MONOGRAMS
and is easily deciphered at a glance. Curling lines and waves which mean nothing, but only deceive the eyes, are never found in the best examples.
The simpler conception shows the better workmanship, and too strong coloring or high gilding is in doubtful taste.
Present FormsAmong the present modes one notices the long monogram in rather common use. This is set at the upper left corner of note and letter paper, and may be embossed in three tones of one color, or in single gold or silver. Again, the drop letter monogram occupies about the same space, and is most attractive in three tones.
A square effect, the letters in color on a block of gold, or the lines of the device turned to form a square, are among the best designs.
Placing the MonogramThe place of stamping is optional and depends largely on individual taste, but the full line of paper should show the same marking, a[9]
