Arthur Rackham: A Bibliography/Other Lists
LIST OF THE MAGAZINES
[Note: Mr. Rackham remembers having done many magazine illustrations earlier than 1896. He says his first published work was in Scraps in 1884.]
Cassell’s Magazine. February, 1896. “Recent Escapes from Gaol.” By Major Arthur Griffiths. Five illustrations in black and white. Some of these illustrations were later used in the book, Mysteries of Police and Crime.
Little Folks, a magazine for young people. London, Cassell & Co. February, 1896. “The Song of Simple Simon.” (No author given.) Two illustrations in black and white.
Cassell’s Magazine. March, 1896. “The Gatherer.” An illustrated record of Invention, Discovery and Science. Two drawings in black and white. These illustrations have not been reprinted.
Little Folks. March, 1896. “The Maker of Ghosts and the Maker of Shadows.” By A. E. Bonser. Three illustrations in black and white. These illustrations appeared in the book, The Land of Enchantment, 1907.
Cassell’s Magazine. April, 1896. “Unsolved Mysteries of Crime.” By Major Arthur Griffiths. Six illustrations in black and white. Some of these illustrations appeared later in the book, Mysteries of Police and Crime.
Little Folks. April, 1896. “The Song of Simple Simon.” (No author given.) Two illustrations in black and white. These illustrations have not been reprinted. This number also contains “The Maker of Ghosts and the Maker of Shadows” (continued). Three illustrations in black and white.
Little Folks. July, 1896 “The Surprising Adventure of Tuppy and Tue.” By Maggie Brown. Beginning a new serial. This story with the Rackham illustrations appeared later [1897] in book form under the title, Two Old Ladies, Two Foolish Fairies and a Tom Cat. The July issue has four illustrations in black and white. This number also contains “The Mines of Experience.” By A. E. Bonser. Three illustrations in black and white. These illustrations appeared in the book, The Land of Enchantment, 1907.
Little Folks. August, 1896. “The Surprising Adventures of Tuppy and Tue” (continued). Four illustrations in black and white. This number also contains “The Mines of Experience” (continued). Three illustrations in black and white.
Little Folks. September, 1896. “The Surprising Adventures of Tuppy and Tue” (continued). Three illustrations in black and white. This number also contains “The Terrible Trouble of Forty Winks.” By A. E. Bonser. One illustration in black and white. This illustration has not been reprinted.
Little Folks. October, 1896. “The Surprising Adventures of Tuppy and Tue” (continued). Three illustrations in black and white.
Little Folks. November, 1896. “The Surprising Adventures of Tuppy and Tue” (continued). Four illustrations in black and white.
Cassell’s Magazine. December, 1896. “The Dream Picture.” By Roma White. Four illustrations in black and white. One illustration reproduced in the book, English Illustration: The Nineties.
Little Folks. December, 1896. “The Surprising Adventures of Tuppy and Tue” (concluded in this issue). Three illustrations in black and white.
Cassell’s Magazine. February, 1897. “History and Romance of Hyde Park.” By J. Ashton. One drawing in black and white by Arthur Rackham.
Cassell’s Magazine. June, 1897. “Sixty Years Ago and Now.” By Alfred T. Story. Thirteen drawings in black and white. These illustrations have not been reprinted.
Cassell’s Magazine. March, 1898. “Told in Ashes.” The Story of People Who Fire Their Houses. (No author given.) Eleven drawings in black and white by Arthur Rackham. This number also contains “From Spring to Cistern.” The Story of the New River Company. By F. M. Holmes. One drawing in black and white by Arthur Rackham and many photographs. This drawing has not been reprinted.
Cassell’s Magazine. July, 1898. “The Dolls Romance.” By Myra Hamilton. Two illustrations in black and white by Arthur Rackham. These illustrations have not been reprinted.
Little Folks. July to December, 1898, “Barbara’s Flame Fairy.” By Margaret Bertram Hobson, A serial. One illustration in colour in each issue. These illustrations have not been reprinted.
Little Folks. November and December, 1898. “Boy or Girl” [a play]. No author given. One illustration in colour in each issue. These illustrations have not been reprinted.
