Author:Arthur Mowbray Jones
Appearance
Works
[edit]- Cherrycomb & Silvertail: a tragedy in 2 acts: being a page from the log of the Good Ship Nile, containing the only true account yet published of the lives, loves & adventures of Cherrycomb & Silvertail [Bristol], 1862
- second edition, also 1862
- A. M. J. To the Pyramids [London] Published by J. Hogarth, Oct 1st. 1863
- Another edition, imprint "Bristol, Lavars, Litho"
- List of Varieties of the British Species of Ferns (Nature Printed), in Pursuance of a Resolution at the Last Meeting of the British Pteridological Society, in January, 1876. A. M. Jones, Clifton, United Kingdom. 6 series issued as plates with text, varying titles,
- First series: 1876. 2pp + 25 nature-printed plates.
- Second series: List of the Second Series of Nature-Printed Impressions of British Ferns. 1877. 1p + 28 nature-printed plates.
- Third series: List of the Third Series of Nature-Printed Impressions of British Ferns. 1877. 2pp + 32 nature-printed plates.
- Fourth series: Fourth (Double) Series of Nature-Printed Impressions of Varieties of the British Species of Ferns. 1878. 3pp + 53 nature-printed plates.
- Fifth series: Fifth (Double) Series of Nature-Printed Impressions of the Varieties of the British Species of Ferns. 1879. 3pp + 61 nature-printed plates.
- Sixth series: Sixth Double Series of Nature Prints. 1880. 4pp + 96 nature-printed plates.
- "Appendix: Ninety-Six Nature Prints of Fine Varieties of British Ferns", in Druery, Chas. T., 1912. British Ferns and Their Varieties. ([1])
Works about Jones
[edit]- Arthur Mowbray Jones in Lowe, E. J. 1898, "Fern Growing. Fifty years' experience in crossing and cultivation, with a list of the most important varieties and a history of the discovery of multiple parentage, etc." ([2])
- Hayward, Michael, 2015. The Jones Nature Prints: Nature Printing and the Victorian Fern Cult. British Pteridological Society. ISBN 9780992612030
Some or all works by this author were published before January 1, 1929, and are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.
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