Wrellis would first find the sea, whether as he wound idly through meadows on his long quest he would suddenly behold him, and, leaping down over some rocky cliff, take to him at once the message of the hills. Or whether, widening slowly into some grand and tidal estuary, he would take his waste of waters to the sea and the might of the river should meet with the might of the waves, like to two Emperors clad in gleaming mail meeting midway between two hosts of war; and the little Wrellis would become a haven for returning ships and a setting-out place for adventurous men.
A little beyond the bridge there stood an old mill with a ruined roof, and a small branch of the Wrellis rushed through its emptiness shouting, like a boy playing alone in a corridor of some desolate house. The mill-wheel was gone, but there lay there still great bars and wheels and cogs, the bones of some dead industry. I know not what industry was once lord in that house, I know not what retinue of workers mourns him now; I only know who is lord there to-day in all those empty chambers. For as soon as I entered, I saw a whole wall draped with his marvellous black tapestry, without price because inimitable and too delicate to pass from hand to hand among merchants. I looked at the wonderful complexity of its infinite threads, my finger sank into it for more than an inch without feeling the touch; so black it was and so carefully wrought, sombrely covering the whole of the wall, that it might have been worked to commemorate the deaths of all that ever lived there, as indeed it was. I looked through a hole in the wall into an inner chamber where a worn-out driving band went among many wheels, and there this priceless inimitable stuff not merely clothed the walls but hung from bars and ceiling in beautiful draperies, in marvellous festoons. Nothing was ugly in this desolate house, for the busy artist's soul of its present lord had beautified everything in its desolation. It was the unmistakable work of the spider, in whose house I