The Harmsworth Magazine. January, 1899. “A Princess in Green and Tan.” By Arthur Preston. Six illustrations in black and white. These illustrations have not been reprinted.
The Harmsworth Magazine. February, 1899. “The Manoeuvres of Jerry.” By Elizabeth M. Moon. Six illustrations in black and white. These illustrations have not been reprinted.
Cassell’s Magazine. July, 1899. “Henley” [a poem]. By C. V. Godby. One illustration in black and white. This illustration has not been reprinted.
Cassell’s Magazine. September, 1899. “The Red Fiend” [a poem.]. By C. V. Godby. Black and white drawings in border design. These illustrations have not been reprinted.
Little Folks. July to December, 1900. “Harry and Herodotus.” By Bella Sidney Woolf. A serial. One full page illustration in colour in each issue. These illustrations appeared in the book entitled The Land of Enchantment, 1907.
Little Folks. January to June, 1901. “The Book of Betty Barber.” By Maggie Brown. A serial. Illustrations in black and white. Published in book form under the same title in 1910.
Little Folks. July to December, 1901. “Stories from the Edda.” By E. S. Buchheim. A serial. One full page illustration in colour in each issue. These illustrations appeared in the book entitled The Land of Enchantment, 1907.
The Graphic. November 16, 1901. One full page picture in black and white. This illustration has not been reprinted.
Black anl White. Christmas Number, 1901. “The Children of the Poor Players.” By Tom Gallon. Three illustrations in black and white. These illustrations have not been reprinted. This number contains two other sets of illustrations. [1] “The Hare that Doubled.” One full page of seven small pictures in colour. This illustration has not been reprinted. [2] “Father Christmas’ Book Tea.” Large double-page picture in colour, representing various characters from children’s books. This illustration has not been reprinted.
Little Folks. January to June, 1902. “Harry and Herodotus.” By Bella Sidney Woolf. A serial. One full page in colour in each issue. These illustrations were published in the book entitled The Land of Enchantment, 1907.
Little Folks. July to December, 1902. “Stories of the Table Round.” By A. L. Haydon. A serial. One full page illustration in colour in each issue. These illustrations appeared in the book entitled “Stories of King Arthur, 1910.
Little Folks. July to August, 1902. “Littledom Castle.” By Mrs. M. H. Spielmann. Five illustrations in black and white in the July issue. Six illustrations in black and white in the August issue. Published in book form under the same title in 1903.
Little Folks. January to June, 1903. “Arkel and the Princess Sakata.” By Myra Hamilton. A serial. One black and white illustration in each issue. These illustrations have not been reprinted.
The Magazine of Art, London. June, 1903. “The White Horse.” A reproduction in black and white of a picture in an exhibit in London.
Little Folks. July to December, 1903. “Boys of Long Ago.” By A. Lincoln. A serial. One illustration in black and white in each issue. These illustrations have not been reprinted.
Little Folks. July to December, 1904. “In the Land of the Mikado.” By Wood Smith. A series. One black and white illustration in each issue. These illustrations have not been reprinted.
The Studio. Volume XXXII, 1904. One small picture in half-tone, entitled “Leap Frog.” This picture is printed in an article about the Langham Sketching Club.
Little Folks. January to April, 1905. “Adventures in Wizard Land.” By Mrs. M. H. Spielmann. A serial. Twelve illustrations in black and white. These illustrations appeared in the book entitled The Rainbow Book, 1909.
Little Folks. January to June, 1905. “Big Town Little Town.” By Myra Hamilton. A serial. One black and white illustration in each issue. These illustrations appeared in the book entitled Kingdoms Curious, 1905.
Little Folks. July to December, 1905. “The Princess Banza.” By Myra Hamilton. A serial. One black and white illustration in each issue. These illustrations have not been reprinted.
Little Folks. December, 1905. “The Lost Crown.” (No author given.) One illustration in black and white.
The Studio, London. Special Spring Number, 1905. The “Old” Water-Colour Society, 1804–1904. Edited by Charles Holme. One full page plate in color by Arthur Rackham, and many other illustrations by various artists. This illustration has not been reprinted.
