Japan: Its History, Arts, and Literature/Volume 7/Index

by Captain F. Brinkley

Index

INDEX

• À jour, early use of chiselling, 74; bronze castings, 140; development of chiselling, 277–282.
• Akao family, sword-decorators, 281.
• Aki, Miyōchin, armourer, 263.
• Alcove recess, decorative purpose of picture in, 3.
• Alloys used in Japanese art, 232–236, 317; antimony ware, 318. See also Bronze.
• Amida, seventh-century bronze statue of, 79.
• Anami Kwōyetsu, lacquerer, 346, 360.
• Anatomy, Japanese art attitude, 8, 33, 57, 200.
• Anderson, William, on Chinese pictorial art, 24–26; on the Japanese Classical school, 39; on an ancient mural painting, 152.
• Aoki family, sword-decorators, 269.
• Applied art, Shōsō-in collection, 20, 87–89; first evidence, 72; shrines, 115; religious monopoly, 135; rise of secular, 135. See also Bronze, Enamel, Interior decoration. Iron, Lacquer, Metal-work, Sculpture, Sword-furniture.
• Arakawa Reiun, wood-carver, 202.
• Araki Kwampo, painter, 63.
• Architecture, character of early Buddhist temples, 148. See also Interior decoration.
• Ariyoshi Nagato-nō-Sho, mask-carver, 168.
• Armour, beginning of decoration, 74, 205; Yoshitsune's, 205.
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• Bells, ancient, 72, 99; tone, 99, 101; dimensions, 100; metal, 101; proportions, 102; form, 103; decoration, 103; method of hanging, 103.
• Bowes, J. L., mistake on Japanese enamels, 331, 375.
• Boya Magojiuro, mask-carver, 166.
• Bronze, Japanese, introduction of casting, 70; use in weapons, 71; stone moulds, 71; early mirrors and bells, 72, 96; method of constructing early statues, 75; early temple ornaments and decorations, 78; statues of the seventh century, 79; introduction of the cire-perdue process of casting, 80; Nara Daibutsu, 85, 132–134; objects in the Shōsō-in collection, 88, 89; temple bells, 99–104; gongs, 104; Kamakura Daibutsu, 111, 114, 120; composition, 125; quality, 127; yellow, 128; process of casting, 129–134; Nagoshi family of art founders, 136–138; development of casting in Tokugawa epoch, 139–141; tōrō, 140; manufacture of parlour bronzes, 141–144; modern castings, 144–147; Occidental influence, 147; relation of the sculptor and founder, 148. See also Fine Arts, Sculpture.
• Bronze age in Japan, 70.
• Brush, Japanese painting, 11.
• Buddhism, influence on Japanese art, 17–19, 29, 75, 82, 106, 119–125; influence on Chinese art, 21; character of religious paintings, 30; religious zeal of emperors, 108; temples monopolise sculptures, 117; character of early temples, 148–150; ceremonial splendour, 149.
• Buncho, chromo-xylographer, 50.
• Bunrin, painter, 62.
• Bunzo, mask-carver, 165.
• Buto Gempachi, sword-decorator, 303.
• Button for girdle-pendants. See Netsuke.
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• Caricatures, character of Japanese, 36.
• Castings. See Bronze, Iron.
• Chamberlain, B. H., on Japanese pictorial art, 15.
• Champlevé, variety of enamel decoration, 327. See also Enamel.
• Chiaroscuro. See Light and shade.
• Chigusa, mask-carver, 166.
• Chikanobu. See Izeki Jirozaemon.
• Chikudo Ganki. See Ganki.
• China, relation to Japanese art, 16–24, 37–40, 78, 367; prehistoric contact with Japan, 98; character of sculpture, 119.
• Chiselling, varieties of chisels, 229; methods, 241–243, 247, 274. See also Metal-work, Sculpture, Sword-furniture.
• Chiyo family, sword-decorators, 286.
• Chō Dense. See Meichō.
• Choan, Kōami, lacquerer, 360.
• Chobunsai, chromo-xylographer, 50
• Chōen, sculptor, 110.
• Chōhei, lacquerer, 363.
• Chōho, Kōami, lacquerer, 361.
• Chōkyu, Kōami, lacquerer, 361.
• Chosei, sculptor, 110.
• Chōshiu province, school of sword-decorators, 279.
• Chōshun, sculptor, 110.
• Choun Yasuyoshi, Deme, mask-carver, 167.
• Chromo-xylography. See Wood.
• Chuen, sculptor, 1 10.
• Civilisation, Japanese, European attitude toward, 1; gradual influence of the Occident before the Revolution of 1867, 65; ancient, industrial rather than agricultural, 69; prehistoric contact with China and Korea, 98; art instinct, 177; attitude toward art and nature, 225–227.
• Classical school of pictorial art, characteristics, 38–40; branches, 40. See also Kose school, Pictorial art.
• Clay statues, technique, 84; famous, 86. See also Sculpture.
• Cloisonné, variety of enamel decoration, 327. See also Enamel.
• Colour in art, Chinese use, 22, 24; in religious pictures, 30; in decorations of the Kano school, 42; hand-coloured prints, 47; development of chromo-xylographs, 48–50; Japanese knowledge and use, 56, 160; in interior decorations, 159.
• Conder, J., on character of Japanese decorative designs, 158.
• Copper, use in sword-decorating, 236.
• Costumes. See Sage-mono.
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• Daibutsu, Nara, 85, 132–134; Kamakura, 111, 114, 120.
• Dansho, mask-carver, 166.
• Deme family, mask-carvers, 166, 167.
• Dengyō Daishi, artist-priest, 29, 109.
• Deva Kings (Shi-Tennō), eighth-century clay statues of, 86; (Ni-ō) temple Kofuku-ji statues, 112; temple Todai-ji statues, 113.
• Distemper, use in Japanese decoration, 152.
• Dōchō, Kōami, lacquerer, 345.
• Door, panel paintings, 3.
• Dōsei, Kōami, lacquerer, 345, 361.
• Dragon in Japanese art, 253.
• Drama, popularity of the No, 162; use of masks, 163; influence on the theatre, 164.
• Drawing. See Line.
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• Echi Yoshifune, mask-carver, 165.
• Economic condition, ancient, 69.
• Eishin, Hidari, decorative-sculptor, 161.
• Eitoku, painter, 42.
• Eiyen, sculptor, 116.
• Enamel, as sword-decoration, 285; composition, 327; varieties, 327; introduction, 328, 329, 332; technique, 328, 376; former uses, 330–333, 375; modern development, 333–340; Japanese and Chinese, compared, 340.
• Engraving. See Metal, Wood.
