io8 A History of Art in Ancient Egypt. nakedness of the base given by the Egyptians to their columns is a curious feature. Shaft and capital may be carved into various shapes and adorned with the most brilliant colours, but the base is always perfectly bare and simple. Between one column and another there is no difference in this respect except in size. The only attempt at ornamentation ever found is a narrow band of hieroglyphs engraved, as at the Ramesseum, round its circum- ference (Fig. 91). On the other hand, the lower part of the shaft is always richly decorated. The principal element in this decoration is the circlet of leaves which are found both in the faggot-shaped columns and in those whose shafts are smooth. In the latter, however, the ornament is carried farther than in the former. Slender shoots are introduced between the larp-er leaves, which mount up the shaft and burst into leaf at the top. Above these, again, come the royal ovals, surmounted by the solar disk between two ur?eus serpents. In the upper part of the column of Thothmes (Fig. 90), the pendants which fill the re-entering angles and the four rings at the top of the shaft, the pointed leaves and other ornaments of the capital, are rendered conspicuous by being painted in colours, yellow and blue, which will be found reproduced in Prisse's plate. We should have liked to give one of these columns with all its coloured decorations, but we hesitated to do so because we were not satisfied with the accuracy as to tone and tint of those coloured plates which had been introduced into previous works. And we wished to give no coloured reproductions except those made expressly from the monuments themselves, as in the case of the tomb from the Ancient Empire whose painted decorations are produced in plates xiii, and xiv. It will be observed that in this case the abacus does not extend beyond the architrave, as it does in the Doric order of the Greeks. We have given a column from the central aisle of the Great Hall at Karnak, as affording a good type of the bell-shaped capital (Fig. 80). We also give an example, with slight varia- tions, from the Ramesseum (Fig. 92). It comes from the principal order in the hypostyle hall, and shows Egyptian archi- tecture perhaps at its best. The profile of the capital combines grace with firmness of outline in the most happy manner. By dint of closely examining and comparing many reproductions we have succeeded, as we believe, in giving a more exact rendering
