Page:A Dictionary of Music and Musicians vol 4.djvu/1026

Hymn; Hyper; Imbroglio; Imperfect; Improperia; Inganno; Initials, Absolute; In Nomine; Inscription; Interlude; Intermezzo; Intonation; Intoning; Introit; Inversion; Ionian Mode; Knell; Kyrie; Lamentations; Large; Lauda Sion; Laudi Spirituali; Lauds; L'homme armé; Ligature; Litaniæ Lauretanæ; Litany; Locrian Mode; Long; Lydian Mode; Macicotaticum; Madrigal; Magnificat; Maneria; Mass; Matins; Mean; Medial Cadence; Mediant; Mediation; Melisma; Mell; Melodrama; Metre; Metronome; Mi Contra Fa; Micrologus; Minim; Miserere; Missa Brevis; Missa de Angelis; Missa Papæ Marcelli; Missa sine Nomine; Missa supra Voces Mus.; Mixed Modes; Mixolydian Mode; Mode; Modes, Ecclesiastical; Modulations, Regular and Conceded; Monodia; Monotone; Monteverde; Motet; Motetus; Musica Ficta; Musica Figurata; Musica Mensurata; Musurgia Universalis; Mutation; Nanini, G. B.; Nanini, G. M.; Nocturno; Nodus Salomonis; Noël; None; Nonet; Non Nobis Domine; Nota cambita; Notation; Ochetto; Offertorium; Opera; Opera Bouffe; Opera Buffa; Opera Comique; Opera, Grand; Operetta; Oratorio; Orchestra; Orchestration; Organum; O Salutaris Hostia; Otthoboni; Participant; Passion-music; Pasticcio; Peri; Perielesis; Phrygian Mode; Plagal Modes; Plain-song; Plica; Pneuma; Podatus; Point; Polyphonia; Prætorius; Presa; Prime; Prolation; Proportion; Proposta; Proprietas; Quilsma; Quinta Falsa; Quintoyer; Quintus; Radical Cadence; Real Fugue; Recitative; Reciting-Note; Recte et Retro; Requiem; Responsorium; Reynolds; Risposta; Ritornello; Rosalia; Saggio di Contrappunto; Salve Regina; Sanctus; Scena; Schools of Composition; Score; Score, arranging from; Score, playing from; Scoring; Secco Recitative; Semibreve; Semicroma; Semifusa; Semiminima; Semiquaver; Sequentia; Serenade; Serenata; Sesqui; Sext; Sextus; Si; Sistine Choir; Sketch; Sketches; Solmisation; Spondee; Stabat Mater; Stave; Strict Counterpoint; Subject; Sumer is icumen in; Syntagma Musicum; Tablature; Tantum ergo; Te Deum; Tenebræ; Terce; Tetrachord; Theme; Thorough-bass; Tierce de Picardie; Time; Time-beating; Time-signature; Time-table; Tinctoris; Tonal Fugue; Torculus; Transposition of the Ecclesiastical Modes; Trochee; Use; Veni Creator Spiritus; Versicle; Vesperale; Vespers; Villanella; Voces Aretinæ; Voces Belgicæ; Voces Hammerianæ; Voices; Waits, The; Water-mus.; Zacconi, Ludovico; Zachau, Friedrich; Zarlino, Gioseffe; Aevia; Alfieri; Anapæst; Andamento; Attacco; Azzopardi; Cantor; Chiavette; Clausula; Compline; Concertino; Concerto grosso; Diaphonia; Dies Iræ; Dodecachordon; Evacuatio; Evovae; Fa fictum; Fay, du; Franco, of Cologne; Fulda, de; Galilei; Gregorian Tones; Guido d'Arezzo; Hale, A. de la; Handel; Hucbaldus; Invitatorium; Maneria; Mass; Missa de Angelis; Part-books; Part-writing; Pentatonic Scale; Pentatonon; Sistine Chapel; Soggetto; Tractulus; Tractus; Vallotti; Veni Sancte Spiritus; Vertical and Horizontal Methods; Victimæ Paschali.

Ryan, Desmond L. [D. L. R.]—Ryan.

Schulz, Curt [C. Sch.]—Zither.

Siewers, Carl [C. S.]—Södermann; Svendsen, J. S.

Southgate, T. L. [T. L. S.]—Orchestrina di Camera; Recording Music.

Spitta, Dr. Philipp [P. S.]—Rudorff; Schumann; Singakademie; Spontini; Weber; Bach.

