been the influence of the great French war; for, however well matched the nations might be in martial exercises, there could be no question but that our neighbours were infinitely superior to us in the arts of peace. A stream of returning knights, of wounded soldiers, and of unransomed French noblemen, had been for a quarter of a century continually pouring into England, every one of whom exerted an influence in the direction of greater domestic refinement; while ship-loads of French furniture from Calais, Rouen, and other plundered towns, had supplied our own artisans with models on which to shape their work. Hence, in most English castles, and in Castle Twynham among the rest, chambers were to be found which would seem to be not wanting either in beauty or in comfort.
In the great stone fireplace a log fire was spurting and crackling, throwing out a ruddy glare which, with the four bracket-lamps which stood at each corner of the room, gave a bright and lightsome air to the whole apartment. Above was a wreath-work of blazonry, extending up to the carved and corniced oaken roof; while on either side stood the high canopied chairs placed for the master of the house and for his most honoured guest. The walls were hung all round with most elaborate and brightly coloured tapestry representing the achievements of Sir Bevis of Hampton, and behind this convenient screen were stored the tables dormant and benches which would be needed for banquet or high festivity. The floor was of polished tiles, with a square of red and black diapered Flemish carpet in the centre; and many settees, cushions, folding chairs, and carved bancals littered all over it. At the further end was a long black buffet or dresser, thickly covered with gold cups, silver salvers, and other such valuables. All this Alleyne examined with curious eyes; but most interesting of all to him was a small ebony table at his very side, on which, by the side of a chess-board and the scattered chessmen, there lay an open manuscript written in a right clerkly hand, and set forth with brave flourishes and devices along the margins. In