• Ensei, sculptor, 110.
• Enso, sculptor, 109.
• Eshin, sculptor-priest, 109.
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• Fenollosa, E. F., on Japanese pictorial art, 15.
• Feudalism, influence on Japanese art, 38, 111.
• Fine arts, Japanese, genesis, 17–19, 193; influence of Buddhism, 29, 82, 106, 119–125; continuity of development, 70; character of artists, 156, 161, 318; instinct, 177; attitude toward the nude, 180; canons, 191, 203; conscientiousness, 208; Japanese attitude toward, 225–227, 229; effect of the Revolution of 1867 and a foreign market, 322–325. See also Bronze, Enamel, Interior decoration, Lacquer, Metal-work, Pictorial art, Sculpture, Sword-furniture.
• Forgery in Japanese fine arts, 324.
• Fresco painting not employed by Japanese, 152.
• Fujii family, sword-decorators, 280.
• Fukurai Masatomo, mask-carver, 166.
• Fukushima Kagan, figure-sculptor, 200.
• Fusayoshi, Miyōchin, armourer, 267.
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• Ganki, painter, 62.
• Ganku, painter, 60.
• Ganku, sculptor-priest, 110.
• Gekkei, painter, 62.
• Genjiro. See Jirozaemon Yoshimitsu.
• Genkiu Mitsufusa, Deme, mask-carver, 167.
• Genkiu Mitsunaga, Deme, mask-carver, 167.
• Genkiu Mitsushige, Deme, mask-carver, 167.
• Genkiu Mitsuzane, Deme, mask-carver, 167.
• Genre painting, development, 44.
• Genri Toshimitsu, Deme, mask-carver, 167.
• Genri Yoshimitsu, Deme, mask-carver, 167.
• Gensuke Hidemitsu, Deme, mask-carver, 167.
• Gensuke Mitsukira, Deme, mask-carver, 167.
• Gilding, method, 370.
• Girdle pendants. See Sage-mono.
• Girls' fête, dolls, 194.
• Gold, use in Japanese art, 74, 229–231; surfacing debased, 231, 371; method of gilding with, 370; process of refining, 371.
• Golden Pavilion, decoration, 153, 369.
• Gongs, origin, 104; varieties, 104; tone, 105.
• Gonse, Louis, on Japanese pipe cases, 190; on motives in sword-decoration, 227; on Japanese lacquer, 360; on the Goto family, 373; misapprehensions on sword-decorators, 373.
• Gorobei, sword-decorator, 287.
• Goto family, sword-decorators, 212, 219–225, 298; skill and motives of early masters, 252–260, 373; art influence, 260, 261, 272; branches, 299.
• Gowland, W., on quality of Japanese bronze, 127; on method of casting bronze, 129–132; on Japanese alloys, 232, 235; on method of gilding, 370; on refining processes, 371; on "surfacing" metals, 371.
• Graining of metals for art use, 245–247; origin, 262.
• Greek art and Japanese art, 17–19, 78, 80, 119–122, 124, 368; and Chinese art, 21.
• Guard, sword, 219; development of decoration, 250, 261–265, 277; materials, 265.
• Gunkei, mask-carver, 166.
• Guri-bori, variety of metal decoration, 247.
• Gyogi, sculptor-priest, 81.
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• Hadagoro, lacquerer, 345, 360.
• Hamano family, sword-decorators, 291, 303, 306, 375.
• Hammering of metal, 312.
• Han Kan, Chinese artist, 22.
• Hanzan, lacquerer, 363.
• Hanzo. See Hokan Mitsunao.
• Hanzo Yasukore, Deme, mask-carver, 167.
• Hara Yōyusai, lacquerer, 362.
• Haruaki, Ishiguro, sword-decorator, 302.
• Harukuni, Okamoto, sword-decorator, 294.
• Harunari, Hirata, sword-decorator, 285, 308.
• Harunobu, Suzuki, chromo-xylographer, 49, 50.
• Haruwaka Tadatsugu, mask-carver, 166.
• Haruyori. See Shunzui.
• Hasegawa Kumazo, art-founder, 145, 147.
• Hashi-ichi, sculptor, 191.
• Hashimoto Gaho, painter, 63; western influence upon, 68.
• Heian epoch, and the beginning of secular pictorial art, 27–29; character of sculpture in, 106–109.
• Hibi Munetada, mask-carver, 165.
• Hidekiyo, Omori, sword-decorator, 303.
• Hidenori, Omori, sword-decorator, 303.
• Hidetomo, Omori, sword-decorator, 303.
• Hidetsugu, lacquerer, 345, 360.
• Hideyori. See Shuzui.
• Hideyori, Omori, sword-decorator, 303.
• Hideyoshi, Omori, sword-decorator, 303.
• Hideyoski, the Taikō, as an art patron, 135, 150, 162; Palace of Pleasure, 270.
• Hien Wantsz, sculptor, 81.
• Hikoshiro, Hirata, sword-decorator, 285.
• Hirata family, sword-decorators and enamellers, 285, 300, 312, 332.
• Hiroshige, chromo-xylographer, 50.
• Hirotaka, painter, 31, 35.
• Hiroyoshi, Kuwamura, sword-decorator, 272.
• Hisayori. See Juzui, Kiuzui.
• Hishigawa Moronobu, xylographer, 46.
• Hōgen, art title, 117.
• Hōin, art title, 110.
• Hokan Mitsunao, Deme, mask-carver, 167.
• Hokke-do Trinity, famous group of dry lacquer statues, 86.
• Hokkei, chromo-xylographer, 50.
• Hokusai, art characteristics, 9, 10; chromo-xylographer, 50; traces of Western influence upon, 67.
• Hōkyō, art title, 110.
• Honjo Yoshitane, swordsmith and decorator, 309.
• Horai Ujitoki, mask-carver, 166.
• Horu-ji, temple, ancient distemper painting in, 152.
• Hōshō family, No dancers, 162.
• Hosono Masamori, inlayer, 273.
• Hotokusai, art-founder, 144.
• Hoyen, painter, 62.
• Hozan, mask-carver, 166.
• Humour in Japanese sculpture, 85. See also Caricatures.
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• Ichibei, Nara, sword-decorator, 288.
• Ichijo, Goto, sword-decorator, 298–301; specimens of his work, 307.
• Ichikawa Hirosuke, alleged sword-decorator, 218.
• Ideographa, influence on pictorial art, 8, 11, 31; helmet characters, 262.
• Igarashi Dōho, lacquerer, 361.
• Igarashi Shinsai, lacquerer, 345, 361.