International Studio. May, 1905. “Arthur Rackham: A Painter of Fantasies.” By A. L. Baldry. One full page plate in colour and twelve pictures in black and white. Many of these pictures are privately owned and have not been reproduced before. The plate is entitled “Playmates.”
Punch’s Almanack for 1905. One full page drawing in black and white and five small drawings.
Punch, or The London Charivari. July 5, 1905. One full page drawing in black and white.
Punch. August 30, 1905. One drawing in black and white.
Punch. September 6, 1905. One drawing in black and white.
Punch. September 27, 1905. Two drawings in black and white.
Punch. October 11, 1905. Two drawings in black and white.
Punch. October 25, 1905. One drawing in black and white.
Punch. November 15, 1905. One drawing in black and white.
Punch. November 29, 1905. One drawing in black and white.
The Pall Mall Magazine. December, 1905. “A Little Oriental Rug.” By C. J. Wills. Four illustrations in black and white. These illustrations have not been reprinted, with the exception of one that was afterwards reprinted in colour in The Book of Pictures, entitled “Bastinado.”
Little Folks. January, 1906. “Father Christmas at Home.” By Mrs. M. H. Speilmann. Three illustrations in black and white. These illustrations appeared in the book entitled The Rainbow Book, 1909.
Punch’s Almanack for 1906. One full page drawing in black and white.
Punch. January 3, 1906. One drawing in black and white.
Punch. February 14, 1906. One drawing in black and white.
Scribner’s Magazine. February, 1906. “Buenas Noches.” By Eleanor Gates. Six illustrations in colour. This story was published in book form in 1907 with only five illustrations.
The Bookman, London. Christmas Number, 1906. “Arthur Rackham: Painter and Illustrator.” By A. L. Baldry. Illustrated with ten pictures in black and white, reproductions of illustrations from books and magazines. Also a presentation portfolio of three pictures in colour from Peter Pan in Kensington Gardens.
The Graphic, London. Christmas Number, 1906. “The Man With No Neck.” By Myra Hamilton. One illustration in colour. This illustration has not been reprinted.
Punch’s Almanack for 1907. “All the Year Round in Fairyland.” Double page in black, white, and red.
The Graphic, London. February 23, 1907. “The Seller of Hate.” By Arthur Morrison, One illustration in black and white. This illustration has not been reprinted.
Scribner’s Magazine. August, 1907. “Pan O’ Dreams.” By Willam Hervey Woods. One full page illustration in black and white and two small black and white sketches. These illustrations have not been reprinted.
Little Folks. October, 1907. “Diamond Cut Diamond.” (No author given.) One full page illustration in black and white. This picture appeared in colour in Arthur Rackham’s Book of Pictures, entitled “Gossips.”
The Bookman, New York. February, 1908. “Sketch Books of Wonderland.” By P. L. Allen. An article illustrated with pictures by various artists from Alice in Wonderland. One reproduction of an illustration by Arthur Rackham.
Good Housekeeping. November, 1910. “English Illustrators of Juvenile Books.” By Haldane Macfall. Two illustrations in black and white from Alice in Wonderland, and a small picture of Arthur Rackham.
The Century Magazine. June, 1911. “The Training of English Children.” By Lady St. Hellier. Two fall page plates in colour. These same pictures appeared in Arthur Rackham’s Book of Pictures, “The Broad Walk” and “On the Beach.”
The Craftsman. November, 1912. “Arthur Rackham: The Illustrator of Folk-Lore and Fairy Tales.” (No author given.) Eight illustrations in black and white from various books.
St. Nicholas Magazine. December, 1912. “Mother Goose Rhymes.” Beginning a series of rhymes with illustrations in colour and black and white. Continued in January, 1913, April, June, July, August, September, October, November and December, 1913, and concluded in January, 1914. These same illustrations were published in book form, Mother Goose Rhymes in 1913, by Heinemann, London, and the Century Company in New York.
The Century Magazine. February, 1913. “The Fairy Wife.” By Maurice Hewlett. Illustrated with one full page illustration in colour. This same illustration appeared in Arthur Rackham’s Book of Pictures.
