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A History of Art in Ancient Egypt.

chance of duration to the double; twenty statues represented twenty chances more. Hence the astonishing number of statues which are sometimes found in a single tomb. The images of the dead were multiplied by the piety of surviving relations, and consequently the double was assured a duration which practically amounted to immortality.[1]

Fig. 88.—Man and his wife in the style of the 5th dynasty. Calcareous stone. From the Louvre.
Fig. 88.—Man and his wife in the style of the 5th dynasty. Calcareous stone. From the Louvre.

We shall see that a special recess was prepared in the thickness of the built up portion of the tomb for the reception of wooden or stone statues, so that they might be kept out of sight and safe from all indiscreet curiosity. Other effigies were placed in the chambers of the tomb or the courts in front of it. Finally, we know that persons of consideration obtained from the king permission to erect statues in the temples, where they were protected by the sanctity of the place and the vigilance of the priests."[2]

  1. Maspero, Conférence, p. 381.
  2. Maspero, Notes sur differentes Points de Grammaire et d' Histoire, p. 155. (In the Recueil de Travaux relatifs à la Philologie et à l' Archéologie Égyptienne et Assyrienne, vol. i.)