Castes and Tribes of Southern India/Paniyan
Paniyan.-— The Paniyans are a dark-skinned tribe, short in stature, with broad noses, and curly or wavy hair, inhabiting the Wynād, and those portions of the Ernād, Calicut, Kurumbranād and Kottayam tāluks of Malabar, which skirt the base of the ghāts, and the Mudanād, Cherangōd, and Namblakōd amshams of the Nīlgiri district.
A common belief, based on their general appearance, prevails among the European planting community that the Paniyans are of African origin, and descended from ancestors who were wrecked on the Malabar coast. This theory, however, breaks down on investigation. Of their origin nothing definite is known. The Nāyar Janmis (landlords) say that, when surprised in the act of some mischief or alarmed, the Paniyan calls out 'Ippi'! 'Ippi'! as he runs away, and they believe this to have been the name of the country whence they came originally; but they are ignorant as to where Ippimala, as they call it, is situated. Kapiri (Africa or the Cape ?) is also sometimes suggested as their original habitat, but only by those who have had the remarks of Europeans communicated to them. The Paniyan himself, though he occasionally puts forward one or other of the above places as the home of his forefathers, has no fixed tradition bearing on their arrival in Malabar, beyond one to the effect that they were brought from a far country, where they were found living by a Rāja, who captured them, and carried them off in such a miserable condition that a man and his wife only possessed one cloth between them, and were so timid that it was only by means of hunting nets that they were captured.
The number of Paniyans, returned at the census, 1891, was 33,282, and nine sub-divisions were registered; but, as Mr. H. A. Stuart, the Census Commissioner, observes: — "Most of these are not real, and none has been returned by any considerable number of persons." Their position is said to be very little removed from that of a slave, for every Paniyan is some landlord's 'man'; and, though he is, of course, free to leave his master, he is at once traced, and good care is taken that he does not get employment elsewhere.
In the fifties of the last century, when planters first began to settle in the Wynād, they purchased the land with the Paniyans living on it, who were practically slaves of the land-owners. The Paniyans used formerly to be employed by rich receivers as professional coffee thieves, going out by night to strip the bushes of their berries, which were delivered to the receiver before morning. Unlike the Badagas of the Nīlgiris, who are also coffee thieves, and are afraid to be out after dark, the Paniyans are not afraid of bogies by night, and would not hesitate to commit nocturnal depredations. My friend, Mr. G.Romilly, on whose estate my investigation of the Paniyans was mainly carried out, assures me that, according to his experience, the domesticated Paniyan, if well paid, is honest, and fit to be entrusted with the responsible duties of night watchman.
In some localities, where the Janmis have sold the bulk of their land, and have consequently ceased to find regular employment for them, the Paniyans have taken kindly to working on coffee estates, but comparatively few are thus employed. The word Paniyan means labourer, and they believe that their original occupation was agriculture as it is, for the most part, at the present day. Those, however, who earn their livelihood on estates, only cultivate rice and rāgi (Eleusine coracana) for their own cultivation; and women and children may be seen digging up jungle roots, or gathering pot-herbs for food. They will not eat the flesh of jackals, snakes, vultures, lizards, rats, or other vermin. But I am told that they eat land- crabs, in lieu of expensive lotions, to prevent baldness and grey hairs. They have a distinct partiality for alcohol, and those who came to be measured by me were made more than happy by a present of a two-anna piece, a cheroot, and a liberal allowance of undiluted fiery brandy from the Meppādi bazar. The women are naturally of a shy disposition, and used formerly to run away and hide at the sight of a European. They were at first afraid to come and see me, but confidence was subsequently established, and all the women came to visit me, some to go through the ordeal of measurement, others to laugh at and make derisive comments on those who were undergoing the operation. Practically the whole of the rice cultivation in the Wynād is carried out by the Paniyans attached to edoms (houses or places) or dēvasoms (temple property) of the great Nāyar landlords; and Chettis and Māppillas also frequently have a few Paniyans, whom they have bought or hired by the year at from four to eight rupees per family from a Janmi. When planting paddy or herding cattle, the Paniyan is seldom seen without the kontai or basket-work protection from the rain. This curious, but most effective substitute for the umbrella-hat of the Malabar coast, is made of split reeds interwoven with 'arrow-root' leaves, and shaped something like a huge inverted coal-scoop turned on end, and gives to the individual wearing it the appearance of a gigantic mushroom. From the nature of his daily occupation the Paniyan is often brought in contact with wild animals, and is generally a bold, and, if excited, as he usually is on an occasion such as the netting of a tiger, a reckless fellow. The young men of the villages vie with each other in the zeal which they display in carrying out the really dangerous work of cutting back the jungle to within a couple of spear-lengths of the place where the quarry lies hidden, and often make a show of their indifference by turning and conversing with their friends outside the net.
