Sepulchral Architecturp:. 133 trouble to feed his departed ancestors with blood, milk, or honey, but with all their simplicity, both one and the other were alive to a truth which the revolutionary spirit of our days, with its childish and brutal contempt for the past, is often unable to grasp. They realized the complete solidarity of one human generation with another. Guided by their hearts alone they anticipated the results at which modern thought has arrived by close and attentive study of history. From a reasoned out conviction of this truth and its consequences, philosophy now draws the principles of a high morality ! but long before our days this Idea and the tender, grateful, sentiments which it provoked had been a powerful instru- ment in the moral improvement of the first-born of civilization and a bond of union for their civil and domestic life. We have thought it right to dwell upon this worship of the dead and to describe its character at some length, because the beliefs upon which it was based are not to be found so clearly set forth in the art of any other people. Their most complete, clear, and eloquent expression, in a plastic form, is to be seen in the tombs which border the Nile. And why is this so ? It is because the Egyptian industries were already in full possession of their resources at the period when those beliefs had their strongest hold over the minds and feelings of the people. In the case of Greece, art did not arrive at Its full development until the worship of the dead had lost Its high place In the national conscience. When the Greek genius had arrived, after much striving, at its complete power of plastic expression, the gods of Olympus had been created for several centuries, and art was called upon to interpret the brilliant polytheism of Homer and Hesiod, to Q^ive outward imao^e to those grods, and to construct worthy dwellings for their habitation. Sculptors, painters, and architects still worked indeed, at the decoration of the tomb. They strove to give It beauty of shape and arrangement, and to adorn its walls with bas-reliefs and pictures ; they designed for it those vases and terra cottas which, in our own day, have been found in thousands in the cemeteries of Greece and Italy, but all this was only a subordinate use of their talent. Their ambition was to build temples, to model statues of Zeus, Pallas, and Apollo. On the other hand, those distant ages in which primi- tive and childish ideas of religion prevailed, had no art in which to manifest their beliefs with clearness and precision.
