24 A History of Art in Ancient Egypt. supports for masts upon which a velarium was stretched across the court. But neither in engravings nor in photographs have we been able to discover the slightest trace of the holes which would be necessary for the insertion of such masts. But, leaving their purpose on one side, we must call attention to the curious sculptures which are interposed between the upper and lower slabs of these brackets. They are in the shape of grotesque busts, resting upon the lower slab and supporting the upper one with their heads. In the wall above a kind of framed tablet is inserted.^ In these figures, which are now very much worn and corroded by exposure, we have a repetition of those prisoners of war which occur frequently upon the neighbouring bas-reliefs in similar uncomfortable positions. Such a motive is entirely in place in a building which, by the general features of Its architecture, seems a combination of fortress and triumphal arch. It is difficult to admit that such a building as this was never utilized. We may well believe that it was never built for permanent occupation, but we must not therefore conclude that chambers so well lighted and so richly decorated were without their proper and well-defined uses. The floors of the first and second stories have disappeared, but that they once existed is proved by the stair- case, part of which is still in place. The floors were of wood ; the stairs of stone. The general economy of the building shows that it was intended that every room, from the ground-floor to the top- most story, should be used when occasion arose. It is possible that they were employed as reception rooms for the princes and vassal chiefs who came together several times a year for the celebration of funerary rites. In chambers richly decorated like these, and, doubtless, richly furnished also, people of rank could meet together and await at their ease their turn to take part in the ceremonies.^ Although the pavilion of Medinet-Abou may, then, have no right to the name of palace, the foregoing observations have justified their position in this chapter by helping us to understand 1 A careful examination of these tablets has yet to be made ; at present we are without any information as to their probable uses. The authors of the Description thought it likely that they were meant to receive metal trophies of some kind. They might have been covered with a painted decoration, or they might have been intended to be cut into barred windows and left unfinished. In the photographs the stone of which they are made seems to be different in grain from the rest of the walls. ^ Ebers, L Egypte, du Caire a Pliilce, pp. 317-318.