• Illustrations, freaks, 33; of the Tosa school, 34; development of wood engraving, 45–47; hand-coloured prints, 47; development of coloured prints, 48–51; technique of coloured prints, 51–55. See also Pictorial art.
• Imao Keinen, painter, 63.
• Inaba-no-suke, title used by Yoshioka family, 283, 284.
• Inchō, sculptor, 110.
• Inchu, sculptor, 116.
• Industry in ancient Japan, 69.
• Injin, sculptor, 116.
• Injo, sculptor, 110, 116.
• Inkaku, sculptor, 110.
• Inken, sculptor, 116.
• Inkō, sculptor, 116.
• Inku, sculptor, 116.
• Inlaying, in sword-decoration, 220, 272; varieties, 243–245; inserted, 313; sepia, 315; ground-out, 315.
• Inouye family, sword-decorators, 286.
• Inro, girdle pendant, original and acquired use and fashion, 173; its cord-clutch, 173; decoration, 186.
• Insertion in metal work, 313.
• Inshu, sculptor, 116.
• Inso, sculptor, 116.
• Inson, sculptor, 110.
• Interior decoration, decorative purpose of Japanese pictures, 3, 34, 42; growth of demand, 32, 42, 43; seventh-century temple, 78; early use of pictorial, 149, 151–153; development of sculptured, 150; pictorial, of the Golden and Silver Pavilions, 153; pictorial and sculptured, of Nishi Hongwan-ji, 154; pictorial and sculptured, of the Nikkō mausoleum, 155–157; general and particular aspects, 157; character of designs, 158; use of colours, 159; use of metal-carvings, 326.
• Inyu, sculptor, 116.
• Ippitsusai, chromo-xylographer, 50.
• Iron, displaces bronze in swords, 71; ancient bell-shaped castings of unknown use, 73; first manufacture of vessels of, 136; tea-ceremonial urn and its influence, 136–138; in sword-decoration, 236; patina, 237. See also Bronze, Metal-work.
• Iron age in Japan, 70.
• Ishiguro family, sword-decorators, 301, 306.
• Ishikawa Riuyemon Shigemasa, mask-carver, 165.
• Isono family, metal-carvers and inlayers, 284.
• Ito family, sword-decorators, 282, 296.
• Ittan. See Sanehisa.
• Ittosai, mask-carver, 165.
• Iwamoto family, sword-decorators, 286, 293, 303, 306.
• Iwasa Matahei, painter, 44.
• Iyefusa, Miyōchin, armourer, 267.
• Iyemasa, Nagoshi, art-founder, 138.
• Iyetsugu, Jiyemon, art-founder, 141.
• Iyeyasu, Shōgun, mausoleum, 154.
• Izeki Jirozaemon, mask-carver, 168.
• Izeki Kawachi Iyeshige, mask-carver, 168.
• Izuka Tōyō, lacquerer, 362.
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• Jakushi. See Kizayemon.
• Jikan Yoshimitsu, Deme, mask-carver, 166.
• Jimpo, Nomura, sword-decorator, 287.
• Jingo, Aoki, sword-decorator, 269.
• Jingoro, Hidari, decorative-sculptor, 151, 156, 157.
• Jirozaemon Mitzuteru, Deme, mask-carver, 167.
• Jirozaemon Norimitsu, Deme, mask-carver, 167.
• Jirozaemon Yoshimitsu, Deme, mask-carver, 167.
• Jitsuye, artist-priest, 29.
• Jiunin, mask-carver, 166.
• Jiyemon family, art-founders, 141.
• Jōchiku, Isono, metal-carver, 284.
• Jōchō, sculptor, 107, 110; record of his work, 168; titles, 109, 110.
• Jōhō, art-founder, 138.
• Joi, Nara, sword-decorator, 289; specimen of his work, 375.
• Jokaku, sculptor, 111; his Deva Kings, 113.
• Jōkasai, lacquerer, 363.
• Jokei. See Gensuke Hidemitsu.
• Jomi. See Sanshō.
• Jōsei, art-founder, 138.
• Josetsu, artist-priest, 37, 40.
• Joshin. See Gensuke Hidemitsu.
• Jōshin, Goto, sword-decorator, 220, 259.
• Jotetsu, Isono, metal-carver, 285.
• Jōun. See Oshima Katsujiro.
• Jōyen, sculptor, 116.
• Jōyu, Nagoshi, art-founder, 138.
• Jubei, Aoki, sword-decorator, 269.
• Jujō, Goto, sword-decorator, 223.
• Juzui, Hamano, sword-decorator, 303.
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• Kacho, metal-carver, 326.
• Kaga province as an art centre, 270.
• Kaikei, sculptor, 116.
• Kaji Tsunekichi, enameler, 333.
• Kajikawa Kaijiro, lacquerer, 362.
• Kakino Moto-no-Otoma, sculptor, 81.
• Kakōsai, lacquerer, 363.
• Kaku-no-bo, mask-carver, 166.
• Kakujo, sculptor, 110.
• Kakuyu, Minamoto no, caricaturist, 36.
• Kamakura epoch. See Military epoch.
• Kambayashi Rakkiken, figure-sculptor, 200.
• Kame, art-founder, 142.
• Kameyama Yasutomo, art-founder, 141.
• Kamparu family, No dancers, 162.
• Kan-Kan. See Han Kan.
• Kanaoka, Kose no, painter, Chinese influence on, 16, 22; position, 28; style, 28; no surviving pictures, 28; and the Kose school, 34.
• Kanashi, sculptor, 80.
• Kanaya, metal-carver, 270.
• Kanaya Gorosaburo, art-founder, 145.
• Kanazawa as an art centre, 271.
• Kaneiye, sword-decorator, 250, 266.
• Kaneko family, sword-decorators, 286.
• Kano Natsuo, sword-decorator, 309.
• Kano school of pictorial art, branch of the Classical school, 40; development of the decorative method, 42. See also Pictorial art.
• Kansai, chromo-xylographer, 51.
• Kansai, Koma, lacquerer, 362.
• Kansei, sculptor, 109.
• Kanyen, sculptor, 116.
• Kashiwaya Nagatsune, metal-carver, 295.
• Kasuga Motomitsu, painter, alleged founder of the Yamato school, 32, 33.
• Kasuga Tori, mask-carver, 166.
• Kasuga school of pictorial art, 33. See also Pictorial art, Yamato school.
• Kata-kiri style of incised chiselling, 274.
• Katsugi Uji-iye, sword-decorator, 272.
• Katsukawa Shunsho, chromo-xylographer, 50.
• Katsukawa Shunyei, chromo-xylographer, 50.
• Katsumasa, Hidan, decorative-sculptor, 161.
