Ancient Egypt (Rawlinson)/The Pyramid Builders
It is difficult for a European, or an American, who has not visited Egypt, to realize the conception of a Great Pyramid. The pyramidal form has gone entirely out of use as an architectural type of monumental perfection; nay, even as an architectural embellishment. It maintained an honourable position in architecture from its first discovery to the time of the Maccabee kings (1 Mac. xiii. 28); but, never having been adopted by either the Greeks or the Romans, it passed into desuetude in the Old World with the conquest of the East by the West. In the New World it was found existent by the early discoverers, and then held a high place in the regards of the native race which had reached the furthest towards civilization; but Spanish bigotry looked with horror on everything that stood connected with an idolatrous religion, and the pyramids of Mexico were first wantonly injured, and then allowed to fall into such a state of decay, that their original form is by some questioned. A visit to the plains of Teotihuacan will not convey to the mind which is a blank on the subject the true conception of a great pyramid. It requires a pilgrimage to Ghizeh or Saccarah, or a lively and well-instructed imagination, to enable a man to call up before his mind's eye the true form and appearance and impressiveness of such a structure.
Lord Houghton endeavoured to give expression to the feelings of one who sees for the first time these wondrous, these incomprehensible creations in the following lines:
After the fantasies of many a night,
After the deep desires of many a day,
Rejoicing as an ancient Eremite
Upon the desert's edge at last I lay:
Before me rose, in wonderful array,
Those works where man has rivalled Nature most,
Those Pyramids, that fear no more decay
Than waves inflict upon the rockiest coast,
Or winds on mountain-steeps, and like endurance boast.
Fragments the deluge of old Time has left
Behind in its subsidence--long long walls
Of cities of their very names bereft,--
Lone columns, remnants of majestic halls,
Rich traceried chambers, where the night-dew falls,--
All have I seen with feelings due, I trow,
Yet not with such as these memorials
Of the great unremembered, that can show
The mass and shape they wore four thousand years ago.
The Egyptian idea of a pyramid was that of a structure on a square base, with four inclining sides, each one of which should be an equilateral triangle, all meeting in a point at the top. The structure might be solid, and in that case might be either of hewn stone throughout, or consist of a mass of rubble merely held together by an external casing of stone; or it might contain chambers and passages, in which case the employment of rubble was scarcely possible. It has been demonstrated by actual excavation, that all the great pyramids of Egypt were of the latter character that they were built for the express purpose of containing chambers and passages, and of preserving those chambers and passages intact. They required, therefore, to be, and in most cases are, of a good construction throughout.
There are from sixty to seventy pyramids in Egypt, chiefly in the neighbourhood of Memphis. Some of them are nearly perfect, some more or less in ruins, but most of them still preserving their ancient shape, when seen from afar. Two of them greatly exceed all the others in their dimensions, and are appropriately designated as "the Great Pyramid" and "the Second Pyramid." A third in their immediate vicinity is of very inferior size, and scarcely deserves the pre-eminence which has been conceded to it by the designation of "the Third Pyramid."
Still, the three seem, all of them, to deserve description, and to challenge a place in "the story of Egypt," which has never yet been told without some account of the marvels of each of them. The smallest of the three was a square of three hundred and fifty-four feet each way, and had a height of two hundred and eighteen feet. It covered an area of two acres, three roods, and twenty-one poles, or about that of an ordinary London square. The cubic contents amounted to above nine million feet of solid masonry, and are calculated to have weighed 702,460 tons. The height was not very impressive. Two hundred and twenty feet is an altitude attained by the towers of many churches, and the "Pyramid of the Sun" at Teotihuacan did not fall much short of it; but the mass was immense, the masonry was excellent, and the ingenuity shown in the construction was great. Sunk in the rock from which the pyramid rose, was a series of sepulchral chambers. One, the largest, almost directly under the apex of the pyramid, was empty. In another, which had an arched roof, constructed in the most careful and elaborate way, was found the sarcophagus of the king, Men-kau-ra, to whom tradition assigned the building, formed of a single mass of blue-black basalt, exquisitely polished and beautifully carved, externally eight feet long, three feet high, and three feet broad, internally six feet by two. In the sarcophagus was the wooden coffin of the monarch, and on the lid of the coffin was his name. The chambers were connected by two long passages with the open air; and another passage had, apparently, been used for the same purpose before the pyramid attained its ultimate size. The tomb-chamber, though carved in the rock, had been paved and lined with slabs of solid stone, which were fastened to the native rock by iron cramps. The weight of the sarcophagus which it contained, now unhappily lost, was three tons.
