go forth not mere seeming life and a caricature of life, but a true life well-pleasing to God! How we have to carry into execution this careful guarding of the heart, is shown in Pro 4:24 and the golden rules which follow. Mouth and lips are meant (Pro 4:24) as instruments of speech, and not of its utterance, but of the speech going forth from them. עקּשׁוּת, distorsio, refers to the mouth (Pro 6:12), when what it speaks is disfiguring and deforming, thus falsehood as the contrast of truth and love (Pro 2:12); and to the lips לזוּת, when that which they speak turns aside from the true and the right to side-ways and by-ways. Since the Kametz of such abstracta, as well of verbs 'ו'ע like לזוּת, Eze 32:5, as of verbs 'ה'ל like גּלוּת, Isa 45:13, חזוּת, Isa 28:18, is elsewhere treated as unalterable, there lies in this לזוּת either an inconsistency of punctuation, or it is presupposed that the form לזוּת was vocalized like שׁבוּת = שׁבית, Num 21:29.
Verse 25
Another rule commends gathering together (concentration) in opposition to dissipation. It is also even externally regarded worthy of consideration, as Ben-Sira, Pro 9:5, expresses it: μὴ περιβλέπου ἐν ῥύμαις πόλεως - purposeless, curious staring about operates upon the soul, always decentralizing and easily defiling it. But the rule does not exhaust itself in this meaning with reference to external self-discipline; it counsels also straight-forward, unswerving directness toward a fixed goal (and what else can this be in such a connection than that which wisdom places before man?), without the turning aside of the eye toward that which is profitless and forbidden, and in this inward sense it falls in with the demand for a single, not squinting eye, Mat 6:22, where Bengel explains ἁπλοῦς by simplex et bonus, intentus in caelum, in Deum, unice. נכח (R. נך) means properly fixing, or holding fast with the look, and נגד (as the Arab. najad, to be clear, to be in sight, shows) the rising up which makes the object stand conspicuous before the eyes; both denote here that which lies straight before us, and presents itself to the eye looking straight out. The naming of the עפעפּים (from עפעף, to flutter, to move tremblingly), which belongs not to the seeing apparatus of the eye but to its protection, is introduced by the poetical parallelism; for the eyelids, including in this word the twinkling, in their movement follow the direction of the seeing eye. On the form יישׁרוּ (fut. Hiph. of ישׁר, to be straight), defective according to the Masora, with the Jod audible, cf. Hos 7:12; 1Ch 12:2, and under Gen 8:17;