• Kawabata Gyokusho, painrer, 63.
• Kawanari, painter, traditional skill and originality, 27.
• Kawanobe Itcho, lacquerer, 363.
• Kawarabayashi Hidekuni, sword-decorator, 310.
• Kazutomo, Omori, sword-decorator, 303.
• Keibun, painter, 62.
• Keibunkai, sculptor, 81.
• Keibunkomi, sculptor, 81.
• Keijo, sword-decorator, 224.
• Keisai, art-founder, 143.
• Kenjō, Goto, sword-decorator, 221, 222.
• Kenyen, sculptor, 110.
• Kichijo-in, mask-carver, 166.
• Kijima Ippu, inlayer, 315.
• Kikuchi Yosai, painter, 62.
• Kikugawa Utamaro, chromo-xylographer, 50.
• Kimara, sculptor, 80.
• Kimimaro, sculptor, founder of the Nara Daibutsu, 81.
• Kimmochi, painter, 35.
• Kinai family, sword-decorators, 280, 374.
• Kinchaku, different uses, 169; method of wearing, 169. See also Sage-mono.
• Kinonaga, Torii, chromo-xylographer, 50.
• Kintada, painter, 35.
• Kishiu, Miyōchin, armourer, 263.
• Kitagawa Sōden, sword-decorator, 283.
• Kitao Shigemasa, chromo-xylographer, 50.
• Kiuhaku, Koma, lacquerer, 361.
• Kiui, Koma, lacquerer, 361.
• Kiushiu. See Izeki Jirozaemon.
• Kiuzui, Hamano, sword-decorator, 303.
• Kiyohiro, Torii, chromo-xylographer, 48.
• Kiyōji-tate, shape, use, and decoration, 192.
• Kiyomasu, Torii, chromo-xylographer, 48.
• Kiyomitsu, mask-carver, 165.
• Kiyomitsu, Torii, chromo-xylographer, 48.
• Kiyonaga, Torii, chromo-xylographer, 50.
• Kiyonari, Ishiguro, sword-decorator, 302.
• Kiyonobu, Torii, chromo-xylographer, 48.
• Kiyōsai, chromo-xylographer, 51; on motion in art, 57; as a genre painter, 62.
• Kiyoshige, Torii, chromo-xylographer, 48.
• Kizan. See Jikan.
• Kizayemon, sword -decorator, 290.
• Kōami family, lacquerers, 345, 360, 361.
• Kōben, sculptor, 113, 116; his Demon-lantern-bearers, 113.
• Kōbo Daishi, artist-priest, 29, 109; no surviving pictures, 30; brings pictures from China, 367.
• Kōchō, sculptor, 110.
• Kodama Choyemon Yoshimitsu, mask-carver, 168.
• Kodama Omi Mitsumasa, mask-carver, 168.
• Kōgai, origin, 218; origin of decoration, 251. See also Sword-furniture.
• Kogitsune, metal-carver, 282.
• Kōgō, use and decoration, 192.
• Koji, Yamagawa, sword-decorator, 309.
• Kōjo, sculptor, 110.
• Kōkei, sculptor, 113, 116.
• Kōkitsu, sculptor, 116.
• Kokō. See Hiroyoshi.
• Koma family, lacquerers, 361, 362.
• Ko-maro, sculptor, 109.
• Kongō family, No dancers, 162.
• Konju, Iwamoto, sword-decorator, 303.
• Konkwan, Iwamoto, sword-dccorator, 293.
• Korea, influence on Japanese art, 16–19, 76; prehistoric contact with Japan, 98.
• Koreo, Ishiguro, sword-decorator, 302.
• Koreshige, painter, 35.
• Koreshige, Ishiguro, sword-decorator, 302.
• Koretsune, Ishiguro, sword-decorator, 302.
• Koreyoshi, Ishiguro, sword-decorator, 302; specimen of his work, 306.
• Kōrin, painter, 62.
• Kōrin, sculptor, 116.
• Koriu-ji, temple, bronze statues of seventh century in, 79.
• Koriusai, chromo-xylographer, 50.
• Kose no Kanaoka. See Kanaoka.
• Kose school of pictorial art, Chinese style, 34; object of its work, 36. See also Pictorial Art.
• Kōsei, sculptor, 116.
• Kōshin, sculptor, 116.
• Kōsho, Heian-epoch sculptor, 107, 110; titles, 109.
• Kōshō, Military-epoch sculptor, 116.
• Kōshu, sculptor, 116.
• Kōshun, sculptor, 116.
• Kōson, sculptor, 116.
• Kōtan, sculptor, 116.
• Kōun, Heian-epoch sculptor-priest, 109.
• Kōun, Military-epoch sculptor-priest, 116.
• Kōun, Takamura, sculptor, 201; school, 201.
• Koushi, mask-carver, 165.
• Kōyei, sculptor, 116.
• Kōyō, sculptor, 116.
• Kōyu, sculptor, 116.
• Kozuka, origin of wearing, 218; origin of decoration, 251. See also Sword-furniture.
• Kubo Shunman, chromo-xylographer, 50.
• Kukai. See Kōbō Daishi.
• Kumagaye Naohiko, painter, 63.
• Kuninaga, sword-dccorator, 272, 374.
• Kusakari Kiyosada, inlayer, 296.
• Kuwamura family, sword-decorators, 271.
• Kwaikei, sculptor, 111; his Deva Kings, 113.
• Kwanjo, Iwamoto, sword-decorator, 203.
• Kwannon, goddess of mercy, Shotoku's statue, 77; wooden statue in temple Hokke-ji, 87.
• Kwanri, Iwamoto, sword-decorator, 303.
• Kwanze family, No dancers, 162.
• Kwōjō, Goto, sword-decorator, 221, 222; style, 259.
• Kyōtō, capital of Japan, influence on art development, 32.
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• Lacquer, statues, 84, 86; qualities, 341; introduction, 342; development and use, 343–345, 346, 349; early master lacquerers, 345; modern conditions, 349; technique, 349–354, 377; decoration, 354–358; special varieties, 358–360.
• Lapidary work, ancient Japanese, 92.
• Leather used in girdle-pendants, 170.
• Light and shade, in Japanese pictures, 5, 15, 30, 59; in Chinese pictures, 22, 25.
• Line, in Japanese art, influence of ideographs, 8; styles of touch, 9; influence of artist's position while painting, 12; precedence, 12, 57, 58, 229; in Chinese art, 22; in religious pictures, 30; in caricatures, 36; development in incised chiselling, 274.
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• Makunosuke. See Choun.
• Mambi. See Tosui.
• Manku. See Tosui.
