Bosko, the Talk-Ink Kid
Bosko
Well, here I is, and I sure feel good!
Rudolf Ising
Oh-ho. You feel good, do you?
Bosko
Yeah, I is just out of the pen. Hahahahahahahahahaha!
Rudolf Ising
All right, now that you're here, what can you do?
Bosko
What can I do? Haha! Boss, what I can't do ain't.
Rudolf Ising
Well, well, who are you?
Bosko
Who is I? I'm Bosko. That's who I ain't nobody else except but.
Rudolf Ising
Bosko, eh? All right, Bosko, show me what you can do.
Bosko
Okay, boss. Watch this here.
Bosko
Who's all them folks out there in the dark?
Rudolf Ising
Why, the audience, Bosko. Can you make them laugh?
Bosko
Mm, mm.
Bosko
Got a piano?
Rudolf Ising
Yeah. Here you are.
Bosko
Right there.
Bosko
Ain't that a heck of a move?
Bosko
Hahahahahahahahahahahahaha!
Bosko
I don't mind the grey skies,
I still has you, Sonny Boy!
Bosko
Hey, where's I at?
Bosko
Dang! I was readjusted!
Bosko
Rudolf Ising
Bummer! Bummer! That was rotten.
Bosko
Ow! Ow! Put that out! Ooh! Ooh! Ooh! Ow! Ow! Ouch! Ouch! Let me go. Cut that out! Put that out! Ooh!
Rudolf Ising
You'll go back to the pen for that.
Bosko
Well, so long, folks! See you all later!
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) between 1929 and 1977 (inclusive) without a copyright notice.
Copyright law abroad tends to consider the following people authors of a film:
- The principal director
- The screenwriter, and/or other writers of dialogue
- The composer/lyricist (if the film is accompanied by sound)
- The cinematographer
- By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1992, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 31 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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