254 A History of Art in Ancient Egypt.
depicting other countries and the strange animals that inhabited them, as in the bas-rehef which shows a giraffe promenading among tropical palms.^ But in spite of all these meritorious efforts, they do not touch our feelings like the primitive artists of Gizeh and Sakkarah, or even of Beni- Hassan. Try as they will, they cannot conceal that soulless and mechanical facility which is so certain to fatigue the spectator. If we turn over the pages of Lepsius, we always find ourselves dwelling with pleasure upon the sculptures from the mastabas, in spite of their apparent similarity, while we have soon had enough of the pompous and crowded bas-reliefs from Karnak, Luxor, the Ramesseum and Medinet-Abou. These defects are less conspicuous in figures in the round, and especially in the statues of kings. I do not know that the sculptors of the Setis and the Rameses ever produced anything equal to the portraits of Thothmes, Amenophis, and Taia, but there are statues of Rameses H. intact, which may be reckoned among the fine examples of Egyptian art. The features of no prince that ever existed were reproduced more often than those of this Rameses, who built so much and reigned so long. These reproductions, as might be supposed, differ very greatly in value. In the huge colossi which sit before the Great Temple at Ipsamboul (Fig. 248, Vol. I.), the limbs are not modelled with the careful precision which would be required in the case of a life-size statue. The arms and legs appear rather heavy on close inspection, and in a photograph those parts which are nearest to the camera, namely, the legs and the knees, seem too large for the rest of the figure. But the heads are characterized by a breadth and freedom of execution which brings out the desired expression with great effect when looked at from a proper distance. This expression is one of thoughtful mildness and imperturbable serenity. It is exactly suited to the image of a deified king, sitting as eternal guardian of the temple ^which his workmen had hewn out in the bowels of the mountain. Some discrimination must be exercised between the statues of Rameses which approach the natural size. We do not look upon his portrait when a child, which is now in the Louvre, as a ^ So, at Dayr-el-Bahari the decorator has taken pains to give accurate reproductions of the fauna and flora of Punt. See the plates of Mariette {Dayr-el-Bahari) and the remarks of Prof. Ebers {Aigypteti, vol. ii. p. 280).
