HAYDN.
HAYDN.
721
[Mit dem Paukenwirbel.]
No. 8. [1.]
[1795.]
![{ \time 3/4 \clef bass \key ees \major \tempo \markup { \smaller \italic Adagio. } \relative e, { \repeat tremolo 12 { ees32[ ees']\fermata\espressivo } ees4\p( d ees) c( aes' f) d( bes' aes) g } }](http://upload.wikimedia.org/score/f/v/fvska9r4aa6u0dq9fm6mkdammjwoy3p/fvska9r4.png)
No. 9. [12.]
'Sinfonia in B fa. 1795.'
![{ \time 4/4 \key bes \major \tempo \markup { \smaller \italic Largo. } \relative b { bes1\ff\fermata| f''4\p( bes a g) | f2. f4 f( ees8 r16 d c-.( bes-. a-. bes-.) } }](http://upload.wikimedia.org/score/1/1/111tb0v39bbvo910g9ovvyl40r1uu8s/111tb0v3.png)
No.10.[1] [3.]
'1793.'
![{ \time 4/4 \key ees \major \tempo \markup { \smaller \italic Adagio. } \relative e' { <ees g,>2\ff g'4\p( f8.) d16-. ees4( bes8) r16 c32( bes) aes8-. g-. f-. ees-.) f'2\f aes4(\p g8.) ees16 f4( bes,8) } }](http://upload.wikimedia.org/score/1/k/1kru17ldbbbf57loqiajt1p93orodnf/1kru17ld.png)
'The [2]Clock.'
No. ll. [4]
'1794.'
![{ \time 3/4 \key d \minor \tempo \markup { \smaller \italic Adagio. } \relative d'' << { d2. ~ d2 s4 <e d b e,>2. <cis a e>\fermata } \\ { d,4\p( e f) g( a\< bes) gis,2.\ff a\p } >> }](http://upload.wikimedia.org/score/1/7/17kspvr3zefelmcsxtpyy5yv5a5mtye/17kspvr3.png)
'The Military.'
No. 12. [11.]
'1794.'
![{ \time 4/4 \key g \major \tempo \markup { \smaller \italic Adagio. } \relative d'' { d4\p( g8) r16 d c8-. r b-. r | a2->( b8) r g4\p | a b8. e16 d4 c8.\trill b32 c | b4 \bar "||" } }](http://upload.wikimedia.org/score/s/c/scfeh12njcs5h3kfc0vcc5pvdtrbzbr/scfeh12n.png)
II. Symphonies which are known by titles.
The letters ('Letter A,' etc.) are those in the Philharmonic catalogue, by which these Symphonies are designated in the Society's programmes.
Symphonies marked with a * are published by Simrock, in parts, engraved from the original scores.
'Letter A.'
*
[1780.]
![{ \time 4/4 \key bes \major \override Score.Rest #'style = #'classical \tempo \markup { \smaller \italic Adagio. } \relative b { bes4\f c8. a16 d8\sf bes r8. bes'16\p | bes8.( a32 bes) c8.( bes32 c) d8-! bes-! r4 \bar "||" } }](http://upload.wikimedia.org/score/h/2/h2dqtvhonx5deqe0dufnioxgvu0zfeh/h2dqtvho.png)
'Letter B.' 'The Farewell Symphony.'
*
'1772.'
![{ \time 3/4 \key a \major \tempo \markup { \smaller \italic "Allegro assai." } \relative f'' { fis4-.\f cis-. a-. fis-. cis-. a-. b( d) d-. d2. } }](http://upload.wikimedia.org/score/i/3/i3vpaesl3pd63qyztp34f6mut2d5lvo/i3vpaesl.png)
'Letter H.'
*
'1774'
![{ \time 3/4 \key d \major \override Score.Rest #'style = #'classical \tempo \markup { \smaller \italic Adagio. } \relative d' { \grace cis16\p d8-! r \grace cis16 d8-! r \grace cis16 d8-! r | <a' a'>4\f( cis'8 r r4 } }](http://upload.wikimedia.org/score/h/2/h22qpmoy2qd2e6gjo6jp3kj3vj7rq1j/h22qpmoy.png)
'Letter I.' [Trauer.]
*
[1772.]
![{ \time 4/4 \key e \minor \override Score.Rest #'style = #'classical \tempo \markup { \smaller \italic "Allegro con brio." } \relative e' { e2\f b' | e4-! dis-! r b\p | c( b) r ais } }](http://upload.wikimedia.org/score/e/v/evhfj25ck2u0kwcl95tsfyo7zba01u6/evhfj25c.png)
'Letter L.'
*
'1772.'
![{ \time 4/4 \key g \major \override Score.Rest #'style = #'classical \tempo \markup { \smaller \italic Allegro } \relative g { <g d' b' g'>4\f << { r4 r2 r4 b( c) e8. d16 c4 } \\ { g'8. g16 g4 g g } >> } }](http://upload.wikimedia.org/score/d/i/di0qgo2lcto1dpkuuz0gy6uk3z97zei/di0qgo2l.png)
'Letter Q.' 'The Oxford.'
[1788.]
![{ \time 3/4 \key g \major \tempo \markup { \smaller \italic Adagio. } \relative d'' { d8 r d r d r d2. ~ d4 c8( b a e') g4( fis8) } }](http://upload.wikimedia.org/score/h/p/hph27o9i0it399095us2f3xf39omlom/hph27o9i.png)
'Letter R.'
[1788.]
![{ \time 3/4 \override Score.Rest #'style = #'classical \tempo \markup { \smaller \italic Adagio. } \partial 16 \relative c' { c16\ff c2.\fermata | e'8-!\p r d-! r r4 c8-! r b-! r r4 | <f c' a'>8\ff r <e c' g'> } }](http://upload.wikimedia.org/score/3/o/3ok75tsgtupjdj2ywtk2a4oc5pzia45/3ok75tsg.png)
'Letter T.'