St. Nicholas Magazine. February, 1914. “The Magic Cup.” By Arthur Guiterman. One full page plate in color. This same picture appeared in Arthur Rackham’s Book of Pictures.
St. Nicholas Magazine. March, 1914. “Arthur Rackham: The Wizard at Home.” By Eleanor Farjeon. Illustrated with pictures of Mr. Rackham’s home, two of Mr. Rackham, and three sketches by Mr. Rackham.
The Century Magazine. May, 1914. “The Snow Queen” [a poem]. By William Rose Benét. Illustrated with one full page plate in colour. This same picture appeared in Arthur Rackham’s Book of Pictures, entitled “Adrift.”
The Century Magazine. August, 1914. “O My Love Leonore!” [a poem]. By Fannie Stearns Gifford. One full page plate in colour. This same picture appeared in Arthur Rackham’s Book of Pictures, entitled “The Signal.”
The Century Magazine. October, 1914. “Lights Through the Mist” [a poem]. By William Rose Benét. One full page plate in colour. This same picture appeared in Arthur Rackham’s Book of Pictures, entitled “The Regent’s Canal.”
St. Nicholas Magazine. November, 1914. “Elves.” One full page plate in colour. This same picture appeared in Arthur Rackham’s Book of Pictures.
The Craftsman. December, 1914. “The Value of Fairies: What Arthur Rackham has done to save them for the children of the whole world.” By Clara T. MacChesney. Illustrated in black and white with reproductions of pictures from Mother Goose.
St. Nicholas Magazine. December, 1914. “The Little People’s Market.” One full page plate in colour. This same picture appeared in Arthur Rackham’s Book of Pictures.
The Century Magazine. February, 1915. “Danae” [a poem]. By William Rose Benét. One full page plate in colour. This same picture appeared in Arthur Rackham’s Book of Pictures.
The Delineator, Philadelphia. December, 1915. “Fairy Operettas.” By Laura E. Richards. Four illustrations in colour and six in black and white. These illustrations have not been reprinted.
The Delineator. January, 1916. “Fairy Operettas” (continued). Two illustrations in black and white. These illustrations have not been reprinted.
The Delineator. December, 1916. “The Yellow Butterfly of Chiddingfold Manor.” By Richard Le Gallienne. Four illustrations in colour and three in black and white. These illustrations have not been reprinted.
The Studio. Volume LXVI, 1916. One small picture in half-tone entitled “Undine.” This picture is printed in the section: “Studio Talk.”
The Illustrated London News. Christmas Number, December, 1919. One full page illustration in colour entitled “On the Frontier of Fairyland.” This picture, entitled “Marjorie and Margaret,” appeared later in Arthur Rackham’s Book of Pictures.
Country Life, London. July 10, 1920. “The Automobile World.” Heading for this article—black and white—by Arthur Rackham.
The Connoisseur. December, 1921. One full page plate in colour, “The Huntress, Diane,” from Milton’s Comus.
The Bookman, London. Christmas Number, December, 1922. “The Reader: Thirteen Colour Books and Their Artists.” By G. S. Layard. Two full page plates in colour from The Wonder Book, and a small photograph of Arthur Rackham.
International Studio, New York and London. February, 1923. “A Shelf of Art Books.” By Peyton Boswell. A short article about the bibliography; Arthur Rackham, A List of Books Illustrated by Him. Compiled by Frederick Coykendall, privately printed, 1922, and printed by Bruce Rogers at the Printing House of William Edwin Rudge, Mount Vernon, New York.
International Studio. July, 1923. “The Wizardry of Rackham.” By Julian Garner. An article about Mr. Rackham’s work. Six illustrations in black and white from various books.
Good Housekeeping Magazine. May to November, 1925. “Poor Cecco.” By Margery Williams. A serial with illustrations by Arthur Rackham. Seven full page plates in colour and several small black and white drawings. (One coloured plate in each issue.) This story appeared in book form under the same title with the same illustrations in 1925.
The London Bookman, October, 1925. “The Worst Time in My Life.” A short article by Arthur Rackham with one small photograph of Mr. Rackham.