Years ago it was not unusual for people to come long distance for the purpose of engaging Wynād Paniyans to help them in carrying out some more than usually desperate robbery or murder. Their mode of procedure, when engaged in an enterprise of this sort, is evidenced by two cases, which had in them a strong element of savagery. On both these occasions the thatched homesteads were surrounded at dead of night by gangs of Paniyans carrying large bundles of rice straw. After carefully piling up the straw on all sides of the building marked for destruction, torches were, at a given signal, applied, and those of the wretched inmates who attempted to escape were knocked on the head with clubs, and thrust into the fiery furnace.
The Paniyans settle down happily on estates, living in a settlement consisting of rows of huts and detached huts, single or double storied, built of bamboo and thatched. During the hot weather, in the unhealthy months which precede the advent of the south-west monsoon, they shift their quarters to live near streams, or in other cool, shady spots, returning to their head quarters when the rains set in.
They catch fish either by means of big flat bamboo mats, or, in a less orthodox manner, by damming a stream and poisoning the water with herbs, bark, and fruit, which are beaten to a pulp and thrown into the water. The fish, becoming stupified, float on the surface, and fall an easy and unfairly earned prey.
It is recorded by Mr. H. C. Wilson *[1] that the section of the Moyar river " stretching from the bottom of the Pykara falls down to the sheer drop into the Mysore ditch below Teppakadu is occupied principally by Carnatic carp. In the upper reaches I found traces of small traps placed across side runners or ditches, which were then dry. They had evidently been in use during the last floods, and allowed to remain. Constructed of wood in the shape of a large rake head with long teeth close together, they are fastened securely across the ditch or runner at a slight angle with teeth in the gravel. The object is to catch the small fry which frequent these side places for protection during flood times. Judging by their primitive nature and poor construction, they are not effective, but will do a certain amount of damage. The nearest hamlet to this place is called Torappalli,occupied by a few fisher people called Paniyans. These are no doubt the makers of the traps, and, from information I received, they are said to possess better fry and other traps. They are also accredited with having fine-mesh nets, which they use when the waters are low."
In 1907, rules were issued, under the Indian Fisheries Act, IV of 1897, for the protection of fish in the Bhavāni and Moyar rivers. These rules referred to the erection and use of fixed engines, the construction of weirs, and the use of nets, the meshes of which are less than one and a half inches square for the capture or destruction of fish, and the prohibition of fishing between the 15th March and 15th September annually. Notice of the rules was given by beat of tom-tom (drum) in the villages lying on the banks of the rivers, to which the rules applied.
The Paniyan language is a debased Malayālam patois spoken in a curious nasal sing-song, difficult to imitate; but most of the Paniyans employed on estates can also converse in Kanarese.
Wholly uneducated and associating with no other tribes, the Paniyans have only very crude ideas of religion. Believing in devils of all sorts and sizes, and professing to worship the Hindu divinities, they reverence especially the god of the jungles, Kād Bhagavadi, or, according to another version, a deity called Kūli, a malignant and terrible being of neither sex, whose shrines take the form of a stone placed under a tree, or sometimes a cairn of stones. At their rude shrines they contribute as offerings to the swāmi (god) rice boiled in the husk, roasted and pounded, half-a-cocoanut, and small coins. The banyan and a lofty tree, apparently of the fig tribe, are reverenced by them, inasmuch as evil spirits are reputed to haunt them at times. Trees so haunted must not be touched, and, if the Paniyans attempt to cut them, they fall sick.
