Dictionary of National Biography, 1885-1900/Richardson, Thomas Miles

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663665Dictionary of National Biography, 1885-1900, Volume 48 — Richardson, Thomas Miles1896Edward George Hawke

RICHARDSON, THOMAS MILES (1784–1848), landscape-painter, was born at Newcastle on 15 May 1784. His father, George Richardson (d. 1806), who came of an old Tynedale family, was the master of St. Andrew's grammar school, Newcastle. Moses Aaron Richardson [q. v.] was a younger brother. Richardson was at first apprenticed to an engraver and afterwards to a cabinet-maker, whom he left to set up in business for himself. After five years' experience of cabinet-making, he turned teacher, and from 1806 to 1813 filled the post which his father had held at the grammar school. Then he decided to adopt an artistic career, and soon acquired some distinction as a painter of landscape. He worked chiefly in watercolour, and found most of his subjects in the scenery of the Borders and the Highlands, though in later life he went as far afield as Italy and Switzerland. His first picture of importance was a ‘View of Newcastle from Gateshead Fell,’ which was purchased by the corporation of his native town. In 1816 he began to illustrate with aquatints his brother's ‘Collection of Armorial Bearings … in the Chapel of St. Andrew, Newcastle-upon-Tyne,’ which was published in 1818, and followed in 1820 by a larger work dealing with the church of St. Nicholas, and also illustrated by Richardson. In 1833 and 1834 he was engaged upon a work on the ‘Castles of the English and Scottish Borders,’ which he illustrated with mezzotints. Neither of these publications was finished. Richardson became well known as a contributor to the London exhibitions from 1818, when he sent his first picture to the Royal Academy, and was elected a member of the New Watercolour Society, now the Royal Institute. His work is represented in the public galleries at South Kensington, at Dublin, and at Liverpool. He died at Newcastle on 7 March 1848, leaving a widow and a large family, one of whom, Thomas Miles, has followed the father's profession.

[Bryan's Dict. of Painters and Engravers; Redgrave's Dict. of Artists of the English School; Graves's Dict. of Artists.]