Having saluted the hosts and shaken hands with some friends, I joined one of these little groups.
I had no difficulty in recognizing Olga Liubatoviteh, for the portraits of the principal prisoners in the trial of the "fifty," of whom she was one of the most distinguished figures, circulated by thousands, and were in every hand. She was seated at the end of the sofa, and, with her head bent, was slowly sipping a cup of tea. Her thick black hair, of which she had an abundance, hung over her shoulders, the ends touching the bottom of the sofa. When she rose, it almost reached to her knees. The color of her face, a golden brown, like that of the Spaniards, proclaimed her Southern origin, her father and grandfather having been political refugees from Montenegro who had settled in Russia. There was nothing Russian, in fact, in any feature of her face. With her large and black eyebrows, shaped like a sickle as though she kept them always raised,there was something haughty and daring about her, which struck one at first sight, and gave her the appearance of the women belonging to her native land. From her new country she had derived, however, a pair of blue eyes, which always appeared half-closed by their long lashes, and cast flitting shadows upon her soft cheeks when she moved her eyelids, and a lithe, delicate, and rather slim figure, which somewhat relieved the severe and rigid expression of her face. She had, too, a certain unconscious charm, slightly statuesque, which is often met with among women from the South.
Gazing at this stately face, to which a regular nose with wide nostrils gave a somewhat aquiline shape, I thought that this was precisely what Olga Liubatovitch ought to be as I had pictured her from the account of her adventures. But on a sudden she smiled, and I no longer recognized her. She smiled, not only with the full vermilion lips of a brunette, but also with her blue eyes, with her rounded cheeks, with every muscle of her face, which was suddenly lit up and irradiated like that of a child.
When she laughed heartily, she closed her eyes, bashfully bent her head, and covered her mouth with her hand or her arm, exactly as our shy country lasses do. On a sudden, however, she composed herself, and her face darkened and became gloomy, serious, almost stern, as before.
I had a great desire to hear her voice, in order to learn whether it corresponded with either of the two natures revealed by these sudden changes. But I had no opportunity of gratifying this desire. Olga did not open her mouth the whole evening. Her taciturnity did not proceed from indifference, for she listened attentively to the conversation; and her veiled eyes were turned from side to side. It did not seem, either, to arise from restraint. It was due rather to the absence of any motive for speaking. She seemed to be quite content to listen and reflect, and her serious mouth appeared to defy all attempts to open it.
It was not until some days afterwards, when I met her alone on certain "busi-
