have committed a great sin against me. It is your fault that I have made nothing of my life.

Helmer

How unreasonable and how ungrateful you are, Nora! Have you not been happy here?

Nora

No, I have never been happy. I thought I was, but it has never really been so.

Helmer

Not—not happy!

Nora

No, only merry. And you have always been so kind to me. But our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls. I thought it great fun when you played with me, just as they thought it great fun when I played with them. That is what our marriage has been, Torvald.

Helmer

There is some truth in what you say—exaggerated and strained as your view of it is. But for the future it shall be different. Playtime shall be over, and lesson-time shall begin.

Nora

Whose lessons? Mine, or the children's?

Helmer

Both yours and the children's, my darling Nora.

Nora

Alas, Torvald, you are not the man to educate me into being a proper wife for you.

Helmer

And you can say that!

Nora

And I—how am I fitted to bring up the children?

Helmer

Nora!

Nora

Didn't you say so yourself a little while ago—that you dare not trust me to bring them up?

Helmer

In a moment of anger! Why do you pay any heed to that?

Nora

Indeed, you were perfectly right. I am not fit for the task. There is another task I must undertake first. I must try and educate myself—you are not the man to help me in that. I must do that for myself. And that is why I am going to leave you now.

Helmer

[springing up] What do you say?

Nora

I must stand quite alone, if I am to understand myself and everything about me. It is for that reason that I cannot remain with you any longer.

Helmer

Nora, Nora!

Nora

I am going away from here now, at once. I am sure Christine will take me in for the night—

Helmer

You are out of your mind! I won't allow it! I forbid you!

Nora

It is no use forbidding me anything any longer. I will take with me what belongs to myself. I will take nothing from you, either now or later.

Helmer

What sort of madness is this!

Nora

Tomorrow I shall go home—I mean, to my old home. It will be easiest for me to find something to do there.

Helmer

You blind, foolish woman!

Nora

I must try and get some sense, Torvald.

Helmer

To desert your home, your husband and your children! And you don't consider what people will say!

Nora

I cannot consider that at all. I only know that it is necessary for me.

Helmer

It's shocking. This is how you would neglect your most sacred duties.

Nora

What do you consider my most sacred duties?

Helmer

Do I need to tell you that? Are they not your duties to your husband and your children?

Nora

I have other duties just as sacred.

Helmer

That you have not. What duties could those be?

Nora

Duties to myself.

Helmer

Before all else, you are a wife and a mother.

Nora

I don't believe that any longer. I believe that before all else I am a reasonable human being, just as you are—or, at all events, that I must try and become one. I know quite well, Torvald, that most people would think you right, and that views of that kind are to be found in books; but I can no longer content myself with what most people say, or with what is found in books. I must think over things for myself and get to understand them.

Helmer

Can you not understand your place in your own home? Have you not a reliable guide in such matters as that?—have you no religion?

Nora

I am afraid, Torvald, I do not exactly know what religion is.

Helmer

What are you saying?

Nora

I know nothing but what the clergyman said, when I went to be confirmed. He told us that religion was this, and that, and the other. When I am away from all this, and am alone, I will look into that matter too. I will see if what the clergyman said is true, or at all events if it is true for me.

Helmer

This is unheard of in a girl of your age! But if religion cannot lead you aright, let me try and awaken your conscience. I suppose you have some moral sense? Or—answer me—am I to think you have none?

Nora

I assure you, Torvald, that is not an easy question to answer. I really don't know. The thing perplexes me altogether. I only know that you and I look at it in quite a different light. I am learning, too, that the law is quite another thing from what I supposed; but I find it impossible to convince myself that the law is right. According to it a woman has no right to spare her old dying father, or to save her husband's life. I can't believe that.

Helmer

You talk like a child. You don't understand the conditions of the world in which you live.

Nora

No, I don't. But now I am going to try. I am going to see if I can make out who is right, the world or I.

Helmer

You are ill, Nora; you are delirious; I almost think you are out of your mind.

Nora

I have never felt my mind so clear and certain as tonight.

Helmer

And is it with a clear and certain mind that you forsake your husband and your children?

Nora

Yes, it is.

Helmer

Then there is only one possible explanation.

Nora

What is that?

Helmer

You do not love me anymore.

Nora

No, that is just it.

Helmer

Nora!—and you can say that?

Nora

It gives me great pain, Torvald, for you have always been so kind to me, but I cannot help it. I do not love you any more.

Helmer

[regaining his composure] Is that a clear and certain conviction too?

Nora

Yes, absolutely clear and certain. That is the reason why I will not stay here any longer.

