Japanese Wood Engravings/Index

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Japanese Wood Engravings

Japanese Wood Engravings
by William Edwin Anderson

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2669083Japanese Wood EngravingsWilliam Edwin Anderson

INDEX

Aston, Mr. W. G., on Korean books, 9
Audsley’s Ornamental Arts of Japan, 64
Bairei, 61
Brinckmann, Dr., on Hokusai, 53
Chinese Pictorial Engraving, history, 6
Chōshun, Miyagawa, 20
Chromoxylography in the Fourth Period, 22
Colours used in Printing, 67
Critical Summary, 71
Decadence of Japanese Engraving, 74
Dickins, Mr. F. V., on Hokusai, 53
Duret, M., on Hokusai, 53
Égawa Santaro, 54
Égawa Tomikichi, 54
“Ehon hokan,” 18
“É-hon té-kagami,” 40
“É-hon Yamato hiji,” 40
European Art. Influence in Fourth Period, 54
Fenollosa, Professor, on Hokusai, 53
Fifth Period of Japanese Engraving, 56
First Period of Engraving, 12
Fourth Period of Engraving, 22
“Fugaku hiak’kei,” 56
Fujimura Zenyémon, 40
Gakutei, 32
Genyémon, Murakami, 40
Ginsetsu, Tomikawa, 50
Giokuransai Sadahidé, 51
Giokuyan Ishida, 51
Gokan, Shiba, 54
Goncourt, M. de, on Utamaro, 36
Gonse, M., on Hokusai, 53
Gonshiro, Idzumiya, 22
“Gwa-ho,” 40
“Gwa-ko sen-ran,” 40, 64
“Gwashi kwai-yo,” 40
“Gwa-soku,” 40
“Gwa-to-Sai-yu dan,” 55
Hanabusa Itchō, 20
Hanzan Matsukawa, 58
Hanzan Yasunobu, 45
Haségawa Settan, 58
Haségawa„ Settei, 58
Haségawa Tōün, 17
Hayami Shunkiosai, 45
Hiroshigé, 58
Hishigawa Moronobu, 15
“Hōgen Monogatari,” 13, 48
Hōitsu, 20
Hokkei, 54
Hokucho, 58
Hokujiu, 54
Hokusai, 36, 50, 52
“Hokusai Mangwa,” 56
Hokushiu, 58
Hokuün, 54
Hokuyei, 58
Hosoï Yeishi, 36, 50
“Ichimai-yé,” 43
Ichiriusai Hiroshigé, 58
Idzumiya Gonshiro, 22
Inoüyé Shinichiro, 32
Isai, Katsushika, 54
“Isé Monogatari,” 13, 48
Ishida Giokuzan, 51
Iskikawa Riusen, 17
Ishikawa Toyonobu, 30
Itchō, Hanabusa, 20
Japanese Engraver, compared with European, 72
Japanese pictorial engraving, history, 9
Japanese printer, 72
“Kaibiaku yu-raiki,” 56
Katsugawa Shunshō, 32
Katsugawa„ Shunko, 32
Katsugawa„ Shunyei, 32
Katsugawa„ Shunjō, 32
Katsugawa„ Shunchō, 32
Katsugawa„ Shunwo, 32
Katsugawa„ Shuntei, 32
Katsushika Hokusai, 52
Katsushika„ Isai, 54
“Keisai so-gwa,” 64
Keisai Yeisen, 51
Kihei, Yamamoto, 8
Kikuchi Yōsai, 58
Kikugawa Yeizan, 36
Kitagawa Utamaro, 36, 50
Kita-wo Shigémasa, 33, 34
Kita-wo„ Masanobu (Kioden), 50
Kita-wo„ Keisai Masayoshi, 77
Kioden, 34, 50
Kiosai, 1, 61
“Kobi no Tsubo,” 32
Kōbō Daishi, 9
Korean Pictorial Engraving, 9
Kōrin, Honnami, 20
Kōriusai, 33
Kunisada, Utagawa, 51, 56
Kuniyoshi, Utagawa, 56
“Kuniyoshi Yatsugwa,” 51
“Kusa-zoshi,” 50
“Kwanyin Sutra,” 8
“Kwaraku Meisho dzu-yé,” 45, 58
“Kwaraku Saiken dzu,” 20, 45
“Man ro-jin” (Hokusai), 56
Masanobu, Kitawo, 50
Masanobu, Okumura, 17
Masayoshu, Kitawo Keisai, 77
Matsugoro, Yamaguchi, 36
Matsukawa Hanzan, 48
“Meizan dzu-yé,” 98

