OO O A History of Art in Ancient Egypt. (Pigs. 274 and 275). His costume is comparatively simple. It consists of a pair of drawers kept in place by a wide band like a baldrick, which is passed over the left shoulder and tied round the loins. The end of this baldrick hangs down between the legs ; it is decorated with rosettes and edged with a band upon which circular ornaments are scattered. The almost negro features are similar to those represented in the bas-relief at the Ramesseum which is reproduced in Fig. 221. The shape of the head-dress, too, is similar. The artist has had some difficulty with the woolly hair, and has attempted to render its appearance by a series of knots strung together. In this part of the picture, as in Fig. 273, there is some conventionality, but in the outline of the figure and especially of the face, we find the characteristic genius of Egyptian art, the power to create types which are at once life-like and general, to epitomize all those attributes which constitute a species and allow it to be defined. The scenes represented upon the walls of the tomb may be divided into two groups : those which are more or less historical, and those which are purely religious or mystical. Among tke latter the figures of winged g^- desses, of I sis and Nephthys, are frequendy encountered. They are either seated or standing, carved upon the sarcophagi or painted upon the wooden mummy cases. One wing is always raised, the other lowered (Figs. 276 and 277). The artists of other Oriental races, and even of the Greeks themselves, loved to endow the figures of men and Fig 277. — Winged figure, vol. ii. pi. 87.
