Castes and Tribes of Southern India/Morasu
Morasu. — The following legendary account of the origin of the "Morsu Vellallu " is given in the Baramahal Records.*[1] " In the kingdom of Conjiveram, there was a village named Paluru, the residence of a chieftain, who ruled over a small district inhabited by the Morsu Vellallu. It so happened that one of them had a handsome daughter with whom the chieftain fell in love, and demanded her in marriage of her parents. But they would not comply with his demand, urging as an excuse the difference of caste, on which the inflamed lover determined on using force to obtain the object of his desires. This resolution coming to the knowledge of the parents of the girl, they held a consultation with the rest of the sect, and it was determined that for the present they should feign a compliance with his order, until they could meet with a favourable opportunity of quitting the country. They accordingly signified their consent to the matter, and fixed upon the nuptial day, and erected a pandal or temporary building in front of their house for the performance of the wedding ceremonies. At the proper time, the enamoured and enraptured chief sent in great state to the bride's house the wedding ornaments and clothes of considerable value, with grain and every other delicacy for the entertainment of the guests. The parents, having in concert with the other people of the sect prepared everything for flight, they put the ornaments and clothes on the body of a dog, which they tied to the centre pillar of the pandal, threw all the delicacies on the ground before him, and, taking their daughter, fled. Their flight soon came to the ears of the chief, who, being vexed and mortified at the trick they had played him, set out with his attendants like a raging lion in quest of his prey. The fugitives at length came to the banks of the Tungabhadra river, which they found full and impassable, and their cruel pursuer nigh at hand. In the dreadful dilemma, they addressed to the God Vishnu the following prayer. 'O! Venkatrāma (a title of Vishnu), if thou wilt graciously deign to enable us to ford this river, and wilt condescend to assist us in crossing the water, as thou didst Hanumant in passing over the vast ocean, we from henceforth will adopt thee and thy ally Hanumant our tutelary deities.' Vishnu was pleased to grant their prayer, and by his command the water in an instant divided, and left a dry space, over which they passed. The moment they reached the opposite bank, the waters closed and prevented their adversary from pursuing them, who returned to his own country. The sect settled in the provinces near the Tungabhadra river, and in course of time spread over the districts which now form the eastern part of the kingdom of Mysore then called Morsu, and from thence arose their surname."
As in Africa, and among the American Indians, Australians, and Polynesians, so in Southern India artificial deformity of the hand is produced by chopping off some of the fingers. Writing in 1815, Buchanan (Hamilton)*[2] says that "near Deonella or Deonhully, a town in Mysore, is a sect or sub-division of the Murressoo Wocal caste, every woman of which, previous to piercing the ears of her eldest daughter, preparatory to her being betrothed in marriage, must undergo the amputation of the first joints of third and fourth fingers of her right hand. The amputation is performed by the blacksmith of the village, who, having placed the finger in a block, performs the operation with a chisel. If the girl to be betrothed is motherless, and the mother of the boy has not before been subjected to the amputation, it is incumbent on her to suffer the operation." Of the same ceremony among the "Morsa-Okkala-Makkalu " of Mysore the Abbé Dubois †[3] says that, if the bride's mother be dead, the bridegroom's mother, or in default of her the mother of the nearest relative, must submit to the cruel ordeal. In an editorial foot-note it is stated that this custom is no longer observed. Instead of the two fingers being amputated, they are now merely bound together, and thus rendered unfit for use. In the Census Report, 1891, it is recorded that this type of deformity is found among the Morasus, chiefly in Cuddapah, North Arcot, and Salem. " There is a sub-section of them called Veralu Icche Kāpulu, or Kāpulu who give the fingers, from a curious custom which requires that, when a grandchild is born in a family, the wife of the eldest son of the grandfather must have the last two joints of the third and fourth fingers of her right hand amputated at a temple of Bhairava." Further, it is stated in the Manual of the Salem district (1883) that "the practice now observed in this district is that, when a grandchild is born in a family, the eldest son of the grandfather, with his wife, appears at the temple for the ceremony of boring the child's ear, and there the woman has the last two joints of the third and fourth fingers chopped off. It does not signify whether the father of the first grandchild born be the eldest son or not, as in any case it is the wife of the eldest son who has to undergo the mutilation. After this, when children are born to other sons, their wives in succession undergo the operation. When a child is adopted, the same course is pursued. "
