loo A History of Art in Ancient Egypt. been attributed. The fillets which surround the shaft at its summit represent the cord wound several times round the stalks, the reeds which fill up the upper parts of the hollows between the ribs are meant for the ends of the knots. Not far from the remains of the labyrinth some columns formed upon a similar principle have been discovered. Their shafts are composed of eight vertical ribs, which are triangular on plan like stalks of papyrus. The lower part of the shaft has a bold swell. It springs from a corona of leaves and tapers as it rises. The stalks are tied at the top with from three to five bands, the ends hanging down between the ribs. The buds which form the capital are also surrounded with leaves at their base. The number of its parts and their complicated arrangement, the leaves painted upon it and its general proportions, show that this column was the product of an art much more advanced than that of Beni- Hassan. Between the first and second Theban empires the form of the column underwent a development similar to that which we have already described in the case of the pier. Its surface became less Incoherently irregular ; its horizontal section betrayed a constantly increasing tendency towards a circular form. Moreover, like the edifices of which it formed a part, as it increased in size it turned its back upon its monolithic origin and became a carefully constructed succession of horizontal courses. Thus we arrive, under the New Empire, at a column of which we find several varieties in the buildings at Thebes. Its pro- portions are various, and so are the methods in which it is capped and decorated. The variant which preserves most resemblance to the column from Beni-Hassan is found at Luxor (Fig. ']']'). It is faggot-shaped like its prototype, but the natural origin of its forms is much less clearly marked. The capital recalls a bunch of lotus- buds in a very slight degree, the stems are not frankly detached one from another and the ligatures are repeated in unmeaning fashion. We feel that with the passage of time the original combination has lost its early significance. The change becomes still more striking when we turn to another column from the New Empire, from Medinet-Abou (Fig. ^jZ). The lotiform type may still be recognised, but the shaft is no lono-er faggot-shaped, except in a rudimentary fashion and over a very small part of its surface. There is a ligature just below the ' Ebers, L'Egypte, p. 185.