The Ladies’ Home Journal, Philadelphia. December, 1925. “The Green Door.” By A. A. Milne. Five illustrations in colour. These illustrations have not been reprinted.
The International Studio, New York and London. January, 1926. One full page lithograph portrait of Arthur Rackham by Flora Lion.
The House Beautiful, New York. September, 1926. “The Country Home of Arthur Rackham.” By P. G. Konody. Illustrated with eight photographs of Arthur Rackham’s house and grounds.
The International Studio, New York and London. September, 1926. “Art for the Children in European Books.” By Betty and Allen Eaton. A six page article describing the work of many illustrators, including Arthur Rackham’s work, and illustrated with two reproductions of illustrations from books drawn by Mr. Rackham, both in black and white.
The London Bookman. October, 1926. “The Value of Criticism.” A short article by Arthur Rackham with a small photograph of him.
Time: The Weekly News Magazine. November 8, 1926. A two column article about Arthur Rackham and his work, with a small picture of him at his drawing board.
The Delineator, Philadelphia. July, 1927. “Sleeping Beauty” [a poem]. By Bliss Carman. One coloured illustration. This illustration has not been reproduced.
The Bookman, New York. December, 1927. “Illustrated by Arthur Rackham.” By Elmira Grogan. An article about Mr. Rackham’s work, with one full page portrait of him.
Woman’s Journal, London. December, 1929. “Once Upon a Time.” By Naomi Royde-Smith. Two illustrations in colour. These illustrations have not been reproduced.
The Artist and Advertiser, Cincinnati. January, 1931. “Sir Arthur Rackham’s Adventure in Advertising Art.” By William P. Gibbons. An article about the water-colour paintings Mr. Rackham did for the Colgate Company, with three pictures in black and white and the cover of the magazine has a reproduction in colour. A list of these pictures will be found under “Commercial Work” in the index at the back of this book.
The Woman’s Home Companion. December, 1931. “To Bethlehem: A Christmas Masque.” By Laura Spencer Porter. Five drawings in black and white and one in colour. These illustrations have not been reproduced.
The Studio, London. March, 1933. A reproduction of a portrait done by Mr. Rackham of his daughter, Barbara. “One of the outstanding portraits shown at the recent exhibition of the Royal Society of Portrait Painters.”
The Illustrated London News. September 30, 1933. “Chocolate Box Art, Transmuted; Distinguished Artists Design Lids.” A short article about the work of various artists done for candy boxes. One reproduction of a picture done by Arthur Rackham.
The North Wall. Fall, 1933. A catalogue published by the Argus Book Shop, Chicago, Illinois. A quotation from a letter written by Arthur Rackham, referring to book collecting. Several artists and authors wrote their views on the subject.
The Bookman, London. Christmas Number, December, 1933. “Some Early Illustrated Books of Arthur Rackham.” By E. A. Osborne. An article describing nine of the early Rackham books, and the various points of the real first editions. Illustrated with pictures of three of the scarce books, showing the cover designs. One illustration in black and white from The Arthur Rackham Fairy Book and a supplement picture: one full page plate in colour from Peter Pan in Kensington Gardens.
Punch, London. January 3, 1934. A short article about the production of Hansel and Gretel at the Cambridge Theater in London. The scenes, costumes and drop curtains designed by Arthur Rackham.
The Sphere, London. January 6, 1934. A short article about Hansel and Gretel and a small picture.
DUST WRAPPERS WITH ORIGINAL OR ADDED DRAWINGS
Comus, 1921. Dust wrapper has an original drawing across the entire cover, done in brown, black and white.
A Dish of Apples, 1921. Dust wrapper has the same drawing as the cover of the book, but much clearer and in blue, black and white.
Poor Cecco, 1925. Dust wrapper has an illustration from the book with an original border of eighteen small drawings in blue and white, not in the book.
The Legends of Sleepy Hollow, 1928. Dust wrapper has an original drawing in colour. This same drawing was pasted on the cover of the American edition only, and did not appear in the book.