Some Paniyans are believed to be gifted with the power of changing themselves into animals; and there is a belief among the Paniyan dwellers in the plains that, if they wish to secure a woman whom they lust after, one of the men gifted with this special power goes to her house at night with a hollow bamboo, and encircles the house three times. The woman then comes out, and the man, changing himself into a bull or dog, works his wicked will. The woman, it is believed, dies in the course of two or three days.
In 1904 some Paniyans were employed by a Māppilla (Muhammadan) to murder his mistress, who was pregnant, and threatened that she would noise abroad his responsibility for her condition. He brooded over the matter, and one day, meeting a Paniyan, promised him ten rupees if he would kill the woman. The Paniyan agreed to commit the crime, and went with his brothers to a place on a hill, where the Māppilla and the woman were in the habit of gratifying their passions. Thither the man and woman followed the Paniyans, of whom one ran out, and struck his victim on the head with a chopper. She was then gagged with a cloth, carried some distance, and killed. The two Paniyans and the Māppilla were sentenced to be hanged.
Monogamy appears to be the general rule among the Paniyans, but there is no obstacle to a man taking unto himself as many wives as he can afford to support.
Apparently the bride is selected for a young man by his parents, and, in the same way that a wealthy European sometimes sends his betrothed a daily present of a bouquet, the more humble Paniyan bridegroom elect has to take a bundle of firewood to the house of the fiancee every day for six months. The marriage ceremony (and the marriage knot does not appear to be very binding) is of a very simple nature. The ceremony is conducted by a Paniyan Chemmi (a corruption of Janmi). A present of sixteen fanams (coins) and some new cloths is given by the bridegroom to the Chemmi, who hands them over to the parents of the bride. A feast is prepared, at which the Paniyan women (Panichis) dance to the music of drum and pipe. The tāli (or marriage badge) is tied round the neck of the bride by the female relations of the bridegroom, who also invest the bride with such crude jewelry as they may be able to afford. The Chemmi seals the contract by pouring water over the head and feet of the young couple. It is said *[2] that a husband has to make an annual present to his wife's parents; and failure to do so entitles them to demand their daughter back. A man may, I was told, not have two sisters as wives; nor may he marry his deceased wife's sister. Remarriage of widows is permitted. Adultery and other forms of vice are adjudicated on by a panchāyat (or council) of headmen, who settle disputes and decide on the fine or punishment to be inflicted on the guilty. At nearly every considerable Paniyan village there is a headman called Kūttan, who has been appointed by Nāyar Janmi to look after his interests, and be responsible to him for the other inhabitants of the village. The investiture of the Kūttan with the powers of office is celebrated with a feast and dance, at which a bangle is presented to the Kūttan as a badge of authority. Next in rank to the Kūttan is the Mudali or head of the family, and they usually constitute the panchāyat. Both Kūttan and Mudali are called Mūppanmar or elders. The whole caste is sometimes loosely spoken of as Mūppan. In a case of proved adultery, a fine of sixteen fanams (the amount of the marriage fee), and a sum equal to the expenses of the wedding, including the present to the parents of the bride, is the usual form of punishment.
The Chemmi or Shemmi is, I am informed, a sort of priest or minister. He was appointed, in olden days, by the chieftains under whom the Paniyans worked, and each Chemmi held authority over a group of villages. The office is hereditary, but, should a Chemmi family fail, it can be filled up by election.
No ceremony takes place in celebration of the birth of children. One of the old women of the village acts as midwife, and receives a small present in return for her services. As soon as a child is old enough to be of use, it accompanies its parents to their work, or on their fishing and hunting expeditions, and is initiated into the various ways of adding to the stock of provisions for the household.
