Crests appear to have come into wider and more general use in Germany at an earlier period than is the case in this country, for in the early part of the thirteenth century seals are there to be met with having only the device of helmet and crest thereupon, a proof that the "oberwappen" (helmet and crest) was then considered of equal or greater value than the shield.
 Fig. 617.—Crest of William de Montagu, Earl of Salisbury (d. 1344). (From his seal.) |
 Fig. 618.—Crest of Thomas de Mowbray, Earl of Nottingham, and Earl Marshal. (From a drawing of his seal, 1389: MS Cott., Julius, C. vii.) |
The actual tournament crests were made of light material, pasteboard, cloth, or a leather shell over a wood or wire framework filled with tow, sponge, or sawdust. Fig. 271, which shows the shield, helmet, and crest of the Black Prince undoubtedly contemporary, dating from 1376, and now remaining in Canterbury Cathedral, is made of leather and is a good example of an actual crest, but even this, there can be little doubt, was never carried in battle or tournament, and is no more than a ceremonial crest made for the funeral pageant.
The heraldic wings which are so frequently met with in crests are not the natural wings of a bird, but are a development from the fan, and in actual crests were made of wooden or basket-work strips, and probably at an earlier date were not intended to represent wings, but were mere pieces of wood painted and existing for the display of a certain device. Their shape and position led to their transition into "wings," and then they were covered with dyed or natural-coloured feathers. It was the art of heraldic emblazonment which ignored the practical details, that first copied the wing from nature.
Actual crests were fastened to the helmets they surmounted by
