An Old English Home and Its Dependencies
Appearance
AN
OLD ENGLISH HOME
AND ITS DEPENDENCIES
BY
S. BARING-GOULD
ILLUSTRATED BY F. BLIGH BOND
METHUEN & CO.
36 ESSEX STREET, W.C.
LONDON
1898
Chapter | page | ||
I. | Paternal Acres | 1 | |
II. | The Manor House | 29 | |
III. | The Domestic Hearth | 49 | |
IV. | Old Furniture | 68 | |
V. | Ceilings | 85 | |
VI. | The Parish Church | 98 | |
VII. | The Village Inn | 153 | |
VIII. | The Manor Mill | 175 | |
IX. | The Farmhouse | 190 | |
X. | Cottages | 216 | |
XI. | The Village Doctor | 243 | |
XII. | Scapegraces | 269 | |
XIII. | Hedges | 290 | |
XIV. | Underground Rights | 307 |
LIST OF ILLUSTRATIONS
page | |
An Old English Home | Frontispiece |
Marianne's Cottage | 3 |
The Cottage of the "Savages" | 11 |
The Manor House, South Wraxall, Wiltshire | 31 |
Chateau de Tumilhac | 41 |
Battlemented Transom | 45 |
A Chimney-piece (End of Seventeenth Century) | 51 |
The Settle | 57 |
The Chimney-top, Ancient and Modern | 63 |
Fireplace and Chimney-piece, York | 65 |
Chair (1840) | 69 |
Chair (Sixteenth Century) | 70 |
A Chest of Drawers (1652) | 75} |
The Livery Cupboard | 77 |
Portion of an Old Plaster Ceiling near Leeds | 85 |
The Drawing-room, Dunsland, Devon | 87 |
The Old Pulpit, Kenton | 101 |
The Modern-Gothic Pulpit, Kenton | 104 |
Staverton Rood Screen | 131 |
Inside the Village Inn | 155 |
The Old George Inn, Glastonbury | 169 |
Old Mill in Cornwall | 183 |
Plan of Buildings at Anseremm | 193 |
Anseremme, on the Meuse | 197 |
An Essex Farmhouse | 207 |
Old Cottages at Henbury | 219 |
Wonson Manor | 279 |
Alabaster Slab with Footprints, Vatican, Rome | 295 |
Devonshire Hedges | 306 |
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1945, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 79 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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