but they seemed to be struggling with suppressed excitement. I did not stop to wonder why. It was enough for me to know that my brother was coming home. I could scarcely hold the joy in my heart.
I must have been very young when my brother went away, for though I could distinctly recall the day he left, all memory of what went before or came immediately after was dim. I remember a sunny morning when our house was decorated with wondrous beauty and the servants all wore ceremonial dress with the Inagaki crest. It was the day of my brother’s marriage. In the tokonoma of our best room was one of our treasures—a triple roll picture of pine, bamboo, and plum, painted by an ancient artist. On the platform beneath was the beautiful Takasago table where the white-haired old couple with rake and broom were gathering pine needles on the shore. Other emblems of happy married life were everywhere, for each gift—and there were whole rooms full—was decorated with small figures of snowy storks, of gold-brown tortoises, or beautiful sprays of entwined pine, bamboo, and plum. Two new rooms, which had been recently built, were full of beautiful lacquer toilet cases and whitewood chests with iron clasps. They had come the day before, in a procession of immense trays swinging from poles on the shoulders of coolies. Each was covered with a cloth bearing a crest not ours.
Ishi and I wandered from room to room, she explaining that the bride for the young master would soon be there. She allowed me one peep into the wedding room. It was all white and plain and empty except for the offerings to the gods on the tokonoma and the little table with the three red cups for the sacred promise.
Ishi was continually running to look out toward the big entrance gate, and of course wherever she went I was close by, holding to her sleeve. The whole house was open.