The "Second Pyramid," which stands to the north-east of the Third, at the distance of about two hundred and seventy yards, was a square of seven hundred and seven feet each way, and thus covered an area of almost eleven acres and a half, or nearly double that of the greatest building which Rome ever produced--the Coliseum. The sides rose at an angle of 52° 10'; and the perpendicular height was four hundred and fifty-four feet, or fifty feet more than that of the spire of Salisbury Cathedral. The cubic contents are estimated at 71,670,000 feet; and their weight is calculated at 5,309,000 tons. Numbers of this vast amount convey but little idea of the reality to an ordinary reader, and require to be made intelligible by comparisons. Suppose, then, a solidly built stone house, with walls a foot thick, twenty feet of frontage, and thirty feet of depth from front to back; let the walls be twenty-four feet high and have a foundation of six feet; throw in party-walls to one-third the extent of the main walls--and the result will be a building containing four thousand cubic feet of masonry. Let there be a town of eighteen thousand such houses, suited to be the abode of a hundred thousand inhabitants--then pull these houses to pieces, and pile them up into a heap to a height exceeding that of the spire of the Cathedral of Vienna, and you will have a rough representation of the "Second Pyramid of Ghizeh." Or lay down the contents of the structure in a line a foot in breadth and depth--the line would be above 13,500 miles long, and would reach more than half-way round the earth at the equator. Again, suppose that a single man can quarry a ton of stone in a week, then it would have required above twenty thousand to be employed constantly for five years in order to obtain the material for the pyramid; and if the blocks were required to be large, the number employed and the time occupied would have had to be greater.
The internal construction of the "Second Pyramid" is less elaborate than that of the Third, but not very different. Two passages lead from the outer air to a sepulchral chamber almost exactly under the apex of the pyramid, and exactly at its base, one of them commencing about fifty feet from the base midway in the north side, and the other commencing a little outside the base, in the pavement at the foot of the pyramid. The first passage was carried through the substance of the pyramid for a distance of a hundred and ten feet at a descending angle of 25° 55', after which it became horizontal, and was tunnelled through the native rock on which the pyramid was built. The second passage was wholly in the rock. It began with a descent at an angle of 21° 40', which continued for a hundred feet; it was then horizontal for fifty feet; after which it ascended gently for ninety-six feet, and joined the first passage about midway between the sepulchral chamber and the outer air. The sepulchral chamber was carved mainly out of the solid rock below the pyramid, but was roofed in by some of the basement stones, which were sloped at an angle. The chamber measured forty-six feet in length and sixteen feet in breadth; its height in the centre was twenty-two feet. It contained a plain granite sarcophagus, without inscription of any kind, eight feet and a half in length, three feet and a half in breadth, and in depth three feet. There was no coffin in the sarcophagus at the time of its discovery, and no inscription on any part of the pyramid or of its contents. The tradition, however, which ascribed it to the immediate predecessor of Men-kau-ra, may be accepted as sufficient evidence of its author.
Come we now to the "Great Pyramid," "which is still," says Lenormant, "at least in respect of its mass, the most prodigious of all human constructions," The "Great Pyramid," or "First Pyramid of Ghizeh," as it is indifferently termed, is situated almost due north-east of the "Second Pyramid," at the distance of about two hundred yards. The length of each side at the base was originally seven hundred and sixty-four feet, or fifty-seven feet more than that of the sides of the "Second Pyramid." Its original perpendicular height was something over four hundred and eighty feet, its cubic contents exceeded eighty-nine million feet, and the weight of its mass 6,840,000 tons. In height it thus exceeded Strasburg Cathedral by above six feet, St. Peter's at Rome by above thirty feet, St. Stephen's at Vienna by fifty feet St. Paul's, London, by a hundred and twenty feet, and the Capitol at Washington by nearly two hundred feet. Its area was thirteen acres, one rood, and twenty-two poles, or nearly two acres more than the area of the "Second Pyramid." which was fourfold that of the "Third Pyramid," which, as we have seen, was that of an ordinary London square. Its cubic contents would build a city of twenty-two thousand such houses as were above described, and laid in a line of cubic squares would reach a distance of nearly seventeen thousand miles, or girdle two-thirds of the earth's circumference at the equator. Herodotus says that its construction required the continuous labour of a hundred thousand men for the space of twenty years, and moderns do not regard the estimate as exaggerated.