The dead are buried in the following manner. A trench, four or five feet deep, and large enough to receive the body to be interred, is dug, due north and south, on a hill near the village. At the bottom of this excavation the earth is scooped out from the western side on a level with the floor throughout the length of the grave, so as to form a receptacle for the corpse, which, placed on a mat, is laid therein upon its left side with the head pointing to the south and the feet to the north. After a little cooked rice has been put into the grave for the use of the departed spirit, the mat, which has been made broad enough for the purpose, is folded up and tucked in under the roof of the cavity, and the trench filled up. It has probably been found by experience that the corpse, when thus protected, is safe from the ravages of scavenger jackals and pariah dogs. For seven days after death, a little rice gruel is placed at distance of from fifty to a hundred yards from the grave by the Chemmi, who claps his hands as a signal to the evil spirits in the vicinity, who, in the shape of a pair of crows, are supposed to partake of the food, which is hence called kaka conji or crow's rice.
The noombu or mourning ceremonies are the tī polay, seven days after death; the kāka polay or karuvelli held for three years in succession in the month of Magaram (January- February); and the matham polay held once in every three or four years, when possible, as a memorial service in honour of those who are specially respected. On all these occasions the Chemmi presides, and acts as a sort of master of the ceremonies. As the ceremonial carried out differs only in degree, an account of the kāka polay will do for all.
In the month of Magaram, the noombukarrans or mourners (who have lost relatives) begin to cook and eat in a pandal or shed set apart from the rest of the village, but otherwise go about their business as usual. They wash and eat twice a day, but abstain from eating meat or fish. On the last day of the month, arrangements are made, under the supervision of the Chemmi, for the ceremony which brings the period of mourning to a close. The mourners, who have fasted since daybreak, take up their position in the pandal, and the Chemmi, holding on his crossed arms two winnowing sieves, each containing a seer or two of rice, walks round three times, and finally deposits the sieves in the centre of the pandal. If, among the male relatives of the deceased. one is to be found sufficiently hysterical, or actor enough, to simulate possession and perform the functions of an oracle, well and good; but, should they all be of a stolid temperament, there is always at hand a professional corresponding to the Komāran or Vellichipād of other Hindus. This individual is called the Patalykāran. With a new cloth (mundu) on his head, and smeared on the body and arms with a paste made of rice flour and ghī (clarified butter), he enters on the scene with his legs girt with bells, the music of which is supposed to drive away the attendant evil spirits (payanmar). Advancing with short steps and rolling his eyes, he staggers to and fro, sawing the air with two small sticks which he holds in either hand, and works himself up into a frenzied state of inspiration, while the mourners cry out and ask why the dead have been taken away from them. Presently a convulsive shiver attacks the performer, who staggers more violently and falls prostrate on the ground, or seeks the support of one of the posts of the pandal, while he gasps out disjointed sentences, which are taken to be the words of the god. The mourners now make obeisance, and are marked on the forehead with the paste of rice flour and ghī. This done, a mat is spread for the accommodation of the headmen and Chemmi; and the Patalykāran, from whose legs the bells have been removed and put with the rice in the sieves, takes these in his hands, and, shaking them as he speaks, commences a funeral chant, which lasts till dawn. Meanwhile food has been prepared for all present except the mourners, and when this has been partaken of, dancing is kept up round the central group till day-break, when the pandal is pulled down and the kāka polay is over. Those who have been precluded from eating make up for lost time, and relatives, who have allowed their hair to grow long, shave. The ordinary Paniyan does not profess to know the meaning of the funeral orations, but contents himself with a belief that it is known to those who are initiated. The women attend the ceremony, but do not take part in the dance. In fact, the nearest approach to a dance that they ever attempt (and this only on festive occasions) resembles the ordinary occupation of planting rice, carried out in dumb show to the music of a drum. The bodies of the performers stoop and move in time with the music, and the arms are swung from side to side as in the act of placing the rice seedlings in their rows. To see a long line of Paniyan women, up to their knees in the mud of a rice field, bobbing up and down and putting on the pace as the music grows quicker and quicker, and to hear the wild yells of Hou! Hou! like a chorus of hungry dogs, which form the vocal accompaniment as they dab the green bunches in from side to side, is highly amusing.
