Critical Woodcuts
Appearance
Charles Scribner's Sons
Critical Woodcuts
Critical Woodcuts
By
Stuart Sherman
Illustrated with portraits engraved on wood
By
Bertrand Zadig
Charles Scribner's Sons
New York · London
1926
Contents
Page | ||
Introductory | xi |
I. | Sherwood Anderson's Tales of the New Life | 3 |
II. | D. H. Lawrence Cultivates His Beard | 18 |
III. | Willa Cather and the Changing World | 32 |
IV. | Floyd Dell on the Coast of Bohemia | 49 |
V. | Ben Hecht and the Supermen | 63 |
VI. | Ellen Glasgow: The Fighting Edge of Romance | 73 |
VII. | Rose Macaulay and Women | 83 |
VIII. | H. G. Wells | 94 |
IX. | Mr. Brownell on the Quest of Perfection | 111 |
X. | Chekhov, Chekhovians, Chekhovism | 122 |
XI. | Llewelyn Powys | 138 |
XII. | R. L. S. Encounters the "Modern" Writers on Their Own Ground | 156 |
XIII. | Anatole France: A Secretary and His "Immortal" | 173 |
XIV. | Oscar Wilde: A Dandy of Letters and Acquainted With Grief | 188 |
XV. | Pierre Loti and Exotic Love | 200 |
XVI. | Don Marquis, Poet | 209 |
XVII. | William Osler: The High Calling of Medicine | 222 |
XVIII. | H. L. Mencken as Liberator | 235 |
XIX. | Barrett Wendell: Farewell, New England | 244 |
XX. | Mandeville on the Seamy Side of Virtue | 261 |
XXI. | Boswell on His Own Hook | 271 |
XXII. | Laurence Sterne: A Graceless Man of God | 284 |
XXIII. | George Washington as Diarist | 296 |
XXIV. | Brigham Young: A Fundamentalist Who Got What He Wanted | 311 |
XXV. | Interpreting Jesus | 324 |
XXVI. | The Known Soldier | 338 |
Illustrations
Stuart Sherman | Frontispiece | |
Sherwood Anderson | 5 | |
D. H. Lawrence | 19 | |
Willa Cather | 33 | |
Floyd Dell | 51 | |
H. G. Wells | 95 | |
W. C. Brownell | 113 | |
Anton Chekhov | 123 | |
Llewelyn Powys | 139 | |
Robert Louis Stevenson | 157 | |
Anatole France | 175 | |
Don Marquis | 211 | |
William Osler | 223 | |
Barrett Wendell | 245 | |
George Washington | 297 |
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1926, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 98 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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