“Miako Meisho dzu-yé,” 45
Miyagawa Chōshun, 20
“Momo chidori kioka awasé,” 36
Morikuni, Taihibana, 38
Moronobu, Hishigawa, 15
Murakami Genyémon, 40
“Nenjiu gioji daisei,” 58
New Year’s Cards (Surimono), 30
Nichiren, 10
“Nikko-zan Shi,” 45
Nishigawa Sukénobu, 38, 50
Nishimura Shigenaga, 30
“Noms de guerre,” of popular artists, 76
Okumura Masanobu, 17
“Onna San-jiu-rok’kasen,” 36, 52
Oöka Shunboku, 40
“Orihon,” 18, 43
Osaka broadsides, 58
Paper used in printing engravings, 67
Periods of engraving–
First, 12
Second, 13
Third, 15
Fourth, 22
Fifth, 56
Sixth, 60
Rantokusai Shundō, 50
Riokin, 11
Rioko Toyei, 34
Riusen, Ishikawa, 17
Sadahidé, Giokuransai, 51
Sadamasu, 58
“Saikoku sanjiu sancho meisho dzu-yé,” 58
“Sam-Kang-heng-sil,” 9
Satow, Mr. E. M., on Wood Engraving, 11; on Japanese printing, 22
Second Period of Engraving, 13
“Seirō bijin awasé kagami,” 32
“Shiro nenjiugioji,” 36
Seizo, Yamaguchi, 36
Sensai Yeitaku, 61
Settan, Haségawa, 45, 58
Settei, Haségawa, 58
Shiba Gokan, 54
Shigéharu, 58
Shigenaga, Nishimura, 30
Shigénobu, Yanagawa, 51
Shinichiro, Moüyé, 32
“Shin Kosha bunko,” 51
Shinsai, 54
“Shomotsu,” 43
Shunboku, Ooka, 40
Shunchō, Katsugawa, 32
Shundō, Rantokusai, 50
Shunjō, Katsugawa, 32
Shunkiosai, Hayami, 45
Shunko, Katsugawa, 32
Shunman, Isoda Shobei, 32
Shunrō, 32
Shuntei, Katsugawa, 32
Shunwō Katsugawa, 32
Shunyei, Katsugawa, 32
Signatures, Remarks on, 75
Sixth Period of Engraving, 60
Size Solution, 71
“Soshiséki gwa-fu,” 64
Sukenobu, Nishigawa, 38, 50
Summary of Periods of Engraving, 7
Surimono, 30
Suzuki Harunobu, 30
Tachibana Morikuni, 38
Tangé, Tsukioka, 40
Technique of Japanese Woodcutting, 62
Theatrical broadsides, 23
Third Period of Engraving, 15
Tsukioka Tangé, 40
“Tōgoku meisho-shi,” 40, 45
“Tokiwa gi,” 20
Tokuno, Mr. T., on Japanese Woodcutting, 64
Tomikawa Ginsetsu, 50
“Tonégawa dzu shi,” 45
Tools of engraver, 66
Tools of printer, 71
Topographical handbooks, 43
Torii Kiyonobu, 23, 50
Torii„ Kiyomasu, 30
Torii„ Kiyotané, 30
Torii„ Kiyoshigé, 30
Torii„ Kiyomitsu, 30, 50
Torii„ Kiyonaga, 30, 50
Torii„ Kiyotsuné, 31, 50
Torii„ Kiyominé, 31
Toriyama Sékiyen Toyofusa, 33
“Toto saijiki,” 58
Tōün, Haségawa, 17
Toyei, Rioko, 34
Toyofusa, Toriyawa Sékiyen, 33
Toyohiro, Utagawa, 50
Toyokuni, Utagawa, 50
Toyonobu, Ishikawa, 30
“Umpitsu so-gwa,” 40
Utagawa Toyonobu, 33
Utagawa„ Toyoharu, 33, 34
Utagawa„ Toyohiro, 34, 50
Utagawa„ Toyokuni, 34, 38, 50
Utagawa„ Kuniyasu, 50
Utagawa„ Kunisada, 51, 56
Utagawa„ Kuniyoshi, 56
Utamaro, Kitagawa, 50
“Wa-Kan mei-gwa-yen,” 40
“Wa-Kan mei-hitsu gwa-yei,” 40
“Wa-Kan mei-hitsu kingioku gwa-fu,” 40
Wood employed by engraver, 66
Yamaguchi Matsugoro, 36
Yamaguchi„ Seizo, 36
Yamamoto Kihei, 8
“Yamato kosaku gwasho,” 18
Yanagawa Shigénobu, 51
Yasunobu, Hanzan, 45
“Yédo Meisho dzu-yé,” 45, 58
Yeijo, 54
Yeishi, Hosoï, 50
Yeizan, Kikugawa, 50
Yōsai, Kikuchi, 58
Yoshitada, Yoyen, 58
Yoyen Yoshitada, 58
“Zenken Ko-jitsu,” 58
“Zenkoji Michi Meisho dzu-yé,” 58
Zenyémon, Fujimaro, 40
“Zokku hiak’ki,” 34