The "Great Pyramid" presents, moreover, many other marvels besides its size. First, there is the massiveness of the blocks of which it is composed. The basement stones are in many cases thirty feet long by five feet high, and four or five wide: they must contain from six hundred to seven hundred and fifty cubic feet each, and weigh from forty-six to fifty-seven tons. The granite blocks which roof over the upper sepulchral chamber are nearly nineteen feet long, by two broad and from three to four deep. The relieving stones above the same chamber, and those of the entrance passage, are almost equally massive. Generally the external blocks are of a size with which modern builders scarcely ever venture to deal, though the massiveness diminishes as the pyramid is ascended. The bulk of the interior is, however, of comparatively small stones; but even these are carefully hewn and squared, so as to fit together compactly.
Further, there are the passages, the long gallery, the ventilation shafts, and the sepulchral chambers all of them remarkable, and some of them simply astonishing. The "Great Pyramid" guards three chambers. One lies deep in the rock, about a hundred and twenty feet beneath the natural surface of the ground, and is placed almost directly below the apex of the structure. It measures forty-six feet by twenty-seven, and is eleven feet high. The access to it is by a long and narrow passage which commences in the north side of the pyramid, about seventy feet above the original base, and descends for forty yards through the masonry, and then for seventy more in the same line through the solid rock, when it changes its direction, becoming horizontal for nine yards, and so entering the chamber itself. The two other chambers are reached by an ascending passage, which branches off from the descending one at the distance of about thirty yards from the entrance, and mounts up through the heart of the pyramid for rather more than forty yards, when it divides into two. A low horizontal gallery, a hundred and ten feet long, leads to a chamber which has been called "the Queen's"--a room about nineteen feet long by seventeen broad, roofed in with sloping blocks, and having a height of twenty feet in the centre. Another longer and much loftier gallery continues on for a hundred and fifty feet in the line of the ascending passage, and is then connected by a short horizontal passage with the upper-most or "King's Chamber." Here was found a sarcophagus believed to be that of King Khufu, since the name of Khufu was scrawled in more than one place on the chamber walls.
The construction of this chamber--the very kernel of the whole building--is exceedingly remarkable. It is a room of thirty-four feet in length, with a width of seventeen feet, and a height of nineteen, composed wholly of granite blocks of great size, beautifully polished, and fitted together with great care. The construction of the roof is particularly admirable. First, the chamber is covered in with nine huge blocks, each nearly nineteen feet long and four feet wide, which are laid side by side upon the walls so as to form a complete ceiling. Then above these blocks is a low chamber similarly covered in, and this is repeated four times; after which there is a fifth opening, triangular, and roofed in by a set of huge sloping blocks, which meet at the apex and support each other. The object is to relieve the chamber from any superincumbent weight, and prevent it from being crushed in by the mass of material above it; and this object has been so completely attained that still, at the expiration of above forty centuries, the entire chamber, with its elaborate roof, remains intact, without crack or settlement of any kind.
Further, from the great chamber are carried two ventilation-shafts, or air-passages, northwards and southwards, which open on the outer surface of the pyramid, and are respectively two hundred and thirty-three and one hundred and ninety-four feet long. These passages are square, or nearly so, and have a diameter varying between six and nine inches. They give a continual supply of pure air to the chamber, and keep it dry at all seasons.
The Great Gallery is also of curious construction. Extending for a distance of one hundred and fifty feet, and rising at an angle of 26° 18', it has a width of five feet at the base and a height of above thirty feet. The side walls are formed of seven layers of stone, each projecting a few inches over that below it. The gallery thus gradually contracts towards the top, which has a width of four feet only, and is covered in with stones that reach across it, and rest on the walls at either side. The exact object of so lofty a gallery has not been ascertained; but it must have helped to keep the air of the interior pure and sweet, by increasing the space through which it had to circulate.
