this art are found at but a few points of the vast surface over which the vestiges of primitive man are spread, and neither in the neolithic age, nor even in that of bronze—both far in advance in other ways of that of the cave-dwellings—does it ever seem to have entered into the mind of man to copy the types offered to him by the organic world, still less those of mankind, which, however, had long before been roughly figured in one or two caves in the Dordogne.[1]
Towards the close of the prehistoric age the taste for ornament becomes very marked, but that ornament is always of the kind which we call geometric. Hardly a single decorative motive is taken from the vegetable world. Like the rude efforts of the cave-men, this decoration proves that those by whom it was imagined and who frequently employed it with such happy results, were not contented with bare utility, but, so far as they could, sought after beauty. A secret instinct worked in them and inspired them with the desire to give some appearance of elegance to the objects which they had in daily use. This geometrical style of decoration prevailed all over central Europe until, in the first place, the movements of commerce with Greece and Etruria, and secondly the Roman conquest, introduced the methods of classic art.
From what we have said, it will be seen that we could not have passed over in silence this system of ornamentation; but we shall again find it in our path when we come to treat of that pre-historic Greece which preceded by perhaps two or three centuries the Greece of Homer. By the help of the discoveries which have been lately made in the Troad, at Mycenæ, and in other ancient sites, we shall study the works produced by the ancestors of the Greeks before they went to school to the nations of the East. But even with the discoveries which carry us farthest back, we only reach the end of the period in question, when maritime commerce had already brought to the islands and the mainland of Greece objects of Egyptian, Phœnician or Chaldaic manufacture, but before those objects were sufficiently numerous or the relations with those countries sufficiently intimate to produce any great effect upon the habits of native workmen. Among the deposits to which we have alluded, it is generally possible to distinguish those works which are of foreign origin; and such works excluded,
- ↑ Dictionnaire archéologique de la Gaule, vol. i. Cavernes, figure 28. Al. Bertrand, Archéologie celtique et gauloise (1 vol. 8vo. Didier, 1876, p. 68).
