The Limits of our Inquiry. 91 conquest. This limit will hardly be over-passed in our choice of examples for study, and that for two reasons.
The first is, that at the latter period the evolution of Egyptian art was complete, it had created all that it could and had become a slave to its own past. Disposing under the Ptolemies of all the resources of a great empire, it indeed introduced certain architectural changes which do not seem to have been borrowed from previous buildings, but those changes were of no very great importance and were mostly in matters of detail. In sculpture
Fig. 57. — Ti, with his wife and son.
and painting we can easily see that it abandoned itself to mere copying, to the repetition of a lesson learnt by rote. Whatever had to be done, was done in accordance with fixed tradition, and one monument only differed from another in the amount of care and manual dexterity bestowed upon it.
Our second reason is this, that Egypt was opened to the Greeks in the time of the Sait princes. From the year 650 B.C. onwards, there was constant communication between Ionia and the cities of