The "Pyramid Builders," or kings who constructed the three monuments that have now been described, were, according to a unanimous tradition, three consecutive monarchs, whose native names are read as Khufu, Shafra, and Menkaura. These kings belonged to Manetho's fourth dynasty; and Khufu, the first of the three, seems to have been the immediate successor of Sneferu. Theorists have delighted to indulge in speculations as to the objects which the builders had in view when they raised such magnificent constructions. One holds that the Great Pyramid, at any rate, was built to embody cosmic discoveries, as the exact length of the earth's diameter and circumference, the length of an arc of the meridian, and the true unit of measure. Another believes the great work of Khufu to have been an observatory, and the ventilating passages to have been designed for "telescopes," through which observations were to be made upon the sun and stars; but it has not yet been shown that there is any valid foundation for these fancies, which have been spun with much art out of the delicate fabric of their propounders' brains. The one hard fact which rests upon abundant evidence is this--the pyramids were built for tombs, to contain the mummies of deceased Egyptians. The chambers in their interiors, at the time of their discovery, held within them sarcophagi, and in one instance the sarcophagus had within it a coffin. The coffin had an inscription upon it, which showed that it had once contained the body of a king. If anything more is necessary, we may add that every pyramid in Egypt--and there are, as he have said, more than sixty of them--was built for the same purpose, and that they all occupy sites in the great necropolis, or burial-ground opposite Memphis, where the inhabitants are known to have laid their dead.
The marvel is, how Khufu came suddenly to have so magnificent a thought as that of constructing an edifice double the height of any previously existing, covering five times the area, and containing ten times the mass. Architecture does not generally proceed by "leaps and bounds;" but here was a case of a sudden extraordinary advance, such as we shall find it difficult to parallel elsewhere. An attempt has been made to solve the mystery by the supposition that all pyramids were gradual accretions, and that their size marks simply the length of a king's reign, each monarch making his sepulchral chamber, with a small pyramid above it, in his first year, and as his reign went on, adding each year an outer coating; so that the number of these coatings tells the length of his reign, as the age of a tree is known from the number of its annual rings. In this case there would have been nothing ideally great in the conception of Khufu--he would simply have happened to erect the biggest pyramid because he happened to have the longest reign; but, except in the case of the "Third Pyramid," there is a unity of design in the structures which implies that the architect had conceived the whole structure in his mind from the first. The lengths of the several parts are proportioned one to another. In the "Great Pyramid," the main chamber would not have needed the five relieving chambers above it unless it was known that it would have to be pressed down by a superincumbent mass, such as actually lies upon it. Moreover, how is it possible to conceive that in the later years of a decrepid monarch, the whole of an enormous pyramid could be coated over with huge blocks--and the blocks are largest at the external surface--the work requiring to be pushed each year with more vigour, as becoming each year greater and more difficult? Again, what shall we say of the external finish? Each pyramid was finally smoothed down to a uniform sloping surface. This alone must have been a work of years. Did a pyramid builder leave it to his successor to finish his pyramid? It is at least doubtful whether any pyramid at all would ever have been finished had he done so.
We must hold, therefore, that Khufu did suddenly conceive a design without a parallel--did require his architect to construct him a tomb, which should put to shame all previous monuments, and should with difficulty be surpassed, or even equalled. He must have possessed much elevation of thought, and an intense ambition, together with inordinate selfishness, an overweening pride, and entire callousness to the sufferings of others, before he could have approved the plan which his master-builder set before him. That plan, including the employment of huge blocks of stone, their conveyance to the top of a hill a hundred feet high, and their emplacement, in some cases, at a further elevation of above 450 feet, involved, under the circumstances of the time, such an amount of human suffering, that no king who had any regard for the happiness of his subjects could have consented to it. Khufu must have forced his subjects to labour for a long term of years--twenty, according to Herodotus--at a servile work which was wholly unproductive, and was carried on amid their sighs and groans for no object but his own glorification, and the supposed safe custody of his remains. Shafra must have done nearly the same. Hence an evil repute attached to the pyramid builders, whose names were handed down to posterity as those of evil-minded and impious kings, who neglected the service of the gods to gratify their own vanity, and, so long as they could exalt themselves, did not care how much they oppressed their people. There was not even the poor apology for their conduct that their oppression fell on slaves, or foreigners, or prisoners of war. Egypt was not yet a conquering power; prisoners of war were few, slaves not very common. The labourers whom the pyramid builders employed were their own free subjects whom they impressed into the heavy service.