• Mannerisms and copying in Japanese pictures, 13.
• Mansho. See Kodama Omi.
• Manual dexterity of Japanese artists, 9–11.
• Manyei. See Genkiu Mitsunaga.
• Maruyama Okio, painter, founder of the Shi-jo school, 59, 60.
• Masachika, Nara, sword-decorator, 289.
• Masaharu, Ishiguro, sword-decorator, 302.
• Masahiro, Ishiguro, sword-decorator, 302.
• Masakiyo, Ishiguro, sword-decorator, 302.
• Masamine, Kōami, lacquerer, 361.
• Masamitsu. See Yeijo.
• Masamune no Busshi, sculptor, 109.
• Masanaga, Nara, sword-decorator, 288, 289.
• Masanobu, painter, founder of the Kano school, 40.
• Masanobu, Nara, sword-decorator, 290.
• Masatsugu. See Kenjō.
• Masatsune, art-founder, 143.
• Masatsune, Ishiguro, sword-decorator, 301.
• Masatsune, Ito, sword-decorator, 282.
• Masayori, Hamano, sword-decorator, 291.
• Masayoshi, Ishiguro, sword-decorator, 302.
• Masks, use in the No dance, 163; as works of art, 165; celebrated carvers, 165–168.
• Masu-ya, artists called, 375.
• Matabei, Muneta, sword-decorator, 268.
• Mataemon, wood-carver, 150.
• Matazayemon, Muneta, sword-decorator, 268.
• Matsumoto Kisaburo, figure-sculptor, 200.
• Mayeda Toshiiye, chief of Kaga, career, 270; art patron, 271.
• Maze-gane, process in metal work, 314.
• Medicine box. See Inro.
• Meichō, painter, 31.
• Meishin. See Shigeyoshi (Meishin).
• Menesuke, Miyōchin, armourer, 262.
• Menuki, sword-mount, origin of decoration, 217, 251. See also Sword-furniture.
• Metal work, early development of decoration, 74, 78; in the Shōsō-in collection, 87–89; inlaying, 243–245; graining, 245–247; hammering, 312; insertion, 313; inserted inlaying, 313; maze-gane, 314; shibuichi-doshi, 314; sepia-inlaying, 315; ground-out inlaying, 315; in architectural decoration, 326. See also Alloys, Bronze, Gold, Iron, Sword-furniture.
• Michitaka, Sok en Kishō on sword-decoration, 212–225.
• Military epoch, virile character of sculpture, 110; specimens of religious sculpture, 111–114.
• Ming dynasty, China, character of pictorial art, 43.
• Minjo, sword-decorator, 310.
• Minkoku, sword-decorator, 310.
• Miroku, mask-carver, 165.
• Mirrors, ancient, 72, 96, 368; magical, 98; antiquity, 368.
• Mitsuiye. See Kwōjō.
• Mitsumasa. See Jujō, Teijō.
• Mitsumori. See Keijō.
• Mitsune Nakai, sword-decorator, 279.
• Mitsushige. See Sojukō.
• Mitsutaka. See Yenjō.
• Mitsutoshi. See Tsujō.
• Mitsutsugu. See Tokujō.
• Miyano, mask-carver, 166.
• Miyata Chikugo, mask-carver, 168.
• Miyochin family, armourers, 262, 267.
• Miyoju. See Shigeyoshi (Miyoju).
• Mizunō family, sword-decorators, 272.
• Mogarashi. See Kitagawa.
• Mokunosuke. See Tosui Mitsunori.
• Money-pouch. See Kinchaku.
• Monjushiri, thirteenth-century statue of, 113.
• Mori Sosen, painter, 61.
• Moriyoshi, Kuwamura, sword-decorator, 271.
• Morotsugu. See Shigehiro.
• Motochska, sword-decorator, 310.
• Motomichi, sword-decorator, 310.
• Motonari, sword-decorator, 310.
• Motonobu, painter, founder of the Kano school, 40.
• Muneta family, sword-decorators, 268.
• Muneyuki, Umetada, sword-decorator, 282.
• Myojun, sculptor-priest, 110.
• ​
• Nagafusa, Kōami, lacquerer, 361.
• Nagasaki as an art centre, 290.
• Nagashige, Kōami, lacquerer, 361.

Nagata Tomoharu, lacquerer, 362.

• Nagatsune, Yasui, metal-carver, 286.
• Nagayoshi family, sword-decorators, 272.
• Nagoshi family, art-founders, 136, 138.
• Naka Mitsuyuki, Deme, mask-carver, 167.
• Nakai family, sword-decorators, 279.
• Nakayama, Kōmin, lacquerer, 362.
• Nakayama Shōyeki, art-founder, 142.
• Namikawa Sosuke, head of a school of enamelers, 336, 376.
• Namikawa Yasuyuki, enameler, 336, 376.
• Naomichi, Muneta, sword-decorator, 269.
• Naomine, Muneta, sword-decorator, 269.
• Naoshige, Muneta, sword-decorator, 269.
• Naoshige, Okamoto, sword-decorator, 374.
• Nara, capital of Japan, art objects, 19; condition of pictorial art in Nara epoch, 26; civilisation, 81; aspect of the city, 83.
• Nara Busshi, 109.
• Nara family, sword-decorators, 276, 289, 305.
• Nara ningyo, and the netsuke, 175; form, 97, 199; history, 197–199, 369, 370.
• Nature, Japanese attitude toward, 226.
• Nen Kawo and the Chinese renaissance in Japanese art, 37.
• Netsuke, origin, 174–176; decoration, 176; designs in decoration, 177–185, 191; material, 177; criterion of value, 181–183, 196; form, 185; uniqueness, 193; sculptors, 193, 195–197.
• Nikkō, mask-carver, 165.
• Nikkō mausoleum, interior decoration, 154, 159.
• Ninomiya Tōtei, lacquerer, 362.
• Nishi Hongwan-ji, temple, interior decoration, 154.
• Nobuiye, Miyōchin, armourer, sword-guards, 263.
• Nobunaga as an art patron, 150, 162.
• Nobushige, painter, 35.
• Nobutsune Nakai, sword-decorator, 279.
• Nobuzane, painter, characteristics, 10.
• Nogami Yataro, art-founder, 145.
• Nomura Bunkyo, painter, 63.
• Nomura family, sword-decorators, 286, 287.
• Nude in art, Japanese attitude toward, 7, 125, 178, 180; Chinese attitude toward, 180.
• ​
• Oda Noaki, sword-decorator, 310.
• Ogata Gekko, chromo-xylographer, 51, 63.
• Ogata Kwōrin, lacquerer, 346, 361.
