Aladdin O'Brien/Chapter 7

by Gouverneur Morris

VII

N the ensuing two days Aladdin matured enormously, for though a kind neighbor took him in, together with his brother Jack and the yellow cat, he had suffered many things and already sniffed the wolf at the door. The kind neighbor was a widow lady, whose husband, having been a master carpenter of retentive habits, had left her independently rich. She owned the white-and-green house in which she lived, the plot of ground, including a small front and a small back yard, upon which it stood, and she spent with some splendor a certain income of three hundred and eighty-two dollars a year. Every picture, every chair, every mantelpiece in the Widow Brackett's house was draped with a silk scarf. The parlor lamp had a glass shade upon which, painted in oils, by hand, were crimson moss-roses and scarlet poppies. A crushed plush spring rocker had goldenrod painted on back and seat, while two white-and-gold vases in precise positions on the mantel were filled with tight round bunches of immortelles, stained pink. Upon the marble-topped, carved-by-machine-walnut-legged table in the bay-window were things to be taken up by a visitor and examined. A white plate with a spreading of foreign postage-stamps, such as any boy collector has in quantities for exchange, was the first surprise: you were supposed to discover that the stamps were not real, but painted on the plate, and exclaim about it. A china basket contained most edible-looking fruit of the same material, and a huge album, not to be confounded with the family Bible upon which it rested, was filled with speaking likenesses of the Widow Brackett's relatives. The Bible beneath could have told when each was born, when many had died, and where many were buried. But nobody was ever allowed to look into the Widow Brackett's Bible for information mundane or spiritual, since the only result would have been showers of pressed ferns and flowers upon the carpet, which was not without well-pressed flowers and ferns of its own.

Very soon after the explosion of the wonderful lamp the Widow Brackett had taken Aladdin and Jack and the cat into her house and seen to it that they had a square meal. Early on the second day she came to the conclusion that if it could in any way be made worth her while, she would like to keep them until they grew up. And when the ground upon which Aladdin's father's house had stood was sold at auction for three hundred and eight dollars, she let it be known that if she could get that she would board the two little waifs until Aladdin was old enough to work. The court appointed two guardians. The guardians consulted for a few minutes over something brown in a glass, and promptly turned over the three hundred and eight dollars to the Widow Brackett; and the Widow Brackett almost as promptly made a few alterations in the up-stairs of her house the better to accommodate the orphans, tied a dirty white ribbon about the yellow cat's neck, and bought a derelict piano upon which her heart had been set for many months. She was no musician, but she loved a tightly closed piano with a scarf draped over the top, and thought that no parlor should be without one. Up to middle C, as Aladdin in time found out, the piano in question was not without musical pretensions, but above that any chord sounded like a nest of tin plates dropped on a wooden floor, and the intervals were those of no known scale nor fragment thereof. But in time he learned to draw pleasant things from the old piano and to accompany his shrill voice in song. As a matter of fact, he had no voice and never would have, but almost from the first he knew how to sing. It so happened that he was drawn to the piano by a singular thing: a note from his beloved. It came one morning thumb-marked about the sealing, and covered with the generous sprawl of her writing. It said:

Dear Aladdin: Do not say anything about this because I do not know if my father would like it but I am so sorry about your father blowing up and all your troubles and I want you to know how sory I am. I must stop now because I have to practis.

Your loving friend

Margaret St. John.

Aladdin was an exquisite speller, and the first thing he noticed about the letter was that it contained two words spelled wrong, and that he loved Margaret the better by two misspelled words, and that he had a lump in his throat.

He had found the letter by his plate at breakfast, and the eyes of Mrs. Brackett fastened upon it.

"I don't know who ken have been writin' to you," she said.

"Neither do I," said Aladdin, giving, as is proper, the direct lie to the remark inquisitive. He had put the letter in his pocket.

"Why don't you open it and see?"

Aladdin blushed.

"Time enough after breakfast," he said.

There was a silence.

"Jack's eatin' his breakfast; why ain't you eatin' yours?"

Aladdin fell upon his breakfast for the sake of peace. And Mrs. Brackett said no more. Some days later, for she was not to be denied in little matters or great, Mrs. Brackett found where Aladdin had hidden the letter, took it up, read it, sniffed, and put it back, with the remark that she never "see such carryin's-on."

Aladdin hid, and read his letter over and over; then an ominous silence having informed him that Mrs. Brackett had gone abroad, he stole into the parlor, perched on the piano-stool, and, like a second Columbus, began to discover things which other people have to be shown. The joy of his soul had to find expression, as often afterward the sorrow of it.

That winter Jack entered school in the lowest class, and the two little boys were to be seen going or coming in close comradeship, fair weather or foul. The yellow cat had affairs of gallantry, and bore to the family, at about Christmas-time, five yellow kittens, which nobody had the heart to drown, and about whose necks, at the age of eye-opening, the Widow Brackett tied little white ribbons in large bows.

Sometimes Aladdin saw Margaret, but only for a little.

So the years passed, and Aladdin turned his sixteenth year. He was very tall and very thin, energetic but not strong, very clever, but with less application than an uncoerced camel. To single him from other boys, he was full of music and visions. And rhymes were beginning to ring in his head.

A week came when the rhymes and the music went clean out of his head, which became as heavy as a scuttle full of coal, and he walked about heavily like an old man.