It is by a just Nemesis that the kings have in a great measure failed to secure the ends at which they aimed, and in hope of which they steeled their hearts against their subjects' cries. They have indeed handed down their names to a remote age: but it is as tyrants and oppressors. They are world-famous, or rather world-infamous. But that preservation of their corporeal frame which they especially sought, is exactly what they have missed attaining.
Let not a monument give you or me hopes,
Since not a pinch of dust remains of Cheôps,
says the doggerel of the satiric Byron; and it is the absolute fact that while thousands of mummies buried in common graves remain untouched even to the present day, the very grandeur of the pyramid builders' tombs attracted attention to them, caused the monuments to be opened, the sarcophagi to be rifled, and the remains inclosed in them to be dispersed to the four winds of heaven.
Still, whatever gloomy associations attach to the pyramids in respect of the sufferings caused by their erection, as monuments they must always challenge a certain amount of admiration. A great authority declares: "No one can possibly examine the interior of the Great Pyramid without being struck with astonishment at the wonderful mechanical skill displayed in its construction. The immense blocks of granite brought from Syene, a distance of five hundred miles, polished like glass, and so fitted that the joints can scarcely be detected! Nothing can be more wonderful than the extraordinary amount of knowledge displayed in the construction of the discharging chambers over the roof of the principal apartment, in the alignment of the sloping galleries, in the provision of the ventilating shafts, and in all the wonderful contrivances of the structure. All these, too, are carried out with such precision that, notwithstanding the immense superincumbent weight, no settlement in any part can be detected to an appreciable fraction of an inch. Nothing more perfect mechanically has ever been erected since that time."[1]
The architectural effect of the two greatest of the pyramids is certainly magnificent. They do not greatly impress the beholder at first sight, for a pyramid, by the very law of its formation, never looks as large as it is--it slopes away from the eye in every direction, and eludes rather than courts observation. But as the spectator gazes, as he prolongs his examination and inspection, the pyramids gain upon him, their impressiveness increases. By the vastness of their mass, by the impression of solidity and durability which they produce, partly also, perhaps, by the symmetry and harmony of their lines and their perfect simplicity and freedom from ornament, they convey to the beholder a sense of grandeur and majesty, they produce within him a feeling of astonishment and awe, such as is scarcely caused by any other of the erections of man. In all ages travellers have felt and expressed the warmest admiration for them. They impressed Herodotus as no works that he had seen elsewhere, except, perhaps, the Babylonian. They astonished Germanicus, familiar as he was with the great constructions of Rome. They furnished Napoleon with the telling phrase, "Soldiers, forty centuries look down upon you from the top of the pyramids." Greece and Rome reckoned them among the Seven Wonders of the world. Moderns have doubted whether they could really be the work of human hands. If they possess only one of the elements of architectural excellence, they possess that element to so great an extent that in respect of it they are unsurpassed, and probably unsurpassable.
These remarks apply especially to the first and second pyramids. The "Third" is not a work of any very extraordinary grandeur. The bulk is not greater than that of the chief pyramid of Saccarah, which has never attracted much attention; and the height did not greatly exceed that of the chief Mexican temple-mound. Moreover, the stones of which the pyramid was composed are not excessively massive. The monument aimed at being beautiful rather than grand. It was coated for half its height with blocks of pink granite from Syene, bevelled at the edges, which remain still in place on two sides of the structure. The entrance to it, on the north side, was conspicuous, and seems to have had a metal ornamentation let into the stone. The sepulchral chamber was beautifully lined and roofed, and the sarcophagus was exquisitively carved. Menkaura, the constructor, was not regarded as a tyrant, or an oppressor, but as a mild and religious monarch, whom the gods ill-used by giving him too short a reign. His religious temper is indicated by the inscription on the coffin which contained his remains: "O Osiris," it reads, "King of Upper and Lower Egypt, Menkaura, living eternally, engendered by the Heaven, born of Nut, substance of Seb, thy mother Nut stretches herself over thee in her name of the abyss of heaven. She renders thee divine by destroying all thy enemies, O King Menkaura, living eternally."
