a successful conclusion had not death interrupted him after the publication of the first part.[1]
The answer is easy. The East was not discovered till after the death of Ottfried Müller. By the East we mean that part of Africa and Asia which is bordered by the Mediterranean, or is so near to that sea that constant communication was kept up with its shores; we mean Egypt, Syrian Phœnicia, and its great colony on the Libyan Coast, Chaldæa and Assyria, Asia Minor, and those islands of Cyprus and Rhodes which were so long dependent upon the empires on the neighbouring continents. It was between 1820 and 1830 that the young savant conceived the ideas which he developed in his works; it was then that he first took an important part in the discussion as to the origin of the Greek nation, upon which archæologists had long been engaged. What part had foreign example taken in the birth and development of the religion, the arts, the poetry, and the philosophy of Greece, of the whole Hellenic civilization? How much of it was due to suggestions derived from those peoples who had so long preceded the Greeks in the ways of civil life? No historian has answered this question in a more feeble and narrow spirit than Ottfried Müller; no one has been more obstinate than he in insisting upon the originality of the Greek genius, and in believing that the Greek race extracted from its own inner consciousness all that has made its greatness and glory.
When Müller first attacked this question, Egypt alone had begun to emerge from the obscurity which still enveloped the ancient civilization of the East. It was not until three years after his death, that Botta began to excavate the remains of Assyrian art; and nothing but the vaguest and most confused information was to be had about the ruins in Chaldæa. Now, however, we can follow the course of the Phœnician ships along the Mediterranean, from the Thracian Bosphorus to the pillars of Hercules. From the traces left by the commerce and the industries of the
- ↑ Stark died at Heidelberg in October, 1879. The title of his work was identical with that of Müller: Handbuch der Archæologie der Kunst. The first 256 pages of the first volume were published in 1878 with the sub-title: Einleitender und grundlegender Theil (Leipsic, Engelmann, 8vo). A second instalment appeared in 1880, by which the introduction was completed. The entire work, which will not be continued, was to have formed three volumes. We explained its plan and made some remarks upon the part already published in the Revue Critique of July 14, 1879.