The foregoing account of the Paniyan death ceremonies was supplied by Mr. Colin Mackenzie, to whom, as also to Mr. F. Fawcett, Mr. G. Romilly, and Martelli, I am indebted for many of the facts recorded in the present note. From Mr. Fawcett the following account of a further ceremony was obtained: —
At a Paniyan village, on a coffee estate where the annual ceremony was being celebrated, men and boys were dancing round a wooden upright to the music of a small drum hanging at the left hip. Some of the dancers had bells round the leg below the knee. Close to the upright a man was seated, playing a pipe, which emitted sounds like those of a bagpipe. In dancing, the dancers went round against the sun. At some little distance a crowd of females indulged in a dance by themselves. A characteristic of the dance, specially noticeable among the women, was stooping and waving of the arms in front. The dancers perspired freely, and kept up the dance for many hours to rhythmic music, the tune of which changed from time to time. There were three chief dancers, of whom one represented the goddess, the others her ministers. They were smeared with streaks on the chest, abdomen, arms and legs, had bells on the legs, and carried a short stick about two feet in length in each hand. The sticks were held over the head, while the performers quivered as if in a religious frenzy. Now and again, the sticks were waved or beaten together. The Paniyans believe that, when the goddess first appeared to them, she carried two sticks in her hands. The mock goddess and her attendants, holding the sticks above the head and shivering, went to each male elder, and apparently received his blessing, the elder placing his hand on their faces as a form of salutation, and then applying his hand to his own face. The villagers partook of a light meal in the early morning, and would not eat again until the end of the ceremony, which concluded by the man-goddess seating himself on the upright, and addressing the crowd on behalf of the goddess concerning their conduct and morality.
The Paniyans "worship animistic deities, of which the chief is Kūli, whom they worship on a raised platform called Kulitara, offering cocoanuts, but no blood." *[3]They further worship Kāttu Bhagavati, or Bhagavati of the woods. "Shrines in her honour are to be found at most centres of the caste, and contain no image, but a box in which are kept the clothing and jewels presented to her by the devout. An annual ceremony lasting a week is held in her honour, at which the Komāran and a kind of priest, called Nolambukāran, take the chief parts. The former dresses in the goddess' clothing, and the divine afflatus descends upon him, and he prophesies both good and evil."
Games. — A long strip of cane is suspended from the branch of a tree, and a cross-bar fixed to its lower end. On the bar a boy sits, and swings himself in all directions. In another game a bar, twelve to fourteen feet in length, is balanced by means of a point in a socket on an upright reaching about four feet and-a-half above the ground. Over the end of the horizontal bar a boy hangs, and, touching the ground with the feet, spins himself round.
Some Paniyans have a thread tied round the wrist, ankle, or neck, as a charm to ward off fever and other diseases. Some of the men have the hair of the head hanging down in matted tails in performance of a vow. The men wear brass, steel, and copper rings on their fingers and brass rings in the ears.
The women, in like manner, wear finger rings, and, in addition, bangles on the wrist, and have the lobes of the ears widely dilated, and plugged with cadjan (palm leaf) rolls. In some the nostril is pierced, and plugged with wood.
The Paniyans, who dwell in settlements at the base of the ghāts, make fire by what is known as the Malay or sawing method. A piece of bamboo, about a foot in length, in which two nodes are included, is split longitudinally into two equal parts. On one half a sharp edge is cut with a knife. In the other a longitudinal slit is made through about two-thirds of its length, which is stuffed with a piece of cotton cloth. It is then held firmly on the ground with its convex surface upwards, and the cutting edge drawn, with a gradually quickening 
PANIYANS MAKING FIRE.
At Pudupādi an elephant mahout was jealously guarding a bit of bamboo stick with notches cut in it, each notch representing a day for which wages were due to him. The stick in question had six notches, representing six days' wages.
Average height 157'4 cm. Nasal index 95 (max. 108.6). The average distance from the tip of the middle finger to the top of the patella was 4.6 cm. relative to stature = 100, which approximates very closely to the recorded results of measurement of long-limbed African negroes.