On the Margin
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ON THE MARGIN
ALDOUS HUXLEY
Copyright, 1923,
By George H. Doran Company
On the Margin. II
Printed in the United States of America
CONTENTS
I: | Centenaries | 9 |
II: | On Re-reading Candide | 19 |
III: | Accidie | 26 |
IV: | Subject-Matter of Poetry | 32 |
V: | Water Music | 43 |
VI: | Pleasures | 48 |
VII: | Modern Folk Poetry | 55 |
VIII: | Bibliophily | 62 |
IX: | Democratic Art | 67 |
X: | Accumulations | 74 |
XI: | On Deviating into Sense | 80 |
XII: | Polite conversation | 86 |
XIII: | Nationality in Love | 94 |
XIV: | How the Days Draw In! | 100 |
XV: | Tibet | 106 |
XVI: | Beauty in 1920 | 112 |
XVII: | Great Thoughts | 118 |
XVIII: | Advertisement | 123 |
XIX: | Euphues Redivivus | 129 |
XX: | The Author of Eminent Victorians | 136 |
XXI: | Edward Thomas | 143 |
XXII: | A Wordsworth Anthology | 150 |
XIII: | Verhaeren | 155 |
XIV: | Edward Lear | 161 |
XV: | Sir Christopher Wren | 167 |
XVI: | Ben Jonson | 177 |
XVII: | Chaucer | 194 |
Note: Most of these Essays appeared in The Athenæum, under the title “Marginalia” and over the signature Autolycus. The others were first printed in The Weekly Westminster Gazette, The London Mercury and Vanity Fair (New York).
ON THE MARGIN
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1963, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 60 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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