Squire, W. Barclay [W. B. S.]—Ländler; Lancers' Quadrille; Luther; Matassins; Matelotte; Mazurka; Measure; Minor Canons; Morris Dance; Mus. Libraries; Mus. Union; Music School, Oxford; Musik, königliche Hochschule für; Nohl; Norwich Festival; Nunc dimittis; Oberthür; O'Leary; Orchésographie; Ornithoparcus; Passacaglia; Passamezzo; Passepied; Pastorale; Pavan; Perigourdine; Philadelphia; Pibroch; Polacca; Polka; Polo; Polonaise; Polska; Popular Ancient English Mus.; Precentor; Quadrille; Ranz des Vaches; Rea; Redowa; Reel; Rigadoon; Riseley; Roeckel; Round; Royal Academy of Mus., 1720; Royal Academy of Mus.; Sainton-Dolby; Saltarello; Saraband; Schottische; Schuberth; Schulze; Scottish Mus. Society; Seguidilla; Semele; Sennet; Siboni; Siciliana; Sink-a-pace; Sir Roger de Coverly; Smith, Sidney; Sociedade de Quartetos do Porto; Society, the Mus. Artists; Sounds and Signals; Starck; Swinnerton Heap; Tambourin; Tarantella; Thomas, A. G.; Thomas, H.; Thomas, J.; Thomas, L. W.; Thorne, E. H.; Tirana; Touch; Tourdion; Trenchmore; Trihoris; Tucket; Tyrolienne; University Mus. Societies, Cambridge; Utrecht; Ut, re, mi; Varsoviana; Vicars Choral; Virginal Mus.; Waltz; Whistling and Hoffmeister's Handbuch; Yankee Doodle; Yonge; Ach Gott vom Himmel; Bache, W.; Bandini; Barnard; Beringer; Bicinium; Blow, J.; Bridge, J.; Bridge, J. C.; Broderip; Bruckner; Bryne; Byrd; Clifton, J. C.; Cotton, J.; Dallam; Davies, the Sisters Dunstable; Faning; Farandole; Gafori; Garrett; Gladstone; Goovaerts; Greatheed; Havergal; Hey; Keeley; Ornithoparcus; Pollitzer; Rogers, R.; White, R.; Virginal Music.

Stainer, Sir J. [J. S.]—Positive Organ; Principal; Rank; Reedstop; Register (organ); Response; Row of Keys; Salcional; Service; Sesquialtera; Solo Organ; Solo stop; Spitzflöte; Stopped pipe; Stops, Organ; Swell, Organ|; Tell-tale; Tierce; Tonic Sol-fa; Tracker; Tremulant; Tuba mirabilis; Verse; Voicing.

Statham, H. H. [H. H. S.]—Bennett, Sterndale; Carillon; Registration.

Stephens, Charles E. [C. E. S.]—Philharmonic Society.

Stewart, Sir Robert P. [R. P. S.]—Irish Music; Lilt; Lochaber no more; Moore; O'Carolan; Torrance; Wade; Wallace, W. V.

Stillie, T. L. [T. L. S.]—Scotish Mus.; Strathspey.

Stone, W. H. [W. H. S.]—Alpenhorn; Althorn; Bagpipe; Baritone; Bass-clarinet; Bass-flute; Basset-horn; Bassoon; Bell; Boehm; Bombardon; Brass-band; Bugle; Chalumeau; Chaunter; Clarinet; Cor Anglais; Cornet; Crook; Czakan; Double Bassoon; Double tongueing; Drone; Embouchure; English horn; Euphonium; Fagotto; Fife; Flageolet;Flauto traverso; Flügel-horn; Flute; Flute d'Amour; French horn; Horn; Key; Mouthpiece; Oboe; Oboe d'amore; Oboe di Caccia; Ocarina; Ophicleide; Pandean Pipe; Picco pipe; Piccolo pipe; Piffero; Pipe and Tabor; Pipes, vibration of air in; Piston; Pitchpipe; Posaune; Post horn; Principal; Recorder; Reed; Sacbut; Saxhorn; Saxophone; Serpent; Shawm; Shepherd's Pipe; Siren; Slide; Sommerophone; Tenoroon; Timbre; Trombone; Trumpet; Tuba; Valve.

Stuttafod, J. [J. Sd.]—Besson.

Sullivan, Sir Arthur S. [S.]—Clay; Plaidy.

Taylor, Franklin [F. T.]—A; Abbreviations; Acciaccatura; Accidentals; Agrémens; Alphabet; Appoggiatura; Appoggiatura, double; A quatre mains; Arpeggio; B; Bar; Beat;Bebung; Bind; Brace; Breve; Chiroplast; Common Time; Compound Time; Dash; Digitorium; Dot; Extempore Playing; Extemporising machine; Fingering; Instrument; Legato; Leggiero; Ligatostil; Mordent; Nachschlag; Phrasing; Quaver; Quintuple Time; Rest; Rovescio, al; Sextolet; Shake; Signature; Slide; Slur; Spianato; Staccato; Studies; Tempo; Tempo ordinario; Tempo rubato; Tie; Touch; Transposition; Trill; Triplet; Triple time; Turn; U. C.; Verschiebung; Vorschlag; Wrist-touch.

Tedder, H. R. [H. R. T.]—Cornelys.

Thayer, A. W. [A. W. T.]—Galitzin; Gallenberg; Kinsky; Lichnowsky; Lobkowitz; Louis Ferdinand, Prince; Maelzel; Mason, L.; Rasoumowsky; Ries; Rudolph, Archduke; Schwarzspanierhaus; Sebald; Sina; Staudenheim; Stein; Stutterheim; Thomson, G.; Weissenbach; Willmann; Breuning.

Thomas, Miss Bertha [B. T.]—Lucca; Marchesi, M.; Marchesi, S.; Materna; Nava; Sontag.

Thomas, John [J. T.]—Welsh Music; Welsh Triple Harp.

Troyte, C. A. W. [C. A. W. T.]—Bells; Bob; Call Changes; Caters; Change; Chiming; Cinques; College Youths; Cumberlands, Royal Society of; Doubles; Falling a bell; Firing; Grandsire; Hand-bells.