Devonshire Characters and Strange Events/Preface
PREFACE
IN treating of Devonshire Characters, I have had to put aside the chief Worthies and those Devonians famous in history, as George Duke of Albemarle, Sir Walter Raleigh, Sir Francis Drake, Sir Joshua Reynolds, the Coleridges, Sir Stafford Northcote, first Earl of Iddesleigh, and many another; and to content myself with those who lie on a lower plane. So also I have had to set aside several remarkable characters, whose lives I have given elsewhere, as the Herrings of Langstone (whom I have called Grym or Grymstone) and Madame Drake, George Spurle the Post-boy, etc. Also I have had to pretermit several great rascals, as Thomas Gray and Nicholas Horner. But even so, I find an embarras de richesses, and have had to content myself with such as have had careers of some general interest. Moreover, it has not been possible to say all that might have been said relative to these, so as to economize space, and afford room for others.
So also, with regard to strange incidents, some limitation has been necessary, and such have been selected as are less generally known.
I have to thank the kind help of many Devonshire friends for the loan of rare pamphlets, portraits, or for information not otherwise acquirable—as the Earl of Iddesleigh, Lady Rosamond Christie, Mrs. Chichester of Hall, Mrs. Ford of Pencarrow, Dr. Linnington Ash, Dr. Brushfield, Capt. Pentecost, Miss M. P. Willcocks, Mr. Andrew Iredale, Mr. W. H. K. Wright, Mr. A. B. Collier, Mr. Charles T. Harbeck, Mr. H. Tapley Soper, Miss Lega-Weekes, who has contributed the article on Richard Weekes; Mrs. G. Radford, Mr. R. Pearse Chope, Mr. Rennie Manderson, Mr. M. Bawden, the Rev. J. B. Wollocombe, the Rev. W. H. Thornton, Mr. A. M. Broadley, Mr. Samuel Gillespie Prout, Mr. S. H. Slade, Mr. W. Fleming, Mrs. A. H. Wilson, Fleet-Surgeon Lloyd Thomas, the Rev. W. T. Wellacott, Mr. S. Raby, Mr. Samuel Harper, Mr. John Avery, Mr. Thomas Wainwright, Mr. A. F. Steuart, Mr. S. T. Whiteford, and last, but not least, Mr. John Lane, the publisher of this volume, who has taken the liveliest interest in its production.
Also to Messrs. Macmillan for kindly allowing the use of an engraving of Newcomen's steam engine, and to Messrs. Vinton & Co. for allowing the use of the portrait of the Rev. John Russell that appeared in Bailey's Magazine.
I am likewise indebted to Miss M. Windeatt Roberts for having undertaken to prepare the exhaustive Index, and to Mr. J. G. Commin for placing at my disposal many rare illustrations.
For myself I may say that it has been a labour of love to grope among the characters and incidents of the past in my own county, and with Cordatus, in the Introduction to Ben Jonson's Every Man out of his Humour, I may say that it has been "a work that hath bounteously pleased me; how it will answer the general expectation, I know not."
I am desired by my publisher to state that he will be glad to receive any information as to the whereabouts of pictures by another "Devonshire Character," James Gandy, born at Exeter in 1619, and a pupil of Vandyck. He was retained in the service of the Duke of Ormond, whom he accompanied to Ireland, where he died in 1689. It is said that his chief works will be found in that country and the West of England.
Jackson of Exeter, in his volume The Four Ages, says: "About the beginning of the eighteenth century was a painter in Exeter called Gandy, of whose colouring Sir Joshua Reynolds thought highly. I heard him say that on his return from Italy, when he was fresh from seeing the pictures of the Venetian school, he again looked at the works of Gandy, and that they had lost nothing in his estimation. There are many pictures of this artist in Exeter and its neighbourhood. The portrait Sir Joshua seemed most to value is in the Hall belonging to the College of Vicars in that city, but I have seen some very much superior to it."
Since then, however, the original picture has been taken from the College of Vicars, and has been lost; but a copy, I believe, is still exhibited there, and no one seems to know what has become of the original.
Not only is Mr. Lane anxious to trace this picture, but any others in Devon or Ireland, as also letters, documents, or references to this artist and his work.