[1787, for Paris.]
![{ \time 3/4 \key ees \major \override Score.Rest #'style = #'classical \tempo \markup { \smaller \italic Largo. } \relative e' { <ees g,>4\f r <f bes,>-! <g bes,>-! r r <aes c,> r <f aes,>-! <ees g,>-! } }](http://upload.wikimedia.org/score/g/m/gmhpbex3g4zcrdjf7dgatxrqdpbuo1z/gmhpbex3.png)
'Letter V.'
[1787. for Paris.]
![{ \time 3/4 \key g \major \tempo \markup { \smaller \italic Adagio. } \partial 16 \relative g' { <g g,>16\f <g g,>8 r <b d, g,> r r8. <b d,>16 <c d,>8 r <a' c, d,> r r8. c,16 } }](http://upload.wikimedia.org/score/5/x/5xnu485h2ieykyuj83e9vxgut22y99d/5xnu485h.png)
'Letter W.'
'1787.'
![{ \time 4/4 \key f \major \override Score.Rest #'style = #'classical \tempo \markup { \smaller \italic Vivace. } \relative f'' { <f a,>4\f r <a c, f,> r <c c, f,> <a c, f,> <f a,> r c2\p( a4 f) } }](http://upload.wikimedia.org/score/s/7/s7vplpa35lt5pgkrv7qswdaaj6z7j2a/s7vplpa3.png)
'La Reine de France.'
*
[1786. for Paris.]
![{ \time 4/4 \key bes \major \override Score.Rest #'style = #'classical \tempo \markup { \smaller \italic Adagio.} \partial 16 \relative b' { <bes bes'>16\ff <bes bes'>4 r8. a,16-! bes8.-! cis16-! d8.-! fis16-! g2^"ten." r4 r8. g'16 g4 } }](http://upload.wikimedia.org/score/h/s/hs1x8g45tydg94l5cx8b134hhsjz8bs/hs1x8g45.png)
'La Chasse.'
*
[1780.]
![{ \time 3/4 \key d \major \tempo \markup { \smaller \italic Larghetto. } \relative a' { <a fis>2.:8\p d8-. r a-. r fis-. r a' r fis r d r } }](http://upload.wikimedia.org/score/m/4/m46xim9xob82zdr3oajzcq0tr0jcy8j/m46xim9x.png)
'Roxelane.'
(Overture to 'Il Mondo della luna.')
*
[1777.]
![{ \time 3/4 \tempo \markup { \smaller \italic Allegro. } \relative c'' { c2. e2 c4 g'2( e8. c16) a'4-! f-! d-! } }](http://upload.wikimedia.org/score/9/g/9gdbku7hb4mnjhd6fip12uzrvlzy1gs/9gdbku7h.png)
'La Poule.'
*
[1786. for Paris.]
![{ \time 4/4 \key g \minor \tempo \markup { \smaller \italic "Allegro spiritoso." } \relative g'' { g2\ff bes cis\sf d4 d8. d16 d4 a8. a16 a4 d,8. d16 d4 } }](http://upload.wikimedia.org/score/q/3/q3z6wc9g5evu9oz914st0n1wgf0kxvu/q3z6wc9g.png)
'L'Ours.'
*
[1786.]
![{ \time 3/4 \override Score.Rest #'style = #'classical \tempo \markup { \smaller \italic "Vivace assai." } \relative c'' { c4:16\f e: g: c: e8 r r4 g,4: c8 r r4 e,4: g8 r r4 } }](http://upload.wikimedia.org/score/5/5/55id2ys54acbcx26w1uyuumzf5vhrb3/55id2ys5.png)
'Maria Theresa.'
*
[1773.]
![{ \time 4/4 \override Score.Rest #'style = #'classical \tempo \markup { \smaller \italic Allegro. } \relative c''' { c8\f c, c c c4 \acciaccatura e8 d8 c16 d c8 e e f g4 r } }](http://upload.wikimedia.org/score/d/c/dcpu03zdorcc8vvo1pnbehfpcjz1yeq/dcpu03zd.png)
'Laudon.'
[1779.]
![{ \time 4/4 \tempo \markup { \smaller \italic Vivace. } \relative c'' { <c e g c>4\f c8\p c c4 c c2 \acciaccatura e8 d4( c8 d) <e c>4.( <f d>8 <g e>4) <f d> <f d>( <e c>) <d b g>2 } }](http://upload.wikimedia.org/score/t/t/tte9gn9wowaz1cfj3auepi4pc7cg8rg/tte9gn9w.png)
'The Schoolmaster.'
*
'1774.'
![{ \time 3/4 \key ees \major \override Score.Rest #'style = #'classical \tempo \markup { \smaller \italic "Allegro di molto." } \relative g { <g ees' ees'>4\f <g ees'> <g ees'> <g ees'> r <g' ees>\p <g ees>2( <aes f>4) <g ees>4( <f d>) <g ees> } }](http://upload.wikimedia.org/score/2/l/2lnev5v0nzrfulhgbrit696tyrzqm1q/2lnev5v0.png)
'Le Matin.'
[176-.]
![{ \time 4/4 \key d \major \tempo \markup { \smaller \italic Adagio. } \relative d' { d8.\pp e32( cis) d8. e32( cis) d8.( cis16) d16. cis32 d16. e32 fis8. g32( e) fis8. g32( e) fis8.( e16) fis16. e32 fis16. g32 } }](http://upload.wikimedia.org/score/k/s/ksyhi3injvu8vstweggbk8jpg0v7xmi/ksyhi3in.png)