The General Characteristics of Egyptian Art. 40; their proportions and general arrangements is obscure and incom- plete. But we at least know enough to sketch out a parallel which is all to the honour of Egypt. Some of these eastern temples, being entirely composed of inferior materials, never had the rich- ness and variety presented by the monuments of Memphis and Thebes. Others were but more or less free imitations of Egypt- ian types. Suppose that temple of Bel, which was one of the wonders of Babylon, still standing upon the great plains of Mesopotamia ; it would, in spite of its height and its enormous mass, in spite of the various colours in which it was clothed, appear cold and heavy beside Karnak in its first glory, beside the imposing splendours of the Hypostyle Hall. Until the rise of Greek art, the artists of Egypt remained, then, the great masters of antiquity. Her architecture, by the beauty of its materials, by its proportions, by its richness and variety, was without a rival until the birth of the Doric temple. Her sculptors betrayed a singular aptitude in grasping and interpreting the features of individuals or of races, and they succeeded in creating types which reached general truth without becoming strangers to individuality. Their royal statues were great, not so much by their dimensions as by the nobility of their style, and their expression of calm and pensive gravity. The existence of a few child-like conventions, from which they never shook themselves free, cannot prevent us from feeling deep admiration for the insight into life, the purity of contour, the freedom and truth of design which distinguish their bas-reliefs and paintings. Egyptian decoration is everywhere informed by a fertile invention and a happy choice of motives, by a harmony of tints which charms the eye even now, when the endless tapestry with which tombs and houses, palaces and sanctuaries, were hung, is rent and faded. The smallest works of the humblest craftsman are distinguished by a desire for grace which spreads over them like a reflection from art and beauty, and they helped to carry some knowledge of the brilliant civilization of Egypt to the most distant coasts of the ancient world. During the earlier ages of antiquity, this civilization exercised upon the nascent art of neighbouring, and even of some distant people, an influence analogous to that which Greece was in later davs to wield over the whole basin of the Mediterranean. For
