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Good-Night (Buenas Noches)/Chapter 4

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Illustrated by Arthur Rackham

3674486Good-Night (Buenas Noches) — Chapter 4Eleanor Gates


IV

Out of the chapel came the sounds of the noon service–the level intoning of prayer, the rumble and swell of the padres’ voices. From her place before the great crucifix Loretta mocked it, only ceasing now and then to answer Tony’s warbles with little whistles of delight, or to run her open bill up and down the bit of vertical pole dividing her perch. Yesterday’s bout in the kitchen, yesterday’s hunger and fear, the lonely night ramble along the path, the lack of her preening friend–all these were forgotten in to-day’s safety, sunlight, plenty, and companionship. And so she gurred and purred, a-a-awed and ga-a-wked, shrilled her “Buenos dias!” across the garden, laughed uproariously, or droned the familiar mass.

In reach of her pacing, in touch of her very tail, was the gilded cage, with Tony darting up stairs and down, yet sparing time now and then for a sip or a seed or a saucy chirp.

But of a sudden the happy cries of both birds were changed to notes of alarm. The canary, its round eyes starting like two polished shots, fluttered high and low, beating its yellow wings against the wires; while Loretta squared her rudder, spread her pinions and squatted belligerently. For on the ground, advancing that way by soft
steps, and with the gloating look of the hunter fixed upon the cage, came Tomasso, the cat.

Quickly the parrot rallied from her panic. As if she knew that her arch-enemy was not seeking her now, but the precious bit of fluff at her side, she began a series of terror-inspiring performances learned in the profane garrison town of her hatching; she gave tongue to dire words that had long since gone out of her repertory. Ruffled to twice her size, she strutted along her perch, shrieking angry orders to mount, flinging out “Vuelta! vuelta! vuelta!” in husky trooper tones, and whistling the bugle calls.

It failed to scare Tomasso. Within the cage, as it gently danced from its spring, was a tempting morsel, one that lured all the more through its effort to escape. The cat crept steadily forward, velvet foot following velvet foot, across the shifting dapple before the great crucifix, across the packed gravel of the garden path, to the near shade of a gold of Ophir. There, under the roses, he paused, amber eyes glowing, whetted claws slipping in and out expectantly, muscles rolling and flexing with the measurement of the leap.

Then, with the cunning of the wild mother, Loretta adopted new tactics, seeking to divert him. She wobbled upon her perch, giving vent to bursts of hysterical laughter; she got between him and the cage and railed at him.

His unblinking eyes did not leave his quarry, his muscles kept their quiver of preparation. At the end of his sleek body, touching the path, his long tail swept, to and fro, to and fro, to and fro, like a furry pendulum marking off the dread time.

By now other inmates of the garden were alarmed. A blue jay scolded from the terra-cotta roof of the chapel From the cross-piece of the tree a line of sparrows gave over their squabbling to look down.

Loretta’s excitement grew wilder. Out of her beak poured phrases not of mass or military, not of good-days or–nights. For under the gold of Ophir the furry pendulum was standing out straight and the moving muscles down Tomasso’s length were tight and still. Her instinct knew the signs, and again and again she quavered out the “Fuego!” that had disgraced St. John’s Day.

No one heard. From the chapel still sounded the intoning of prayer, broken by the rumble and swell of the padres’ voices.

A moment, and she acted. With a “Ga-a-wk!” of defiance, she aimed her flight for the ground, took it in all but a somersault, and landed herself directly before the astonished Tomasso. Then once again she spread her wings and squared her rudder, making ready for a clash.

Tomasso’s eyes fell to her, he relaxed, body and tail, spitting resentfully.

Quickly emboldened, she came a hand’s breadth nearer him, snapping at the black tip of his nose.

He retreated to his haunches, but directed a swift cuff her way.

To this she responded with hoarse laughter and yells of “To-o-ny!” as if she summoned the canary to witness the encouraging progress of the fight. Then she stalked forward once more.

Tomasso wrinkled his face. Their positions were unpleasantly reversed. In Gabrielda’s domain it was she who backed off or sought the safe places, and he who sallied out from his cozy nook by the range to scare her into noisy protests. While here she was bristling to him. His paw poised itself in mid-air.

Loretta grew reckless. Fanning her wings, in one lightning stroke she bit him between his flattened ears.

The pain of it enraged Tomasso. With a jump, he met her.

Then ensued such a scene as the kitchen knew. There was mewing and spitting and yowling; there was gawking and squalling and a rending cry for “Tony!” All the while, close to the gold of Ophir, the cat and the parrot went dizzily around and around, a whirligig of gray, scarlet, and black–that tossed off fur and feathers.

It was over in a moment, when Tomasso fled, over path and grass, and into a dusky recess between the trunks of fir and pine. There he lay down, sulking and
grumbling and licking his paws. But Loretta stayed where she was a little, holding her head side wise in the attitude of a listener.

Lora,” she murmured presently, her voice inquiring, “Lora, Lora.

Then, slowly and clumsily, she made her way to the base of the perch, and with beak and talons climbed it.