The Compleat Angler, 1931. Dust wrapper has small sketches in colour at top and bottom of a picture taken from the book. These sketches appear only on the dust wrapper.
Fairy Tales, by Hans Anderson, 1932. Dust wrapper has four small drawings in colour in the border around a picture taken from the book. These small drawings appear only on the dust wrapper.
The Arthur Rackham Fairy Book, 1933. Dust wrapper has two small sketches in colour at the top of a border around a picture taken from the book. These small sketches appear only on the dust wrapper.
A Christmas Carol, 1915. Dust wrapper has an original drawing in green and red.
Poe’s Tales of Mystery and Imagination, 1935. Dust wrapper has original drawing across the entire cover, done in black, white and red. This drawing does not appear in the book.
Ibsen’s Peer Gynt, 1936. Dust wrapper has original drawing across the entire cover, done in red, black and white.
COMMERCIAL WORK
Advertisement for Colgate and Company (Cashmere Bouquet Soap). These pictures were done in colour and appeared in 1923–1924–1925 in the following magazines: Ladies’ Home Journal, Pictorial Review, Vogue, Asia and Good Housekeeping.
Advertisement for Enos Fruit Salts. Black and white drawing. Appeared in Punch, July 11, 1928.
Cover Design for a Chocolate Box. For Cadbury’s Chocolates, 1933. Done in colour.
Cover Design for Book Catalogue. “Best Books of the Year 1933–1934.” Done in colour.
Cover Design for Book Catalogue. “Best Books of the Season 1935–1936.” Done in colour.
The Fairies’ Calendar. By Arthur Rackham. 1911, London, Hodder and Stoughton. A reproduction of an illustration from Peter Pan in Kensington Gardens, by Six James Barrie. One picture in colour, “The Fairies are Exquisite Dancers.” This picture is pasted on gray boards with gold decorations. Size, 8¾×13½.
THEATRICAL WORK
Hansel and Gretel, 1934. Cambridge Theatre, London. Costumes and scenery from designs by Arthur Rackham.
BOOKS WITH ARTHUR RACKHAM’S WORK COMBINED IN BOOKS WITH OTHER ILLUSTRATORS
- To the Other Side, 1893
- The Sketch Book, 1894
- Sunrise-Land, 1894
- Tales of a Traveller, 1895
- Souvenir of Sir Henry Irving, 1895
- A London Garland, 1895
- Homes and Haunts of Thomas Carlyle, 1895
- Bracebridge Hall, 1805
- In the Evening of His Days (William Gladstone), 1896
- Wild Life in the Hampshire Highlands, 1899
- A World in a Garden, 1899
- Our Gardens, 1899
- Fly Fishing, 1899
- Our Forests and Woodlands, 1900
- Hunting, 1900
- Mysteries of Police and Crime, 1901
- Queen Mab’s Fairy Realm, 101
- Outdoor Games, Cricket and Golf, 1901
- Bird Watching, 1901
- Shooting, 1902
- More Tales of the Stumps, 1902
- Farming, 1903
- Littledom Castle, 1903
- Little Folks Picture Album, 1904
- Kingdoms Curious, 1905
- The Venture, 1905
- The Children’s Hour, 1906
- Auld Acquaintance, 1907
- The Odd Volume, 1908
- The Rainbow Book, 1909
- The Practice of Water-Colour Painting, 1911
- Faithful Friends, 1913
- Imagina, 1914
- King Albert’s Book, 1914
- Princess Mary’s Gift Book, 1914
- The Queen’s Gift Book, 1915
- The Book of the Queen’s Dolls’ House, 1924
- The Windmill, 1925
- Now Then!, 1927
- Not All the Truth, 1928
- A New Book of Sense and Nonsense, 1928
CHILDREN’S BOOKS
- The Zankiwank and the Bletherwitch, 1896
