At Devlin's Siding
What made the porter stare so hard? what made the porter stare
And eye the tall young woman and the bundle that she bare?
What made the tall young woman flush, and strive to hide her face,
As the train slid past the platform and the guard swung in his place?
What made her look so stealthily both up and down the line,
And quickly give the infant suck to still its puny whine?
Why was the sawmill not at work? why were the men away?
They might have turned a woman from a woeful deed that day.
Why did the pine-scrub stand so thick? why was the place so lone
That nothing but the soldier-birds might hear a baby moan?
Why doth the woman tear the child? why doth the mother take
The infant from her breast, and weep as if her heart would break?
Why doth she moan, and grind her teeth, and weave an awful curse
To fall on him who made of her a harlot — ay, and worse?
Why should she fall upon her knees and, with a trembling hand,
Clear off the underbrush and scrape a cradle in the sand?
Why doth she shudder as she hears the buzz of eager flies,
And bind a handkerchief across the sleeping infant's eyes?
Why doth she turn, but come again and feverishly twine,
To shield it from the burning sun, the fragrant fronds of pine?
Why, as she strides the platform, does she try hard not to think
That somewhere in the scrub a babe is calling her for drink?
Why, through the alleys of the pine, do languid breezes sigh
A low refrain that seems to mock her with a baby's cry?
Seek not to know! but pray for her, and pity, as the train
Carries a white-faced woman back to face the world again.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
- published non-government works whose author died before January 1, 1955,
- anonymous or pseudonymous works and photographs published before January 1, 1955, and
- government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse