"I would like to be called Terrible North Wind," said Mary Jane, "or Song of the Rushes."
When she was told that this was impossible and Signorina Maria Russiano was suggested, she acquiesced at once, as she had acquiesced when they took her away from her curate; she knew nothing of the ways of humans.
At last the day of the Opera came round, and it was a cold day of the winter.
And Signorina Russiano appeared on the stage before a crowded house.
And Signorina Russiano sang.
And into the song went all the longing of her soul, the soul that could not go to Paradise, but could only worship God and know the meaning of music, and the longing pervaded that Italian song as the infinite mystery of the hills is borne along the sound of distant sheep-bells. Then in the souls that were in that crowded house arose little memories of a great while since that were quite, quite dead, and lived awile again during that marvellous song.
And a strange chill went into the blood of all that listened, as though they stood on the border of bleak marshes and the North Wind blew.
And some it moved to sorrow and some to regret, and some to an unearthly joy,—then suddenly the song went wailing away like the winds of the winter from the marshlands when Spring appears from the South.
So it ended. And a great silence fell fog-like over all that house, breaking in upon the end of a chatty conversation that Celia, Countess of Birmingham, was enjoying with a friend.
In the dead hush Signorina Russiano rushed from the stage; she appeared again running among the audience, and dashed up to Lady Birmingham.
"Take my soul," she said; "it is a beautiful soul. It can worship God, and knows the meaning of music and can imagine Paradise. And if you go to the marshlands with