The origin of the custom is narrated by Wilks,*[4] and is briefly this. Mahadeo or Siva, who was in great peril, after hiding successively in a castor-oil and jawāri plantation, concealed himself in a linga-tonde shrub from a rākshasa who was pursuing him , to whom a Marasa Vakkaliga cultivator indicated, with the little finger of his right hand, the hiding-place of Siva. The god was only rescued from his peril by the interposition of Vishnu in the form of a lovely maiden meretriciously dressed, whom the lusty rākshasa, forgetting all about Siva, attempted to ravish, and was consumed to ashes. On emerging from his hiding-place, Siva decreed that the cultivator should forfeit the offending finger. The culprit's wife, who had just arrived at the field with food for her husband, hearing this dreadful sentence, threw herself at Siva's feet, and represented the certain ruin of her family if her husband should be disabled for some months from performing the labours of the farm, and besought the deity to accept two of her fingers instead of one from her husband. Siva, pleased with so sincere a proof of conjugal affection, accepted the exchange, and ordered that her family posterity in all future generations should sacrifice two fingers at his temple as a memorial of the transaction, and of their exclusive devotion to the god of the lingam. For the following account of the performance of the rite, as carried out by the Morasa Vakkaligaru of Mysore, I am indebted to an article by Mr. V. N. Narasimmiyengar.*[5] " These people are roughly classed under three heads, viz.: (1) those whose women offer the sacrifice; (2) those who substitute for the fingers a piece of gold wire, twisted round fingers in the shape of rings. Instead of cutting the fingers off, the carpenter removes and appropriates the rings; (3) those who do not perform the rite. The modus operandiis as nearly as possible the following. About the time of the new moon in Chaitra, a propitious day is fixed by the village astrologer, and the woman who is to offer the sacrifice performs certain ceremonies or pujē in honour of Siva, taking food only once a day. For three days before the operation, she has to support herself with milk, sugar, fruits, etc., all substantial food being eschewed. On the day appointed, a common cart is brought out, painted in alternate strips with white and red ochre, and adorned with gay flags, flowers, etc., in imitation of a car. Sheep or pigs are slaughtered before it, their number being generally governed by the number of children borne by the sacrificing woman. The cart is then dragged by bullocks, preceded by music, the woman and her husband following, with new pots filled with water and small pieces of silver money, borne on their heads, and accompanied by a retinue of friends and relatives. The village washerman has to spread clean cloths along the path of the procession, which stops near the boundary of the village, where a leafy bower is prepared, with three pieces of stone installed in it, symbolising the god Siva. Flowers, fruits, cocoanuts, incense, etc., are then offered, varied occasionally by an additional sheep or pig. A wooden seat is placed before the image, and the sacrificing woman places upon it her right hand with the fingers spread out. A man holds her hand firmly, and the village carpenter, placing his chisel on the first joints of her ring and little fingers, chops them off with a single stroke. The pieces lopped off are thrown into an ant-hill, and the tips of the mutilated fingers, round which rags are bound, are dipped into a vessel containing boiling gingily (Sesamum indicum) oil. A good skin eventually forms over the stump, which looks like a congenital malformation. The fee of the carpenter is one kanthirāya fanam (four annas eight pies) for each maimed finger, besides presents in kind. The woman undergoes the barbarous and painful ceremony without a murmur, and it is an article of the popular belief that, were it neglected, or if nails grow on the stump, dire ruin and misfortune will overtake the recusant family. Staid matrons, who have had their fingers maimed for life in the above manner, exhibit their stumps with a pride worthy of a better cause. At the termination of the sacrifice, the woman is presented with cloths, flowers, etc., by her friends and relations, to whom a feast is given. Her children are placed on an adorned seat, and, after receiving presents of flowers, fruits, etc., their ears are pierced in the usual way. It is said that to do so before would be sacrilege." In a very full account of deformation of the hand by the Berulu Kodo sub-sect of the Vakaliga or ryat caste in Mysore, Mr. F. Fawcett says that it was regularly practiced until the Commissioner of Mysore put a stop to it about twenty years ago. "At present some take gold or silver pieces, stick them on to the finger's ends with flour paste, and either cut or pull them off. Others simply substitute an offering of small pieces of gold or silver for the amputation. Others, again, tie flowers round the fingers that used to be cut, and go through a pantomime of cutting by putting the chisel on the joint, and taking it away again. All the rest of the ceremony is just as it used to be." The introduction of the decorated cart, which has been referred to, is connected by Mr. Fawcett with a legend concerning a zemindar, who sought the daughters of seven brothers in marriage with three youths of his family. As carts were used in the flight from the zemindar, the ceremony is, to commemorate the event, called Bandi Dēvuru, or god of cars. As by throwing ear-rings into a river the fugitives passed through it, while the zemindar was drowned, the caste people insist on their women's ears being bored for ear-rings. And, in honour of the girls who cared more for the honour of their caste than for the distinction of marriage into a great family, the amputation of part of two fingers of women of the caste was instituted.
"Since the prohibition of cutting off the fingers," Mr. L. Rice writes,*[6] "the women content themselves with putting on a gold or silver finger-stall or thimble, which is pulled off instead of the finger itself."
Morasa Kāpulu women never touch the new grain of the year without worshipping the sun (Sūrya), and may not eat food prepared from this grain before this act of worship has been performed. They wrap themselves in a kambli (blanket) after a purificatory bath, prostrate themselves on the ground, raise their hands to the forehead in salutation, and make the usual offering of cocoanuts, etc. They are said, in times gone by, to have been lax in their morals and to have prayed to the sun to forgive them.
Morasu has further been returned as a sub-division of Holeya, Māla and Oddē. The name Morasu Paraiyan probably indicates Holeyas who have migrated from the Canarese to the Tamil country, and whose women, like the Kallans, wear a horse-shoe thread round the neck.