Looking Backward, 2000-1887/Chapter 15
CHAPTER XV.
WHEN, in the course of our tour of inspection, we came to the library, we succumbed to the temptation of the luxurious leather chairs with which it was furnished, and sat down in one of the book-lined alcoves to rest and chat awhile.[1]
"Edith tells me that you have been in the library all the morning," said Mrs. Leete. "Do you know it seems to me, Mr. West, that you are the most enviable of mortals."
"I should like to know just why," I replied.
"Because the books of the last hundred years will be new to you," she answered. "You will have so much of the most absorbing literature to read as to leave you scarcely time for meals these five years to come. Ah, what would I give if I had not already read Berrian's novels."
"Or Nesmyth's, mamma," added Edith.
"Yes, or 'Oates' poems,' or 'Past and Present,' or, 'In the Beginning,' or,—oh, I could name a dozen books, each worth a year of one's life," declared Mrs. Leete, enthusiastically.
"I judge, then, that there has been some notable literature produced in this century."
"Yes," said Dr. Leete. "It has been an era of unexampled intellectual splendor. Probably humanity never before passed through a moral and material evolution, at once so vast in its scope and brief in its time of accomplishment, as that from the old order to the new in the early part of this century. When men came to realize the greatness of the felicity which had befallen them, and that the change through which they had passed was not merely an improvement in details of their condition, but the rise of the race to a new plane of existence with an illimitable vista of progress, their minds were affected in all their faculties with a stimulus, of which the outburst of the mediæval renaissance offers a suggestion but faint indeed. There ensued an era of mechanical invention, scientific discovery, art, musical and literary productiveness to which no previous age of the world offers anything comparable."
"By the way," said I, "talking of literature, how are books published now? Is that also done by the nation?"
"Certainly."
"But how do you manage it? Does the government publish everything that is brought it as a matter of course, at the public expense, or does it exercise a censorship and print only what it approves?"
"Neither way. The printing department has no censorial powers. It is bound to print all that is offered it, but prints it only on condition that the author defray the first cost out of his credit. He must pay for the privilege of the public ear, and if he has any message worth hearing we consider that he will be glad to do it. Of course, if incomes were unequal, as in the old times, this rule would enable only the rich to be authors, but the resources of citizens being equal, it merely measures the strength of the author's motive. The cost of an edition of an average book can be saved out of a year's credit by the practice of economy and some sacrifices. The book, on being published, is placed on sale by the nation."
"The author receiving a royalty on the sales as with us, I suppose?" I suggested.
"Not as with you, certainly," replied Dr. Leete; "but nevertheless in one way. The price of every book is made up of the cost of its publication with a royalty for the author. The amount of this royalty is set to his credit and he is discharged from other service to the nation for so long a period as this credit at the rate of allowance for the support of citizens shall suffice to support him. If his book be moderately successful, he has thus a furlough for several months, a year, two or three years, and if he in the meantime produces other successful work, the remission of service is extended so far as the sale of that may justify. An author of much acceptance succeeds in supporting himself by his pen during the entire period of service, and the degree of any writer's literary ability, as determined by the popular voice, is thus the measure of the opportunity given him to devote his time to literature. In this respect the outcome of our system is not very dissimilar to that of yours, but there are two notable differences. In the first place, the universally high level of education nowadays gives the popular verdict a conclusiveness on the real merit of literary work which in your day it was as far as possible from having. In the second place, there is no such thing now as favoritism of any sort to interfere with the recognition of true merit. Every author has precisely the same facilities for bringing his work before the popular tribunal. To judge from the complaints of the writers of your day, this absolute equality of opportunity would have been greatly prized."
"In the recognition of merit in other fields of original genius, such as music, art, invention, design" I said, "I suppose you follow a similar principle."
"Yes," he replied, "although the details differ. In art, for example, as in literature, the people are the sole judges. They vote upon the acceptance of statues and paintings for the public buildings, and their favorable verdict carries with it the artist's remission from other tasks to devote himself to his vocation. In all these lines of original genius the plan pursued is the same,—to offer a free field to aspirants, and as soon as exceptional talent is recognized ⟨to⟩ release it from all trammels and let it have free course. The remission of other service in these cases is not intended as a gift or reward, but as the means of obtaining more and higher service. Of course there are various literary, art, and scientific institutes to which membership comes to the famous and is greatly prized. The highest of all honors in the nation, higher than the presidency, which calls merely for good sense and devotion to duty, is the red ribbon awarded by the vote of the people to the great authors, artists, engineers, physicians, and inventors of the generation. Not over one hundred wear it at any one time, though every bright young fellow in the country loses innumerable nights' sleep dreaming of it. I even did myself."
"Just as if mamma and I would have thought any more of you with it," exclaimed Edith; "not that it isn't, of course, a very fine thing to have."
"You had no choice, my dear, but to take your father as you found him and make the best of him," Dr. Leete replied; "but as for your mother, there, she would never have had me if I had not assured her that I was bound to get the ribbon."
On this extravagance Mrs. Leete's only comment was a smile.