Helmer

And can you tell me what I have done to forfeit your love?

Nora

Yes, indeed I can. It was tonight, when the wonderful thing did not happen; then I saw you were not the man I had thought you were.

Helmer

Explain yourself better. I don't understand you.

Nora

I have waited so patiently for eight years; for, goodness knows, I knew very well that wonderful things don't happen every day. Then this horrible misfortune came upon me; and then I felt quite certain that the wonderful thing was going to happen at last. When Krogstad's letter was lying out there, never for a moment did I imagine that you would consent to accept this man's conditions. I was so absolutely certain that you would say to him: Publish the thing to the whole world. And when that was done—

Helmer

Yes, what then?—when I had exposed my wife to shame and disgrace?

Nora

When that was done, I was so absolutely certain, you would come forward and take everything upon yourself, and say: I am the guilty one.

Helmer

Nora—!

Nora

You mean that I would never have accepted such a sacrifice on your part? No, of course not. But what would my assurances have been worth against yours? That was the wonderful thing which I hoped for and feared; and it was to prevent that, that I wanted to kill myself.

Helmer

I would gladly work night and day for you, Nora—bear sorrow and want for your sake. But no man would sacrifice his honour for the one he loves.

Nora

It is a thing hundreds of thousands of women have done.

Helmer

Oh, you think and talk like a heedless child.

Nora

Maybe. But you neither think nor talk like the man I could bind myself to. As soon as your fear was over—and it was not fear for what threatened me, but for what might happen to you—when the whole thing was past, as far as you were concerned it was exactly as if nothing at all had happened. Exactly as before, I was your little skylark, your doll, which you would in future treat with doubly gentle care, because it was so brittle and fragile. [Getting up.] Torvald—it was then it dawned upon me that for eight years I had been living here with a strange man, and had borne him three children—. Oh, I can't bear to think of it! I could tear myself into little bits!

Helmer

[sadly] ;I: see, I see ;An: abyss has opened between us—there is no denying it But, Nora, would it not be possible to fill it up?

Nora

As I am now, I am no wife for you.

Helmer

I have it in me to become a different man.

Nora

Perhaps—if your doll is taken away from you.

Helmer

But to part!—to part from you! No, no, Nora, I can't understand that idea.

Nora

[going out to the right] ;That: makes it all the more certain that it must be done [She comes back with her cloak and hat and a small bag which she puts on a chair by the table.]

Helmer

Nora, Nora, not now! Wait until tomorrow.

Nora

[putting on her cloak] I cannot spend the night in a strange man's room.

Helmer

But can't we live here like brother and sister—?

Nora

[putting on her hat] ;You: know very well that would not last long [Puts the shawl round her.] Goodbye, Torvald. I won't see the little ones. I know they are in better hands than mine. As I am now, I can be of no use to them.

Helmer

But some day, Nora—some day?

Nora

How can I tell? I have no idea what is going to become of me.

Helmer

But you are my wife, whatever becomes of you.

Nora

Listen, Torvald. I have heard that when a wife deserts her husband's house, as I am doing now, he is legally freed from all obligations towards her. In any case, I set you free from all your obligations. You are not to feel yourself bound in the slightest way, any more than I shall. There must be perfect freedom on both sides. See, here is your ring back. Give me mine.

Helmer

That too?

Nora

That too.

Helmer

Here it is.

Nora

That's right. Now it is all over. I have put the keys here. The maids know all about everything in the house—better than I do. Tomorrow, after I have left her, Christine will come here and pack up my own things that I brought with me from home. I will have them sent after me.

Helmer

All over! All over!—Nora, shall you never think of me again?

Nora

I know I shall often think of you, the children, and this house.

Helmer

May I write to you, Nora?

Nora

No—never. You must not do that.

Helmer

But at least let me send you—

Nora

Nothing—nothing—

Helmer

Let me help you if you are in want.

Nora

No: I can receive nothing from a stranger.

Helmer

Nora—can I never be anything more than a stranger to you?

Nora

[taking her bag] Ah, Torvald, the most wonderful thing of all would have to happen.

Helmer

Tell me what that would be!

Nora

Both you and I would have to be so changed that—. Oh, Torvald, I don't believe any longer in wonderful things happening.

Helmer

But I will believe in it. Tell me! So changed that—?

Nora

That our life together would be a real wedlock. Goodbye. [She goes out through the hall.]

Helmer

[sinks down on a chair at the door and buries his face in his hands] Nora! Nora! [Looks round, and rises.] Empty. She is gone. [A hope flashes across his mind.] The most wonderful thing of all—?

[The sound of a door shutting is heard from below.]