the other half—step down!—of cement. There is the gas range, and close beside it a pottery fire-box for the big swelling rice-kettle with its heavy wooden top. No bit of waste-paper or scrap of any kind must be thrown on that fire; only straw to start it and charcoal to continue it, for it is used just to cook rice—the staff of life for Japan—and we must treat it with respect. Here comes Taki; and now she will show us something, little Chiyo, that will make you want to run to the big box that smells all camphory, like the forest near Uncle Otani’s house, and get out the fur collar that Grandma gave you last Christmas Day. See!”
Taki stuck two fingers in two little holes in one of the narrow boards of the floor and lifted it; then other, and another. Next, up came a light, broad square of whitewood, and there, within easy reach of Taki’s hand, was a small cellar where was a block of ice, roughly cut in shelves, on which were set wooden plates of fish and vegetables, eggs and fruit.
“That is what becomes of the cold, cold bundle the man brings every morning in the straw saddle on his back,” I said. “And there is Taki’s wooden sink, standing high up from the cement part of the floor, just like a table with legs made of water-pipes.
“Now, turn to the right. Down the narrow little hall we go—five steps of mine and eight of yours—and here we are in the bathroom. The oval whitewood tub, with its two faucets above and little row of gaslights below, is so deep that even Mamma can kneel with the water up to her chin. Here are the three little shelves for our bran bag, cup, and toothbrush, each with a carved towel-hanger below; and over in the corner is a big bamboo basket for laundry and a coil of hose to water the garden. Oh, it’s a very interesting little house, Chiyo; just like a big play-house, with Mamma at home all the time to play with you when Hanano has gone to school.”
