On the Stage—and Off

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On the Stage—and Off (1885)
by Jerome Klapka Jerome

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Previously serialized in The Play, Volume 2, 25 January-17 May, 1883, as 'Reminiscences of a Brief Stage Career. By a Would-be Actor.', this transcription is of the first edition in book form, published in 1885. [Based on the bibliography of Jerome's works at The Jerome K. Jerome Society]

4681098On the Stage—and Off1885Jerome Klapka Jerome

On the Stage—and Off.

On the Stage—and Off:

THE BRIEF CAREER OF

A WOULD-BE ACTOR

BY

JEROME K JEROME

1885.

Field & Tuer small logo 1885

LONDON:
Field & Tuer, The Leadenhall Press, S.C.
Simpkin, Marshall & Co. Hamilton, Adams & Co.

Field & Tuer logo 1885

FIELD & TUER,
THE LEADENHALL PRESS, E.C.
T. 4,211.

Preface.

In penning the following pages I have endeavoured to be truthful. In looking back upon the scenes through which I passed, I have sought to penetrate the veil of glamour Time trails behind him as he flies, and to see things exactly as they were—to see the rough road as well as the smiling landscape, the briers and brambles as well as the green grass and the waving trees.

Now, however, that my task is done, and duty no longer demands that memory should use a telescope, the mellowing haze of distance resumes its sway, and the Stage again appears the fair, enchanted ground that I once dreamt it. I forget the shadows, and remember but the brightness. The hardships that I suffered seem now but picturesque incidents; the worry only pleasurable. excitement.

I think of the Stage as of a lost friend. I like to dwell upon its virtues and to ignore its faults. I wish to bury in oblivion the bad, bold villains and the false-hearted knaves who played a part thereon, and to think only of the gallant heroes, the virtuous maidens, and the good old men.

Let the bad pass. I met far more honest, kindly faces than deceitful ones, and I prefer to remember the former. Plenty of honest, kindly hands grasped mine, and such are the hands that I like to grip again in thought. Where the owners of those kindly hands and faces may be now I do not know. Years have passed since I last saw them, and the sea of life has drifted us farther and farther apart. But wherever on that sea they may be battling, I call to them from here a friendly greeting. Hoping that my voice may reach across the waves that roll between us, I shout to them and their profession a hearty and sincere God Speed.

Contents.

PAGE
CHAPTER I.
I determine to become an Actor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		1
CHAPTER II.
I become an Actor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		11
CHAPTER III.
Through the Stage Door . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		24
CHAPTER IV.
Behind the Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		30
CHAPTER V.
A Rehearsal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		38
CHAPTER VI.
Scenery and Supers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		54
CHAPTER VII.
Dressing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		62
CHAPTER VIII.
My "First Deboo" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		72
CHAPTER IX.
Birds of Prey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		78
CHAPTER X.
I Buy a Basket, and go into the Provinces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		91
CHAPTER XI.
First Provincial Experiences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
CHAPTER XII.
"Mad Mat" takes advantage of an Opportunity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		105
CHAPTER XIII.
Lodgings and Landladies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		110
CHAPTER XIV.
With a Stock Company . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		119
CHAPTER XV.
Revenge! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		127
CHAPTER XVI.
Views on Acting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		136
CHAPTER XVII.
I join a "Fit-up" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		145
CHAPTER XVIII.
My Last Appearance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .		154

This work is in the public domain in the United States because it was published before January 1, 1929.

The longest-living author of this work died in 1927, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 96 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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