• Ogawa Ritsuō, lacquerer, 348, 362.
• Ogawa Shōmin, lacquerer, 362.
• Ohori Masatoshi, hammerer of metal, 312.
• O-i. See Wong Wei.
• Ojime, fashion, 173.
• Okamoto family of Hagi, metal-carvers, 279, 374.
• Okamoto family of Kyōtō, sword-decorators, 294, 374.
• Okamura Masanobu, xylographer, 46, 48.
• Okano Hohaku, figure-sculptor, 199.
• Okano Kijiro, sword-decorator, 310.
• Okazaki Sessei, art-founder, 145.
• Omori family, sword-decorators, 292, 303, 306.
• Omiva Yamato Bokunyu, mask-carver, 168.
• Ono. See Jikan.
• Ono Goroyemon, sculptor and founder of the Kamakura Daibutsu, 111.
• Ooka Shunboku, xylographer, 46.
• Oshima Katsujiro, art-founder, 144.
• Oshima Yasutaro, art-founder, 144.
• Ouishi, art-founder, 138.
• ​
• Patina, of bronze, 126, 127, 372; of Japanese alloys, 233, 235; of copper, 236, 372; of iron, 237; of pewter, 317.
• Perspective, in Japanese pictures, 4, 15, 58; in Chinese pictures, 22, 25.
• Pewter, composition, 317; use, 317; patina, 317.
• Pictorial art, Japanese, character, 2; decorative purpose, 3, 6; effect of purpose on characteristics, 4, 32; impressionistic, 5; motion, 6; exclusion of the nude, 7; ignorance of anatomy, 8; influence of ideographs, 8, 11, 31; styles of touch, 9; manual dexterity, 9–11; materials, 11; position of the artist while painting, 12; mannerisms, 13; multiplication of copies, 13; effect on criticism of inaccessibility of originals, 14; character of religious paintings, 15, 23, 30; relation to Chinese, 16, 21–24, 26, 37–40; influence of Buddhism, 17, 29; beginning of secular, 27–29; continued precedence of religious, 29, 30; technique of religious and secular, 31; first native school of secular, 31; Yamato school, 32, 33; Tosa school, 34; Kose or Classical school, 34; Takuma school, 35; objects of the work of these schools, 36; caricatures, 36; renaissance of Chinese influence, 37–41; periods in development, 41; development of the decorative mode, 42; reaction against the Classical school, 43; genre painting and the Popular school, 44; development of wood-cuts and coloured prints, 45–51; analysis of the work of the Popular school, 55–59; branches of the Popular school, 59–62; present conditions, 62–64; effect of Western ideas, 64–68; in architectural decoration, 151–155, 158; ancient distemper painting, 152; no frescos, 152; no portraits, 368. See also Fine arts.
• Picture-galleries, why none in Japan, 4, 14.
• Popular school of pictorial art, development of genre, 44; development of xylography, 45–51; Occidental popularity, 55; use of colour, 56; drawing, 57–59; absence of texture painting, 58. See also Pictorial art.
• Portraits, statue, 115; no pictorial, 368.
• Puppets of Nara. See Nara ningyo.
• ​
• Raijo, sculptor, 110.
• Refining metals, Japanese process, 371.
• Rein, J. J., on patina, 372.
• Relief, early designs in, 72; in bronze castings, 140; origin and development in metal-carving, 220, 249, 261; varieties in metal carving, 241; in lacquer, 344.
• Religious paintings, Japanese, 15, 23, 29, 30; technique, 31. See also Buddhism.
• Renjō, Goto, sword-decorator, 223.
• Repoussé, process in early statutes, 75; in sword-decoration, 220. See also Relief.
• Ri-fu-ho, traditional carver, 193.
• Rihei, Yamamoto, lacquerer, 362.
• Riuki. See Nogami.
• Riumin, sword-decorator, 310.
• Riyoyei, Iwamoto, sword-decorator, 303.
• Rōben, artist-priest, 86.
• Rwaiken, sculptor, 116.
• Ryōkin, wood-carver, 46.
• ​
• Sadahisa, sword-decorator, 310.
• Sage-mono, money-pouch, 169–171; tobacco outfit, 171, 187–191; medicine-box, 173, 186; origin of the netsuke, 174–176; its decoration, 176–186; en suite designs, 191.
• Saicho. See Dengyō Daishi.
• Sairen, mask-carver, 166.
• Sanehisa, Nagoshi, art-founder, 138.
• Sanko, mask-carver, 165.
• Sanraku, painter, 42.
• Sansei-sha, firm of art-founders, 144.
• Sanshō, Nagoshi, art-founder, 138.
• Screen painting, 3.
• Sculpture, Japanese, question of foreign influence, 19, 76, 78, 89, 193; superiority, 20; primitive conditions, 75; first sculptors, 76; wooden images by Tori and Shotoku, 77; bronze statues of seventh century, 79, 80; sculptors of the seventh century, 80; early culmination in Nara epoch, 80, 83, 85–89; influence of Buddhism, 82, 83, 106, 117–125; clay and dry-lacquer statues, 84; stone statues, 90–96; character of Heian epoch, 106–109; sculptors of the Heian epoch, 109; character of Military epoch, 110–115; portrait, 114, 115; sculptors of the Military epoch, 116; narrow range of motives, 123; the nude ignored, 125, 180; relation of the sculptor and bronze-caster, 148; development of wood-carving in interior decorations, 149–151, 154–161; mask carving and carvers, 164–168; of the netsuke, 176–186, 193; of the inro, 186; of the pipe-case, 190; origin of netsuke carving, 193–196; figure, 197–200; modern realism, 200; modern Kōun school of wood-carvers, 201–203; skill and demand in modern wood-carving, 203; Japanese knowledge of lights in, 315; training of sculptors, 319–321; source of designs, 321. See also Bronze, Fine arts, Sword-furniture.
• Seiami, lacquerer, 345, 361.
• Seichō, sculptor, 110.
• Seigai Kanshichi, lacquerer, 362.
• Seimin, art-founder, 142.
• Senshiu Yoriyoshi, mask-carver, 168.
• Senshu Yashamaru, mask-carver, 168.
• Senyen, sculptor, 116.
• Sesshiu, painter, 40.
• Seventh Avenue academy of sculptors, 110; in Military epoch, 116. See also Sculpture.
• Shadows. See Light and shade.
• Shakudo alloy, composition, 232, 233; antiquity, 232; properties, 233.
• Shakuzuru, mask-carver, 165.
• Shiba Tachito, sculptor, 76; builds temples, 76.
• Shiba Tasu-na, sculptor, 76.
• Shiba Tori. See Tori Busshi.
