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I Am the American Negro (collection)

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For works with similar titles, see I Am the American Negro.
I Am the American Negro (1937)
by Frank Marshall Davis
4676890I Am the American Negro1937Frank Marshall Davis

The Book and the Author

I Am The American Negro is a collection of poetry written by Frank Marshall Davis since the appearance in September, 1935, of his first volume, Black Man's Verse, which drew high critical praise as excerpts from reviews, printed on the outside and inside back cover, indicate.

This volume offers a varied excursion into the realms of free verse. From the title poem, which is a poetic drama to be read and not acted, the subject matter goes into the grimly realistic and the lyrically passionate, ending in the section, "Ebony Under Granite" (continued from Black Man's Verse), inspired by the Greek Anthology.

I Am The American Negro belongs in the libraries of all literate persons, both black and white, who are interested in brilliant free verse and the reaction of a Midwestern Negro to the American scene.

The author, Frank Marshall Davis, is a former Kansan now living in Chicago where he is feature editor and a syndicated columnist for the Associated Negro Press.


$1.50

What critics said of

BLACK MAN'S VERSE

By Frank Marshall Davis

"Black Man's Verse unites sardonic realism and mysticism, a union here of cause and effect, not at all strange to any reader knowing Sandberg. Mr. Davis is embittered by American life, and at times seems to escape from it in dreams of Mandy Lou's loveliness, and of vestiges from an earlier, exotic Africa . . . The book's contribution is in its realism."

Sterling A. Brown, Opportunity

"No Negro poet — nor any white poet — has sung with as great force of the intellectual and spiritual bleakness of the black island which exists in dominantly white America. His singing is in a minor chord like music at a synagogue or keening at a wake."

Prof. C. E. Rogers, Kansas Industrialist

"Throughout he has stamped his own individuality in lines and frequently his experimental moods have caught the essence of an originality surcharged with a vigour of well rounded expression."

James O. Hopson, Crisis

"Frank Marshall Davis . . . has an etcher's touch and an acid bite to his vignettes of life that any 'proletarian poet' or Marxian critic might well envy and emulate . . . His social analysis is as accurate as his social description is trenchant."

Dr. Alain LeRoy Locke, Race, Summer, 1936


I am the
AMERICAN NEGRO

By the same author

Black Man's Verse

I Am the
American
Negro

By Frank Marshall Davis


Black Cat Press Chicago, Illinois

1937

Copyright 1937, The Black Cat Press



First edition




Printed in the United States of America

To PROFESSOR C. E. ROGERS
of Kansas State College, whose rare friendship
is a valuable part of my few assets

FOREWARNING

Fairy words . . . a Pollyanna mindDo not roam these pages.InsideThere are coarse victualsA couch of rough boardsCompanions who seldom smileYetIt is the soul's abodeOf a Negro dreamerFor being blackIn my AmericaIs no rendezvousWith Venus . . .

Acknowledgement

A few of the poems in this volume appeared originally in the Kansas Magazine. Others have not previously been published

CONTENTS

I Am the American Negro 13
Dancing Gal 23
Flowers of Darkness 25
They All Had Grand Ideas 26
Christ Is a Dixie Nigger 28
Washington Park, Chicago 30
Note Left by a Suicide 37
To One Who Would Leave Me 39
'Mancipation Day 41
Notes On a Summer Night 43
Awakening 46
Come to Me 48
Modern Man — The Superman 51
Two Women 55
For Any Unborn Negro 55
"Onward Christian Soldiers" 56
Midsummer Morn 56

Ebony Under Granite

Moses Mitchell 59
Sam Jackson 60
Jonathan Wood 60
Cleo and Sarah Greeley 61
Benjamin Blakey 63
Nicodemus Perry 64
Mrs. Clifton Townsend 65
Editor Ralph Williamson 66
Frank Marshall Davis: Writer 68

This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.

Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.


The longest-living author of this work died in 1987, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 37 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.

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