A Voice from the Town
I thought, in the days of the droving,
Of steps I might hope to retrace,
To be done with the bush and the roving
And settle once more in my place.
With a heart that was well nigh to breaking,
In the long, lonely rides on the plain,
I thought of the pleasure of taking
The hand of a lady again.
I am back into civilization,
Once more in the stir and the strife,
But the old joys have lost their sensation --
The light has gone out of my life;
The men of my time they have married,
Made fortunes or gone to the wall;
Too long from the scene I have tarried,
And somehow, I'm out of it all.
For I go to the balls and the races
A lonely companionless elf,
And the ladies bestow all their graces
On others less grey than myself;
While the talk goes around I'm a dumb one
'Midst youngsters that chatter and prate,
And they call me "The Man who was Someone
Way back in the year Sixty-eight."
And I look, sour and old, at the dancers
That swing to the strains of the band,
And the ladies all give me the Lancers,
No waltzes -- I quite understand.
For matrons intent upon matching
Their daughters with infinite push,
Would scarce think him worthy the catching,
The broken-down man from the bush.
New partners have come and new faces,
And I, of the bygone brigade,
Sharply feel that oblivion my place is --
I must lie with the rest in the shade.
And the youngsters, fresh-featured and pleasant,
They live as we lived -- fairly fast;
But I doubt if the men of the present
Are as good as the men of the past.
Of excitement and praise they are chary,
There is nothing much good upon earth;
Their watchword is nil admirari,
They are bored from the days of their birth.
Where the life that we led was a revel
They "wince and relent and refrain" --
I could show them the road -- to the devil,
Were I only a youngster again.
I could show them the road where the stumps are,
The pleasures that end in remorse,
And the game where the Devil's three trumps are
The woman, the card, and the horse.
Shall the blind lead the blind -- shall the sower
Of wind read the storm as of yore?
Though they get to their goal somewhat slower,
They march where we hurried before.
For the world never learns -- just as we did
They gallantly go to their fate,
Unheeded all warnings, unheeded
The maxims of elders sedate.
As the husbandman, patiently toiling,
Draws a harvest each year from the soil,
So the fools grow afresh for the spoiling,
And a new crop of thieves for the spoil.
But a truce to this dull moralizing,
Let them drink while the drops are of gold.
I have tasted the dregs -- 'twere surprising
Were the new wine to me like the old;
And I weary for lack of employment
In idleness day after day,
For the key to the door of enjoyment
Is Youth -- and I've thrown it away.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
- published non-government works whose author died before January 1, 1955,
- anonymous or pseudonymous works and photographs published before January 1, 1955, and
- government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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