The fashion of burying in pyramids continued to the close of Manetho's sixth dynasty, but no later monarchs rivalled the great works of Khufu and Shafra. The tombs of their successors were monuments of a moderate size, involving no oppression of the people, but perhaps rather improving their condition by causing a rise in the rate of wages. Certainly, the native remains of the period give a cheerful representation of the condition of all classes. The nation for the most part enjoys peace, and applies itself to production. The wealth of the nobles increases, and the position of their dependents is improved. Slaves were few, and there was ample employment for the labouring classes. We do not see the stick at work upon the backs of the labourers in the sculptures of the time; they seem to accomplish their various tasks with alacrity and gaiety of heart. They plough, and hoe, and reap; drive cattle or asses; winnow and store corn; gather grapes and tread them, singing in chorus as they tread; cluster round the winepress or the threshingfloor, on which the animals tramp out the grain; gather lotuses; save cattle from the inundation; engage in fowling or fishing; and do all with an apparent readiness and cheerfulness which seems indicative of real content. There may have been a darker side to the picture, and undoubtedly was while Khufu and Shafra held the throne; but kings of a morose and cruel temper seem to have been the exception, rather than the rule, in Egypt; and the moral code, which required kindness to be shown to dependents, seems, at this period at any rate, to have had a hold upon the consciences, and to have influenced the conduct, of the mass of the people. "Happy the nation that has no history!" Egypt during this golden age was neither assailed by any aggressive power beyond her borders, nor had herself conceived the idea of distant conquest. An occasional raid upon the negroes of the South, or chastisement of the nomades of the East, secured her interests in those quarters, and prevented her warlike virtues from dying out through lack of use. But otherwise tranquillity was undisturbed, and the energies of the nation were directed to increasing its material prosperity, and to progress in the arts.
Among the marvels of Egypt perhaps the Sphinx is second to none. The mysterious being with the head of a man and the body of a lion is not at all uncommon in Egyptian architectural adornment, but the one placed before the Second Pyramid (the Pyramid of Shafra), and supposed to be contemporary with it, astonishes the observer by its gigantic proportions. It is known to the Arabs as Abul-hôl, the father of terror. It measures more than one hundred feet in length, and was partially carved from the rocks of the Lybian hills. Between its out-stretched feet there stands a chapel, uncovered in 1816, three walls of which are formed by tablets bearing inscriptions indicative of its use and origin.
A small temple behind the great Sphinx, probably also built by Shafra, is formed of great blocks of the hardest red granite, brought from the neighbourhood of Syene and fitted to each other with a nicety astonishing to modern architects, who are unable to imagine what tools could have proved equal to the difficult achievement. Mysterious passages pierce the great Sphinx and connect it with the Second Pyramid, three hundred feet west of it. In the face of this mystery all questions are vain, and yet every visitor adds new queries to those that others have asked before him.
Since what unnumbered year
Hast thou kept watch and ward,
And o'er the buried land of fear
So grimly held thy guard?
No faithless slumber snatching,
Still couched in silence brave,
Like some fierce hound, long watching
Above her master's grave....
Dost thou in anguish thus
Still brood o'er Œdipus?
And weave enigmas to mislead anew,
And stultify the blind
Dull heads of human-kind,
And inly make thy moan,
That, mid the hated crew,
Whom thou so long couldst vex,
Bewilder and perplex,
Thou yet couldst find a subtler than thine own?
Even now; methinks that those
Dark, heavy lips which close
In such a stern repose,
Seem burdened with some thought unsaid,
And hoard within their portals dread
Some fearful secret there,
Which to the listening earth
She may not whisper forth.
Not even to the air!
Of awful wonders hid
In yonder dread Pyramid,
The home of magic fears;
Of chambers vast and lonely,
Watched by the Genii only,
Who tend their masters' long-forgotten biers,
And treasures that have shone
On cavern walls alone,
For thousand, thousand years.
Would she but tell. She knows
Of the old Pharaohs;
Could count the Ptolemies' long line;
Each mighty myth's original hath seen,
Apis, Anubis,--ghosts that haunt between
The bestial and divine,--
(Such he that sleeps in Philæ,--he that stands
In gloom unworshipped, 'neath his rock-hewn lane,--
And they who, sitting on Memnonian sands,
Cast their long shadows o'er the desert plain:)
Hath marked Nitocris pass,
And Oxymandyas
Deep-versed in many a dark Egyptian wile,--
The Hebrew boy hath eyed
Cold to the master's bride;
And that Medusan stare hath frozen the smile
Of all her love and guile,
For whom the Cæsar sighed,
And the world-loser died,--
The darling of the Nile.
FOOTNOTES:
[edit]- ↑ Fergusson, "History of Architecture," vol. i. pp. 91, 92.