or woman with the ugly and ponderous head of a crocodile, or with the slender neck and flat head of a snake?
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Fig. 40.—Isis-Hathor. Louvre.
(Bronze. Actual size.) Every polytheistic nation attacked this problem in turn, and each solved it in its own manner. The Hindoos multiplied the human figure by itself, and painted or carved their gods with three heads and many pairs of arms and legs, of which proceeding traces are to be found among the Western Asiatics, the Greeks, and even the Latins. The Greeks represented all their gods in human form, and yet by the delicacy of their contours and the general coherence of their characterization, they were enabled to avoid all confusion between them. With them, too, costume and attributes helped to mark the difference. But even where these are absent, our minds are never left in doubt. Even a fragment of a torso can be at once recognized at sight as part of a statue of Zeus, of Apollo, or of Bacchus, and a head of Demeter or Hera would never be confounded with one of Artemis or Pallas.
It may be said that the artists of Egypt were lacking in the skill necessary for all this, or that they generalized their forms to such a degree as to leave no scope for such subtle differences. But, in fact, we find in their oldest statues a facility of execution which suggests that, had they chosen, they could have expressed anything which can be expressed by the chisel. That they did not do so, we know. They contented themselves with plastic interpretations so rough and awkward that, perhaps, we should rather seek their explanation