- Two Old Ladies, Two Foolish Fairies and a Tom Cat, 1897
- Feats on the Fiords, 1899
- Tales from Shakespeare, 1899 and reissued in 1909
- Gulliver’s Travels, 1900 and reissued in 1909
- Grimm’s Fairy Tales, 1900 and reissued in 1909
- Queen Mab’s Fairy Realm, 1901
- The Greek Heroes, 1903 and reissued in 1910
- The Grey House on the Hill, 1903
- Brains and Bravery, 1903
- Littledom Castle, 1903
- Little Folks Picture Album, 1904
- The Surprising Adventures of Tuppy and Tue, 1904
- Kingdoms Curious, 1905
- Rip Van Winkle, 1905
- Peter Pan in Kensington Gardens, 1906
- Puck of Pook’s Hill, 1906
- The Children’s Hour, 1906
- Alice in Wonderland, 1907
- The Land of Enchantment, 1907
- The Children and the Pictures, 1907
- Undine, 1909
- The Rainbow Book, 1909
- The Book of Betty Barber, 1910
- Stories of King Arthur, 1910
- Aesop’s Fables, 1912
- Mother Goose, 1913
- Faithful Friends, 1913
- Imagina, 1914
- Princess Mary’s Gift Book, 1914
- The Queen’s Gift Book, 1915
- A Christmas Carol, 1915
- The Allies’ Fairy Book, 1916
- Little Brother and Little Sister, 1917
- The Romance of King Arthur, 1917
- English Fairy Tales, 1918
- Cinderella, 1919
- Snickerty Nick, 1919
- The Sleeping Beauty, 1920
- Irish Fairy Tales, 1920
- Snow Drop, 1920
- Hansel and Gretel, 1920
- A Wonder Book, 1922
- A Fairy Book, 1923
- Poor Cecco, 1925
- A Road to Fairyland, 1927
- Now Then!, 1928
- The Lonesomest Doll, 1928
- The Legend of Sleepy Hollow, 1928
- The Night Before Christmas, 1931
- The King of the Golden River, 1932
- Anderson’s Fairy Tales, 1932
- The Goblin Market, 1933
- Arthur Rackham’s Fairy Book, 1933
- The Pied Piper of Hamelin, 1934
HADDON HALL LIBRARY
Trade edition bound in sage-green cloth with gold stamping and lettering. Limited edition, 150 sets bound in full vellum with gold stamping and lettering. Our Gardens, signed by the author.
- Wild Life in the Hampshire Highlands, 1899
- Our Gardens, 1899
- Fly Fishing, 1899
- Our Forests and Woodlands, 1900
- Hunting, 1900
- Outdoor Games, Cricket and Golf, 1901
- Bird Watching, 1901
- Shooting, 1902
- Farming, 1903
Also a popular edition published in 1907, J. M. Dent, and bound in red cloth with gold coat-of-arms on cover and gold lettering on spine. Size of page, 5⅜×7½.
BOOKS WITH FRONTISPIECE OR TITLE PAGE ONLY
- Through a Glass Lightly, 1897
- Captain Castle, 1897
- The Castle Inn, 1898
- The Children and the Pictures, 1907
- Cotter’s Saturday Night, 1908
- A Road to Fairyland, 1926
- Raggle Taggle, 1933
- Spanish Raggle Taggle, 1934
- River and Rainbow, January, 1934
- Don Gypsy, 1936
PLAYS, OPERAS, MASQUES
- Boy or Girl, 1898
- A Midsummer Night’s Dream, 1908
- The Rhinegold and the Valkyria, 1910
- Siegfried and the Twilight of the Gods, 1911
- Fairy Operettas, 1915
- Snickerty Nick, 1919
- Comus, 1921
- The Tempest, 1926
- To Bethlehem, 1931
FUTURE COLLATIONS
ERRATUM
Page 32 read: [rules] THE COTTER’S/SATURDAY/NIGHT[ornaments]/BY ROBERT BURNS/[rules]/FRONTISPIECE BY/ARTHUR RACKHAM, A.R.W.S./[rules]/JAMES HEWETSON AND SON/[ornament] 11 & 12 HIGH STREET [ornament]/HAMPSTEAD, LONDON, N.W./[rule].
ILLUSTRATIONS
FROM ARTHUR RACKHAM’S FIRST BOOK
AND ADVERTISEMENTS
Street Scene in China Town, San Francisco, From a Photograph by Tebar, San Francisco
