complicated and truly bewildering forms of interlaced
ornament found on such a masterpiece of the art of illumination as the Book of Kells. Although we do not know who made the discovery of how to make breaks in a plait, we know pretty nearly when it was made."[1]
He goes on to show that the transition from plaitwork to knotwork took place in Italy between 563 and 774. But is that not a proof of introduction into Italy, and not of its discovery there? I am rather disposed to think that partly through the adoption of the osier wattle in domestic architecture, partly through the employment of the tartan, the plait in all its intricacy was a much earlier product of the genius of the Celtic race.
There is a pretty story in the life of an early Irish saint. He had been put at school, but could not learn. At last, sick of books, he ran away. He found a man at work with willow rods, weaving them to form the walls of a house he was building. He dipped them in water, and laced them in and out with wonderful neatness, patience, and dexterity. And the boy, looking on, marvelled at it all, took it to heart, and said to himself, "These osiers flip out; but when there are patience and skill combined, they can be made into the most exquisite patterns, and plaited
together into a most solid screen. Why may not I be thus shaped, if I allow myself to be bent, and am docile in my master's hands?" So he went back to school.
- ↑ Archæologia Camdrensis, January, 1899. See also A. J. Langdon, "The Ornament of the Early Crosses of Cornwall," Journal of the Royal Institution of Cornwall, vol. x. (1890-1).