• Shibara Ichidayu, lacquerer, 361.
• Shibata Zeshin, lacquerer, 349, 362.
• Shibayama Doshō, lacquerer, 357, 363.
• Shibuichi, composition, 234; properties, 235; antiquity, 235.
• Shibuichi-doshi, process in metal-work, 314.
• Shichirozayemon, founder, 136.
• Shigehiro, Yoshioka, metal-carver, 283, 284.
• Shigemitsu, Omori, sword-decorator, 292.
• Shigetsugu, Yoshioka, metal-carver, 283, 284.
• Shigeyoshi, Umetada, sword-decorator, 267.
• Shigeyoshi (Meishin), Umetada, sword-decorator, 268.
• Shigeyoshi (Miyōju), Umetada, sword-decorator, 267.
• Shi-jo school of pictorial art, 59. See also Pictorial art.
• Shikongō, clay statue of, in temple Todai-ji, 86.
• Shimizu Rinkei, mask-carver, 166.
• Shinkai Takejiro, wood-carver, 202.
• Shirayama Shōya, lacquerer, 363.
• Shishō Daishi, sculptor-priest, 109.
• Shitan wood, properties and use, 369.
• Shōami Masanari, lacquerer, 362.
• Shōami Masanobu, inlayer, 273.
• Shōami Nagatsugu, inlayer, 273.
• Shōbei, Yamamoto, lacquerer, 361.
• Shōga Shiubun, painter, 37, 40.
• Shōkaku. See Oshima Katsujiro.
• Shōko, Iwamoto, sword-decorator, 303.
• Shōkwasai, lacquerer, 363.
• Shōsō-in collection of objects of applied art, 19, 87–89.
• Shotoku, Prince, character, 77; as a sculptor, 77.
• Shōun, decorative-sculptor, 161.
• Shōun, mask-carver, 166.
• Shōyemon, Nomura, sword-decorator, 287.
• Shōzui. See Masayori.
• Shuncho, chromo-xylographer, 50.
• Shunkei, sculptor-priest, 116.
• Shunshō, Yamamoto, lacquerer, 361.
• Shunzui, Hamano, sword-decorator, 303.
• Shuraku, sword-decorator, 310.
• Shuzan. See Tosa Mitsuoki.
• Shuzui, Hamano, sword -decorator, 303.
• Silver, use in Japanese art, 231; surfacing debased, 231, 372.
• Silver Pavilion, decoration, 153.
• Soami Hisatsugu, mask-carver, 166.
• Soami family, sword-decorators, 269.
• Sohaku, Kōami, lacquerer, 345, 361.
• Sōjō, Goto, sword-decorator, 220, 222.
• Sōju. See Shigetsugu.
• Sojukō, Goto, sword-decorator, 222.
• Sokei, Kōami, lacquerer, 345, 361.
• Sōkō, Hirata, hammerer of metal, 312.
• Somin, art-founder, 143.
• Sōmin, Yokōya, sword-decorator, 274–276.
• Sōtoku. See Shigehiro.
• Sōyo, Yokoya, sword-decorator, 274.
• Sozen, Kōami, lacquerer, 345, 361.
• Statues. See Bronze, Sculpture.
• Stone statues, mediocre, 90, 93; unsatisfactory material, 91, 96; Japanese skill, 92; ancient monument, 92; buried effigies, 93; images, 94–96.
• Suggestion in Japanese pictures, 5; in Chinese pictures, 23.
• Sukezaemon. See Jikan Yoshimitsu, Yukan Mitsuyasu.
• Sumptuary laws on chromo-xylographs, 51.
• Sung dynasty, China, character of its pictorial art, 22.
• Surfacing debased metals, 231, 371.
• Suwara Yasugoro, art-founder, 144.
• Suzuki Harunobu. See Harunobu.
• Suzuki Gcnsuke, hammerer of metals, 312; originates process of insertion, 313.
• Suzuki Chōkichi, art-founder, 145.
• Suzuki Kichigoro, invents antimony ware, 318.
• Suzuki Kinyemon, sword-decorator, 303.
• Sword-furniture, Japanese, early decoration, 74; skill in decorating, 207; character of decoration, 208; articles, 210, 211, 217–219, 250, 251; Japanese commentary on decoration, 212–225; Goto family of decorators, 212, 219–225, 252–261; identification of decorators, 212, 213, 219; styles of metal ground, 213, 238–241; grades of decorators, 214; high ideals of master carvers, 215, 216; antiquity of decoration, 217; technical skill and motives in decoration, 227–229, 252–260, 288; chisels used, 229; metals employed, 230, 232, 236; methods of chiselling, 241–243, 247, 274; inlaying, 243–245, 272; graining, 245–247; beginning of relief carving, 249; early field of decoration, 250–252; development of guard decoration, 261–265; decoration in the sixteenth century, 266–270; decoration in the seventeenth century, 270–286; enamel decoration, 285, 332; decoration in the eighteenth century, 286–296; decoration in the nineteenth century, 296–303, 308–311; termination of production, 297; social influence on decoration, 304–306; specimens of nineteenth-century work, 306–308; guild, 310. See also Metal-work.
• Swords, bronze, 71; iron, 72; varieties, 209; disappearance of samurai, 297. See also Sword-furniture.
• Symmetry, axiom of, in art, 20.
• ​
• Tachibana no Morikumi, xylographer, 46.
• Taiami, lacquerer, 345, 360.
• Takaichi Makuni, sculptor, 81.
• Takaichi Mamaro, sculptor, 81.
• Takamura Kōun, sculptor, 201; school, 201.
• Takao-maro, sculptor, 109.
• Takashima Takakane, painter, 34.
• Takatsune, Soami, sword-decorator, 269.
• Takayoshi, Miyōchin, armourer, 263.
• Taki Katei, painter, 63.
• Takioka family, puppet-makers, 370.
• Takuma Tamenari, painter, school, 35; religious pictures, 35.
• Takuma school of pictorial art, 35. See also Pictorial art.
• Takusai, art-founder, 144.
• Tamakaji Zokoku, lacquerer, 362.
• Tancho, decorative-sculptor, 161.
• Tang dynasty, China, character of its pictorial art, 22.
• Tankai Rishi, mask-carver, 166.
• Tari-maro, sculptor, 109.
• Taroyemon. See Naka.
• Tatsuki Chōbei, lacquerer, 361.
• Tea-ceremonial, Hideyoshi's influence, 136; urns, 136.
• Teijō, art-founder, 143.
• Teijō, Goto, sword-decorator, 222.
• Temmin, sword-decorator, 310.
• Tenaka Kiyohisa, sword-decorator, 310.