"How about periodicals and newspapers," I said. "I won't deny that your book publishing system is a considerable improvement on ours, both as to its tendency to encourage a real literary vocation, and, quite as important, to discourage mere scribblers; but I don't see how it can be made to apply to magazines and newspapers. It is very well to make a man pay for publishing a book, because the expense will be only occasional; but no man could afford the expense of publishing a newspaper every day in the year. It took the deep pockets of our private capitalists to do that, and often exhausted even them before the returns came in. If you have newspapers at all, they must, I fancy, be published by the government at the public expense, with government editors, reflecting government opinions. Now, if your system is so perfect that there is never anything to criticize in the conduct of affairs, this arrangement may answer. Otherwise I should think the lack of an independent unofficial medium for the expression of public opinion would have most unfortunate results. Confess, Dr. Leete, that a free newspaper press, with all that it implies, was a redeeming incident of the old system when capital was in private hands, and that you have to set off the loss of that against your gains in other respects."
"I am afraid I can't give you even that consolation," replied Dr. Leete, laughing. "In the first place, Mr. West, the newspaper press is by no means the only or, as we look at it, the best vehicle for serious criticism of public affairs. To us, the judgments of your newspapers on such themes seem generally to have been crude and flippant, as well as deeply tinctured with prejudice and bitterness. In so far as they may be taken as expressing public opinion, they give an unfavorable impression of the popular intelligence, while so far as they may have formed public opinion, the nation was not to be felicitated. Nowadays, when a citizen desires to make a serious impression upon the public mind as to any aspect of public affairs, he comes out with a book or pamphlet, published as other books are. But this is not because we lack newspapers and magazines, or that they lack the most absolute freedom. The newspaper press is organized so as to be a more perfect expression of public opinion than it possibly could be in your day, when private capital controlled and managed it primarily as a money-making business, and secondarily only as a mouthpiece for the people."
"But," said I, "if the government prints the papers at the public expense, how can it fail to control their policy? Who appoints the editors if not the government?"
"The government does not pay the expense of the papers, nor appoint their editors, nor in any way exert the slightest influence on their policy," replied Dr. Leete.
"The people who take the paper pay the expense of its publication, choose its editor, and remove him when unsatisfactory. You will scarcely say, I think, that such a newspaper press is not a free organ of popular opinion."
"Decidedly, I shall not," I replied, "but how is it practicable?"
"Nothing could be simpler. Supposing some of my neighbors or myself think we ought to have a newspaper reflecting our opinions, and devoted especially to our locality, trade, or profession. We go about among the people till we get the names of such a number that their annual subscriptions will meet the cost of the paper, which is little or big according to the largeness of its constituency. The amount of the subscriptions marked off the credits of the citizens guarantees the nation against loss in publishing the paper, its business, you understand, being that of a publisher purely, with no option to refuse the duty required. The subscribers to the paper now elect somebody as editor who, if he accepts the office, is discharged from other service during his incumbency. Instead of paying a salary to him, as in your day, the subscribers pay the nation an indemnity equal to the cost of his support for taking him away from the general service. He manages the paper just as one of your editors did, except that he has no counting-room to obey, or interests of private capital as against the public good to defend. At the end of the first year, the subscribers for the next either re-elect the former editor or choose any one else to his place. An able editor, of course, keeps his place indefinitely. As the subscription list enlarges, the funds of the paper increase, and it is improved by the securing of more and better contributors, just as your papers were."
"How is the staff of contributors recompensed, since they cannot be paid in money."
"The editor settles with them the price of their wares. The amount is transferred to their individual credit from the guarantee credit of the paper, and a remission of service is granted the contributor for a length of time corresponding to the amount credited him, just as to other authors. As to magazines, the system is the same. Those interested in the prospectus of a new periodical pledge enough subscriptions to run it for a year; select their editor, who recompenses his contributors just as in the other case, the printing bureau furnishing the necessary force and material for publication, as a matter of course. When an editor's services are no longer desired, if he cannot earn the right to his time by other literary work, he simply resumes his place in the industrial army. I should add that, though ordinarily the editor is elected only at the end of the year, and as a rule is continued in office for a term of years, in case of any sudden change he should give to the tone of the paper, provision is made for taking the sense of the subscribers as to his rеmoval at any time."
When the ladies retired that evening, Edith brought me a book and said:
"If you should be wakeful to-night, Mr. West, you might be interested in looking over this story by Berrian. It is considered his masterpiece, and will at least give you an idea what the stories nowadays are like."
I sat up in my room that night reading "Penthesilia" till it grew gray in the east, and did not lay it down till I had finished it. And yet let no admirer of the great romancer of the twentieth century resent my saying that at the first reading what most impressed me was not so much what was in the book as what was left out of it. The story-writers of my day would have deemed the making of bricks without straw a light task compared with the construction of a romance from which should be excluded all effects drawn from the contrasts of wealth and poverty, education and ignorance, coarseness and refinement, high and low, all motives drawn from social pride and ambition, the desire of being richer or the fear of being poorer, together with sordid anxieties of any sort for one's self or others; a romance in which there should, indeed, be love galore, but love unfretted by artificial barriers created by differences of station or possessions, owning no other law but that of the heart. The reading of "Penthesilia" was of more value than almost any amount of explanator would have been in giving me something like a general impression of the social aspect of the twentieth century. The information Dr. Leete had imparted was indeed extensive as to facts, but they had affected my mind as so many separate impressions, which I had as yet succeeded but imperfectly in making cohere. Berrian put them together for me in a picture.
- ↑ I cannot sufficiently celebrate the glorious liberty that reigns in the public libraries of the twentieth century as compared with the intolerable management of those of the nineteenth century, in which the books were jealously railed away from the people, and obtainable only at an expenditure of time and red tape calculated to discourage any ordinary taste for literature.