• Teruhide, Omori, sword-decorator, 292.
• Terumasa, Omori, sword-decorator, 292.
• Terumoto, Omori, sword-decorator, 303.
• Tetsugen. See Naoshige (Okamoto.)
• Texture not shown in Japanese pictures, 59.
• Theatre, influence of the No dance, 164.
• Third Avenue academy of sculptors, 110; in Military epoch, 116. See also Sculpture.
• Toba Sojō. See Kakuyu.
• Tobacco, introduction, 171; clubs, 171; early pipes, 172; modern fashion in outfit, 172, 187–191; en suite decoration of outfit, 191. See also Sage-mono.
• Tohaku Mitsutaka, Dcme, mask-carver, 167.
• Tokei, sculptor, 116.
• Tokugawa epoch, influence on art, 43, 139, 270.
• Tokujō, Goto, sword-decorator, 221.
• Tokuwaka Tadamasa, mask-carver, 165.
• Tomi Yeisuke, art-founder, 145.
• Tomochika, Omori, sword-decorator, 303.
• Tomoharu, Okamoto, sword-decorator, 279.
• Tomotsugu, Okamoto, sword-decorator, 279.
• Tomotsune, Nakai, sword-decorator, 279.
• Tomotsune, Omori, sword-decorator, 303.
• Tomoyuki, Nakai, sword-decorator, 279.
• Tori Busshi, sculptor, skill, 76, 77; wooden statues, 77.
• Torii family, chromo-xylographers, 48, 50.
• Toriusai. See Okano Kijiro.
• Tōrō, development of casting, 140.
• Tosa Mitsuoki, netsuke carver, 195.
• Tosa school of pictorial art, 34–36. See also Pictorial art.
• Toshiharu, Nara, sword-decorator, 276.
• Toshihisa, Nara, sword-decorator, 276, 374.
• Toshinaga, Nara, sword-decorator, 277.
• Toshiteru, Nara, sword-decorator, 276.
• Tosui Mitsunori, Deme, mask-carver, 167.
• Tōun, art-founder, 143.
• Toun Yasutaka, Deme, mask-carver, 167.
• Toyoda Kokō, metal-worker, achievements, 313, 314.
• Toyoharu, Utagawa, chromo-xylographer, 50.
• Toyokuni, Utagawa, chromo-xylographer, 50.
• Toyonobu, Utagawa, chromo-xylographer, 50.
• Tsuji family, sword-decorators, 285.
• Tsujō, Goto, sword-decorator, 222, 223.
• Tuke, S., on the chromo-xylograph process, 52–55.
• ​
• Uchino Harutoshi, sword-decorator, 309.
• Umetada family, swordsmiths and decorators, 267, 282.
• Unga, sculptor, 116.
• Unkei, sculptor, 111; his Deva Kings, 113; his Watch Dogs, 113.
• Unshō, sculptor, 116.
• Untaro. See Toun Yasutaka.
• Utagawa family, chromo-xylographers, 50.
• Uwo Hyoye, mask-carver, 166.
• Uyematsu Hōmin, lacquerer, 363.
• Uyemura family, sword-decorators, 286.
• ​
• Wakabayashi family, sword-decorators, 286.
• Watanabe Hisamitsu, sword-decorator, specimen of his work, 308.
• Watanabe Kwazan, secretly studies Occidental methods, 66; ordered to commit suicide, 66; commemoration, 66; Western influence on his paintings, 67.
• Watanabe Seitei, painter, 51, 63; influence of Western methods on, 68.
• Weapons, bronze, 71. See also Sword.
• Wong Wei, Chinese painter, 22.
• Wood, development of wood-engraving, 45–47, 367; development of chromo-xylographs, 48–51; technique of chromo-xylographs, 51–55; early wooden statues, 76–78; Nara-epoch statue, 87; Heian-epoch statues, 108; the Deva Kings, 112; favourite material for statues, 117; carving in interior decoration, 150, 154–158; carved masks, 163, 165; netsuke carvings, 177; puppets, 194, 197–200; modern carving, 200–204.
• Wu Tao-tsz, Chinese painter, 22.
• ​
• Xylography. See Wood.
• ​
• Yakushi, sculptor, 80.
• Yakushi, seventh-century bronze statue of, 79.
• Yamagawa Koji. See Koji.
• Yamamoto Fukumatsu, figure-sculptor, 201.
• Yamamoto family, lacquerers, 361, 362.
• Yamato Mamori, mask-carver, 168.
• Yamato school of pictorial art, 32, 34–36. See also Pictorial art.
• Yasha, mask-carver, 165.
• Yashichiro, Nagoshi, founder, invents tea-ceremonial urn, 136; honours, 137.
• Yasuchicka, Nara, sword-decorator, 276.
• Yasuchika Shinsuke, sword-decorator, 303.
• Yasui family, sword-decorators, 286.
• Yasuiye, Jiyemon, art-founder, 141.
• Yasuteru, Jiyemon, art-founder, 141.
• Yechizen. See Toshiharu.
• Yeijiro. See Ichijo.
• Yeijō, Goto, sword-decorator, 221.
• Yeishi, chromo-xylographer, 50.
• Yeishi, Iwamoto, sword-decorator, 303.
• Yenchin, artist-priest, 29.
• Yenjō, Goto, sword-decorator, 224.
• Yoji Hidetsugu, lacquerer, 361.
• Yōjuro. See Nakayama Shōyeki.
• Yokoya family, sword-decorators, 274, 305.
• Yoneharu Unkai, sculptor, 202.
• Yosei, lacquerer, 363.
• Yoshimichi, Miyōchin, armourer, 263.
• Yoshinari, mask-carver, 165.
• Yoshinori, Mizuno, sword-decorator, 272.
• Yoshioka Tadatsuga, sword-decorator, 310.
• Yoshisato, Ishiguro, sword-decorator, 302.
• Yoshishige, sword-decorator, 272, 374.
• Yoshitsugu, Akao, sword-decorator, 281.
• Yoshitsune, Ishiguro, sword-decorator, 302.
• Yoshitsune, Minamoto, his armour, 205.
• Yujō, Goto, sword-decorator, 217, 218, 220, 222; and relief carving, 249; field, 250, 251; skill, 252; specimens of his work, 255, 256, 258.
• Yukan Mitsuyasu, Deme, mask-carver, 167.
• Yusai Yasuhisa, Deme, mask-carver, 167.
• Yuzayemon, wood-carver, 150.
• ​
• Zenriusai Gido. See Suwara.
• Zenshō, Nagoshi, art-founder, 138.
• Zuiyetsu. See Iyemasa.

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